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The role of the microphone is to amplify the sound on the basis of restoration. The better the microphone, the more reproduction the sound will be. As for whether the sense of rhythm can be strengthened, it depends on your own grasp of the rhythm, and it has nothing to do with the microphone. bar.
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Many people usually feel very good when singing, but as soon as they get the microphone to sing, they completely change their taste, and they can't sing the effect of others.
First of all, the microphone is not a matter of rhythm, it is the breath, and if the breath is right, everything is OK.
The effect of breathing out a voice is very different when using a microphone and singing a cappella singing.
The microphone can make ** more beautiful with some inference of airflow, but this point will not work many times when singing a cappella. When singing a cappella singing, the dependence on the effect of airflow is very low, so people who often sing a cappella will not know how to use the airflow technique of the microphone, and they will not be able to sing once they get the microphone. As long as you practice a lot, you will master the skills.
First: the posture of holding the microphone should be comfortable: the microphone is about 45 degrees from the body, about two centimeters away from the mouth, too far away to affect the sound effect (handheld microphones generally use close-sound microphones).
During singing, the head and body will rotate, the microphone in the hand should follow the mouth, and the microphone should be slightly farther away when singing to the high note so that the voice is not too strong (this is very important).
Second, the hand-held microphone should be like holding a goblet glass, looking at it makes people feel comfortable and relaxed, don't hold it tightly and look at it nervously. (Except, of course, some rock scenes and other unique ones).
Third, pay attention to the plosives in the song when singing the prefix (spray) too hard, the sound of the microphone coming out"popopo"It's going to be exaggerated and hard to hear.
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It is also related to microphones, and different microphones have different usage techniques.
Well-known microphone brands are as follows.
Sennheiser (in 1945, Germany).
Audix (in 1984 in the United States).
Audio-Technica (Tokyo, Japan, 1962).
AKG Love Technology (1945 Vienna, Austria).
Shure (Chicago, 1925).
Beyerdynamic (1924, Germany).
There is also the domestic victorious takstar (Huizhou in 1995).
With a wide range of lineups from entry-level to top-of-the-line, the VX Series is a recording-grade vocal microphone for live performances, studios, broadcast and acoustic instruments.
Shure's microphone is a bit more popular than the public, that is, no matter how good the singer's singing skills are, the Shure microphone sound is still reasonable.
Senhai's microphone capsule is relatively rich, from the low-end 8 series to the mid-to-high-end 9
Series, in the higher end of the series of Neumann customized microphone capsule KK series of KK105S, these models include the whole series from low-end to high-end, from dynamic coil to capacitor.
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Don't put your mouth directly at the wheat, it's easy to have a popping sound, I personally put the wheat in the position of the bottom of the mouth, and some people put it in a high position, you can grasp it yourself. Also, when singing, it is best to have a uniform breath in one sentence. When most people sing, the first word has the heaviest breath, and I feel that the breath I take is basically used on the lower word, which sounds ugly.
Learn to control the amount of gas emitted. Basically, if you do these two things, you will feel that the effect is good. If you really can't do it, you can buy a microphone with better effect (some good microphones have the function of preventing sound explosion).
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Keep the microphone away from your mouth.
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In fact, when singing KTV, we all have a misunderstanding, that is, we like to watch the subtitles of the screen and sing, so it is a little inaccurate.
I suggest you: 1, listen to the song you want to sing several times first, and get familiar with the melody.
2. When singing, don't focus on reading subtitles, but listen to accompaniment.
3. The key is the sense of rhythm and the grasp of melody.
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Hold the microphone well, the echo is slightly tuned, the treble is also high, and the bass is louder.
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There is no other way, there is only one way to delay the microphone data, hi I will teach you what you set up may be the problem of inconsistent sampling rate If the whole is a little worse, more cases are because of you.
If you are in an area that may be humid in season, try to find a sealed box for an unsealed condenser microphone, such as a small shockproof box. Put some moisture-proof beads in it. If the desiccant is wet, it means that the moisture is too much, but it does not mean that the internal parts of the condenser microphone are also wet, because your moisture dryer is working. >>>More
You can check out this report.
Double-click "Sound" - "Options" - "Properties" at the bottom right of the monitor, in the drop-down menu, check the microphone options, then "OK", and then remove the "mute" of the microphone. >>>More
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In microphones, there are three basic classifications of directionality: omnidirectionality, bidirectionality, and unidirectionality. >>>More