What are the elements of modern folklore inheritance

In the past, due to their disadvantaged economic and political position, people could not use tools such as writing to record and preserve the knowledge, experience and culture they had acquired, and generally relied on action, language transmission and inheritance. This is true of customs, and so is folk literature. This kind of culture passed down by the masses may not be as long-lasting as documents or antiquities, but its vitality should not be underestimated.

We now have some stories or proverbs. It was already recorded by the literati two thousand years ago, but, to this day, it is able to live orally in the people in essentially the same or similar form. Not to mention the works of this kind, which have been produced for about a thousand years, are still circulating among the people.

Naturally, this kind of story or ballad that has been passed down from generation to generation will inevitably change somewhat in form or content. But in the end, they are surviving and becoming part of our modern living culture. Due to the major changes in the times and society, some genres of oral literature, which was once the only literary form for the vast number of working people in history, may gradually disappear, and the content and form of certain genres cannot but change to a certain extent, and new genres that we are not familiar with will also appear.

These are all possible, even inevitable. However, the whole folklore will never disappear. Because the medium of its expression is the application of the most ordinary and vivid and dynamic spoken language.

As long as language exists, oral literature, which uses it as a medium to express people's thoughts, feelings, and experiences, and forms of expression that people are familiar with and convenient, will continue to be produced, exist, and passed on. Among the broad masses of people in China, the Soviet Union, and other countries, in addition to traditional folk literature, new folk literature, that is, revolutionary legends, new jokes, new folk songs, and new proverbs were constantly produced and circulated. Looking at the historical past, in addition to their written writings, the literati and scholars of the upper class who could use writing in the past still produced and disseminated those anecdotes, jokes, and rhymes of commentators on characters orally, such as some stories in "The New Language of the World" and jokes about certain celebrities in the notes of the Tang Dynasty.

These four characteristics are not isolated from each other, but on the contrary, they are interrelated to each other (some of which have already been mentioned). These characteristics are mainly raised from places where folklore diverges from the written literature of professional writers. They can give us a considerable degree of recognition of the characteristics of this literature, but this is not the whole story.

It can be considered from three aspects: school education, protection of inheritors and nomination of heritage.

Folk literature has four fundamental characteristics: oral, collective, inheritance, and variability.

1. Orality is the most significant external feature of folk literature, and its meaning mainly has three points: one is oral creation, the second is oral transmission, and the third is oral preservation. It can be said that folk literature is a literature that is passed down by word of mouth and by mouth.

The reasons for the formation of oral folklore mainly lie in two aspects: first, in China's long-term traditional society, the education level of ordinary people is low, and a large proportion of laborers are illiterate, resulting in the development of oral creation. Second, the oral nature of folk literature also lies in the fact that its creation and performance are an integral part of people's lives, and the traditional artistic characteristics of folk literature are to a large extent caused by its oral nature.

Grasping the oral character is a key to understanding the characteristics of folklore.

2. Collectivity is an important feature of folk literature that distinguishes it from writers' literature, which is mainly reflected in three aspects: First, in terms of the way of formation, folk literature is created by the people, disseminated by the group, processed by the group, and preserved by the group. Second, in terms of content, folk literature reflects the life, thoughts, feelings, and concepts of a specific group.

Third, folk literature embodies the art forms that are popular with specific groups, and is the crystallization of the wisdom and talent of all people.

3. Inheritance refers to the relatively stable factors accumulated in the process of circulation and evolution of folk literature, which are mainly reflected in two aspects: first, the inheritance of content, such as a nation's ethical concepts, value standards, aesthetic tastes, religious beliefs, etc., all have their mainstream tendencies and strong stability, and will not suddenly undergo fundamental and thorough changes, which makes folk literature have some common themes and character types. Second, it refers to the art forms that have been used in folk literature for a long time, including plot structure, narration methods, rhetorical techniques, etc., which have relatively stable traditional forms and have become the artistic characteristics of folk literature.

