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The only way to become a master photographer is to shoot more. Determinable.
For the first and second themes, you can also participate in various bell film competitions and film festivals, from which you can find your own progress and shortcomings, and improve your photography level in practice. As long as you persevere, it won't take long for you to become a good master of photography.
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Master the operation and use of several of the most basic and commonly used buttons. For example, the power switch is in**, how to hold the camera, how to adjust the shooting focus, how to "press the shutter halfway" and press the shutter, how to look at the scene from the viewfinder, how to charge the battery, how to export **data, etc., although it is "a dead mouse in the waist - pretending to be hunting", but it can indeed be "clicked" to shoot**.
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There are many crash courses in photography in society, but these are just to introduce you to photography, and it is impossible to take a photography class to become a photography master. If you want to become a master photographer, you have to study hard. Learn the basics of photography, which is the only way to become a master photographer.
You must be able to use light, understand composition, bright-colored shirts, and be good at the later stage. The works of the two masters. The works of the masters are all classics, and they are the crystallization of the masters after years of practice, through how the masters use light, how to compose pictures, how to use color to improve and enrich our photography techniques and skills.
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Read the manual again with questions. After a period of study, shooting, communication and experience, you will understand a lot of knowledge and truth, and what you can't understand when you look at the manual will suddenly be solved. At this time, going back and reading the manual will get twice the result with half the effort.
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There is no shortcut to learning photography, only hard work. In order to succeed in any work, you must work hard, and photography is the same, learning the basics of books, learning to use light, composition, and color is only the first step, and it is necessary to practice hard to make it your own. There is no bitterness in bitterness, no sweetness in sweetness.
If you practice hard, you can compare the master's works at home and practice by yourself, or you can participate in the photography group, follow the master's familiarity, humbly seek advice, learn and shoot at the same time, and you will be one step closer to success.
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The camera manual is often thick and large, and it is very organized and logical, and if you really understand it, you can really gain a lot. The problem now is that there are so many jargons, so many dogmatic procedures, it is really daunting. What's more, nowadays people like to read in fragments, so how can they have the leisure to gnaw on books.
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Beginners, don't care about what shooting methods, don't care about shooting skills, and can't listen to some "masters" to guide - start playing "all manual", just like the simple card machine in the past, get your hands, you will move, and you can shoot **.
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Adjust to the automatic gear, some are called A gear, some are called P gear, that is, automatic gear, adjust the focus with the left hand, keep an eye on the viewfinder, press the shutter with the right hand, and shoot up. The camera automatically selects the aperture, speed, and sensitivity based on the data provided on the spot, and automatically focuses according to the range, all you have to control "personally" is framing, adjusting the focus, and pressing the shutter. You know, the current SLR cameras are very intelligent, if you can rest assured that it can also shoot well**.
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Learning photography, it is easy to form a circle of study and friends, "things gather people in groups", there are groups shooting, there are photography classes, there are various photography associations, you should try to integrate yourself into it, be modest, ask more advice and learn more. Especially in the Photography Association, there is absolutely no shortage of masters, even if you often "audit" and often "steal teachers", you will also make great progress. In addition, the Photography Association often organizes wind collection activities and lectures to exchange ideas, which is a good learning group.
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I am now doing independent photography, I have my own studio, I also came all the way from Xiaobai, I was engaged in film and television behind-the-scenes work, contact with professional people, to be honest, it is quite difficult, I have also encountered some people's cynicism, the most important thing is my own persistence, because of the work I took a long time, the first two years I used my mobile phone to shoot, do not know the knowledge of photography will go to consult professional teachers or inquire about relevant information. In the next year, I slowly began to contact SLR (other people's) and learn knowledge, and then I bought SLR and related professional equipment accessories, and used it for more than 3 years.
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I think there is no shortcut to improve your skills, if you don't have professional theoretical knowledge, you can only take the practical time to accumulate experience and explore this time-consuming, if you want to go faster, you need to learn professional photography theoretical knowledge, this is still a good choice compared to the former, the first sentence of the "master" to learn photography is: read and understand the camera manual! In fact, learning any knowledge is a combination of direct and indirect experience, and it is a process of continuous and repeated progress.