4. Variability refers to the fact that in the process of circulation, all aspects of folklore works from form to content, including language, plot, characters and even themes, will change. The reason for the variability is, first of all, that the survival mode of folk literature is oral transmission, there is no fixed written form, and everyone it passes through is both a disseminator and a re-creator, which makes the work inevitably in constant change. Second, the cultural background of the work is mainly the difference of era, region, nationality and other factors, which will make the work have significant differences, resulting in the era, regionality and nationality of the work.

Third, in the process of circulating the work in a certain community, the personal factors of the communicator and the reaction of the audience present will also cause variations in the language of expression and the composition of the plot.

Among the four basic characteristics of folk literature, oral and collective play a leading role in the formation of folk literature, and inheritance and variability are produced on the basis of the first two. These four characteristics are the fundamental difference between folk literature and writers' literature, and they have become the main markers of folk literature.

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The inheritance of folk literature is mainly reflected in the content, form and composition of folk worksExpressionAbove. With the development and change of society, folk literature has also continued to develop in a relatively stable environment, and the content form of folk works has been passed down from generation to generation through the literary works of some writers and people, and has been passed on in a relatively stable manner.

Most of the development process of folk literature is passed from the narrator to the recipient, that is, the next narrator, so that it is passed down from mouth to mouth and from generation to generation, so that it is continuously passed down. However, due to the instability of oral transmission (people have different psychology, there will always be a certain subjective color in the narration), as well as the time difference in the transmission process.

Historical development has caused different social environments).

There will be different expressions in terms of content, plot, theme, image and other aspects.

Chinese Folk Literature.

Chinese folk literature is a multi-ethnic folk literature, and there is an obvious phenomenon of mutual exchange and influence among the folk literature of various ethnic groups. China is a multi-ethnic country, with more than 50 ethnic minorities living in addition to the Han Chinese.

The Han nationality has a large population and an early development of civilization. However, it was not a single nation at the beginning, and it was only in the course of historical development that a unified nation was formed.

In its entire cultural formation, it also contains its own independence.

and distinctive. At the same time, in the integration and development of the Han nationality itself, it has influenced and promoted each other culturally with many surrounding ethnic groups. Therefore, the folk literature of the Han nationality is intertwined and connected with the folk literature of various ethnic groups.

The influence of ethnic groups with earlier contact or interhabited and adjacent ethnic groups is more significant. The mutual acceptance of folk literature of various ethnic groups is mostly based on the life and culture of their own ethnic groups, and it is selected, selected, transformed, and processed. They did their best to nationalize it.

This is the natural law of the influence of cultural exchange between peoples.

For example, the allusion to Yangchun Baixue comes from the article "Anthology Song Yu Asks the King of Chu" in "Chu Ci". "Those who have songs in Yingzhong are called "Lower Riba People" at the beginning, and there are thousands of people in the country who belong to peace; It is "Yang A Shallot", and there are hundreds of people in the country who belong to peace; It is "Yangchun White Snow", and it belongs to the country, but it is only dozens of people who are ...... with He Yin SakuraPortable. It is its curve and its high, and its harmony and widowhood.

Of course, the purpose of this discussion between Song Yu and the king of Chu was not to talk about the song itself, but to emphasize the huge gap between elegance and vulgarity, and to justify the fact that his talents and virtues were not recognized by the world.

Summary. Hello Dear Hello It is my pleasure to answer your questions, and after your inquiry, first of all, the inheritors of folk literature have an important node role. They not only make an indelible contribution to the collection and dissemination of history, tradition and excellent documents, but also play an active role in the preservation, protection and transformation of social history and traditional culture.

In addition, the inheritors of folk literature can also promote the updating, creation and development, enrich the form and content of Chinese literature, improve the quality of literature, prosper the cultural industry, and maintain the cultural security of the country. Therefore, in order to motivate the inheritors of folk literature, some efforts must be made. First of all, it is necessary to carry out literary publicity activities, encourage outstanding literary achievements, establish the cultural concept of inheritors, improve their literary literacy and ability, and let their love and energy for literature receive more endless support.