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DSLR photography techniques include: taking close-ups of still things, shooting people, shooting scenes, shooting night scenes, shooting running things, etc.
1. Take close-ups of stationary things
Take close-ups of still small things, such as flowers, birds, and insects: use A gear, the aperture is preferably at or below, the focal length is preferably 50 or more, and try to shoot within 1m to blur the background! If the light is good, ISO is 100, and if the light is bad, ISO is preferably within 400.
2. Shoot people
Basically, use a wide aperture (within the focal length of mm, the shooting distance depends on the whole body, half-body, headshot, so that the background is blurred, use A gear!) Good light, iso100, bad light, within iso400.
3. Shoot the scene
A grade, use an appropriate aperture, f8 or above, the focal length is casual, however, there is generally distortion at the wide-angle end, so use it as appropriate.
4. Take night scenes
Upper tripod, M stop, custom white balance or incandescent lamp, aperture above f8, small aperture can make the light have a starlight effect; Within ISO200, try to make the ** time longer, so that some people who have inadvertently walked by can disappear from the picture, leaving no traces, and purifying the scene.
5. Shoot things that run
In the case of good light: A gear, the aperture size is handled as appropriate; Use an aperture of f8 or higher for a large depth of field effect, and a small aperture for a shallow depth of field.
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I just bought one some time ago, and I chose to compare it for a long time, and finally decided to buy one under the reference of many parties, because ** is also very moderate, and now it's been a while, and it feels good.
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I also bought one some time ago.,At that time, du chose to compare for a long time.,Finally, it's also dao.
It was based on many references, and I decided to buy one of them, because ** is also very moderate, and now it's been a while, and it feels good.
I just bought one some time ago, and I chose to compare it for a long time, and finally decided to buy one under the reference of many aspects, because ** is also very moderate, and now it's been a while, and it feels very good.
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I don't know how to use a new SLR camera, so I have collected and sorted out the must-learn SLR shooting skills for novices to help you shoot what you want**.
The reason why SLR can achieve a unique image effect is mainly due to the cooperation of the first triangle to form a different visual experience. Therefore, if you want the SLR in your hand to play its due role, you must learn all kinds of knowledge and skills about the ** triangle. The triangle is mainly composed of three factors: ISO (sensitivity), aperture and shutter speed, and the amount of the triangle is also determined by these three factors.
So, you have to keep all the parameters in mind at all times when making adjustments.
Some friends think that such a concept is very difficult to understand, so let's make an analogy. Think of a digital camera** as a sunbath. If it's been your dream to get a bronzer, unfortunately you've never succeeded - it always ends up burning.
Here, your ** is equivalent to the ISO value, and some people's ** is more sensitive to the sun than others. At this point, the shutter speed is the amount of time you spend in the sun. The longer you are in the sun, the darker it will be (of course, if it is too long, it will be overexposed - burned).
The aperture is the equivalent of sunscreen oil you put on your body. Sunscreen will block the sun's rays, and the blocking effect varies depending on the index. A sunscreen with a higher SPF (smaller aperture) will reduce the amount of sunlight that reaches you, and as a result, even the more sensitive person can spend a little more time in the sun (decreasing the aperture can reduce the shutter speed or lower the ISO).
As mentioned earlier, this analogy isn't particularly perfect, but it's enough to illustrate how shutter speed, aperture, and ISO work in a digital camera.
DSLRs allow you to choose whether to save files in RAW or JPEG format. JPEG** has been processed by the camera – saturation, contrast, and other settings have been adjusted. However, RAW files give you a lot of freedom to correct mistakes in your shots (especially ** and white balance), and using software such as PS or Lightroom can make post-production ** management and work easier, and the results are definitely much better than JPEG format.
And for photography, manually adjusting the post-production effect by yourself is also one of the joys of photography. Without this step, a large part of the joy of photography is lost.
In short, RAW files can retain the original data you shot in, so even if it feels like a scrap film during playback, it is possible to achieve the miracle of "turning waste into treasure" with the wide post-production tolerance of RAW, and shoot a blockbuster look.
If you want people to look taller and thinner, try to lower the camera chance, take an upward shooting posture, and then put people's feet near the frame of **, so that because of the perspective effect, it looks like people's legs are long and thin, and the whole person looks much taller than usual.
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