In addition, financial support should also be given to the inheritors of folk literature, including providing them with financial support for famous and high-quality literature, and establishing a number of financial incentives related to cultural relics contribution awards. Finally, it is necessary to pay attention to the investment of the inheritors of folk literature, which is an important guarantee for maintaining the novelty of the form of folk literature.

Hello dear I am happy to answer your questions, and after you asked, first of all, the inheritors of folk literature have the role of a node in the debate. They not only make an indelible contribution to the collection and dissemination of history, tradition and excellent documents, but also play an active role in the preservation, protection and transformation of social history and traditional culture. In addition, the inheritors of folk literature can also promote the innovation, creation and development of Chinese literature, enrich the form and content of Chinese literature, improve the quality of literature, prosper the cultural industry, and maintain the cultural security of the country.

Therefore, in order to motivate the inheritors of folk literature, some efforts must be made. First of all, it is necessary to carry out literary publicity activities, encourage outstanding literary achievements, establish the cultural concept of inheritors, improve their literary literacy and ability, and let their love and energy for literature receive more endless support. In addition, financial support should also be given to the inheritors of folk literature, including providing them with financial support for famous and high-quality literature, and establishing a number of financial incentives related to cultural relics contribution awards.

Finally, it is necessary to pay attention to the investment of the inheritors of folk literature, which is an important guarantee for maintaining the novelty of the form of folk literature.

Kissing, folk literature refers to a form of oral literature in traditional culture, mainly popular in rural areas and rural areas, it expresses people's emotions such as happiness, sadness, anger and hope in simple and easy-to-understand language, and brings people unlimited cultural enjoyment. Because of its unpretentious characteristics, folk literature has a wide range of dissemination, and can often penetrate into the lives of ordinary people, becoming an important part of traditional culture, and playing an important role in promoting traditional culture.

First of all, most of the folk literary works contain the connotation of traditional culture, such as folk songs, nursery rhymes, mythological stories and fables, etc., which often convey traditional culture in a vivid and realistic way.

Folk literature is passed down orally among the people and plays a variety of roles; On the other hand, because of the importance attached to it by the literary circles, it is widely collected, selected and sorted, and returned to the broad masses of the people, so that it can play a new role under the current social conditions. As for the new folklore, the educational role of the people is even stronger.

The practical role of folk literature is also manifested in the role of theoretical knowledge after research. The scientific principles derived from the study of folklore works are used to educate the general public.

It enables people to rationally understand the various aspects of language and art created by Li Min, the head of the working people, in the past and present, and not only to correctly understand the folk literature as the precious wealth of the working people, but also to have a deeper understanding of the important principle of "the people create history". In addition, it will further stimulate people's enthusiasm for creativity.

Folk literature is the spiritual wealth created and possessed by the vast number of working people in the country and nation. It not only has its own ideological content and art form, but also has its own unique performance process and communication methods.

It is an important part of national literature, and it is also a cultural phenomenon that emphasizes the importance of paragraphs. Therefore, in order to narrate the history of Chinese culture or cultural studies, we must not abandon folk literature, which is an important spiritual and cultural product, otherwise, it will not only be incomplete in generalization, but may also affect the accuracy of the evaluation and description of the entire cultural phenomenon.

Historical Background:

Folk literature refers to the literary works created in the daily life of people from different regions, different nationalities and different social classes, and is a literary form with strong local characteristics and national customs.

Folk literature is an important part of culture, with high artistic value and cultural value, and plays a positive role in maintaining the diversity of national culture, promoting cultural exchanges, inheriting history and culture, and promoting national spirit.

Therefore, folk literature is not vulgar literature, but a cultural form that is beneficial to the development of society. Of course, there are some vulgar literary works, but this does not mean that folk literature itself is vulgar. There are excellent and inferior qualities in any literary form, and we need to distinguish and excavate the excellent ones in order to promote the development and progress of literature.