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Anonymous users2024-02-09Ji Xianlin's prose works include: "Qingtang Lotus Rhyme".
Endowed with Eternal Repentance
Ten Years in Germany" Wanquan Collection".
Tsinghua Garden Diary
Miscellaneous Memories of the Cowshed" Lang Run Garden Essay",
Ji Xianlin's Selected Essays
Appreciation of Tagore's Masterpieces
The Whisper of Life" Tianzhu Heart Shadow
Ji Xianlin talks about reading and studying
Ji Xianlin talks about mentors
Ji Xianlin talks about life".
Miscellaneous Notes on the Sickbed" Reminiscences of the Past
New Era Archives
Mother and Son, Three Little Girls
Fishing's representative works are: "My own flowers are for others to see".
Remembering Mother" Oleander".
The tragedy of the hidden path "Qingtang Lotus Rhyme".
Success" "Life and Life".
Eternal Repentance" and "Forget".
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Anonymous users2024-02-081. Ji Xianlin (August 6, 1911 - July 11, 2009), a native of Linqing, Liaocheng City, Shandong Province, China. He is an internationally renowned master of Oriental studies, a linguist, a writer, a scholar of Sinology, a Buddhist, a historian, a teacher and a social activist. He has successively served as a member of the Department of Philosophy and Social Sciences of the Chinese Academy of Sciences, Honorary President of Liaocheng University, Vice President of Peking University, Director of the Institute of South Asian Studies of the Chinese Academy of Social Sciences, and a tenured professor of Peking University.
2. "My Flowers Are for Others to See", "Missing Mother", "Oleander", "The Tragedy of the Hidden Path", "Qingtang Lotus Rhyme", "Success", "Being a Man and Dealing with the World", "Eternal Regret", "Forgetting", etc.
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Anonymous users2024-02-07Chapter 2: Writing an Article.
At present, there is an argument in the Chinese prose circles that what prose is wonderful is the word "prose".
Loose, loose and loose. It means to write with a pen, no need to conceive, no need to scrutinize, no need to temper words, no need to consider the structure, write how you want, and write to ** if you are willing to write**.
This is true in theory, but it is also true in practice. Such "prose" articles are pervasive in some newspapers and periodicals, and they are all over the world.
I have climbed the lattice all my life, although there is no merit, there is also hard work; The results are not big, but there are many lessons. Plagiarism is not so easy to write an article.
Now the literati lament that the article is worthless. If the articles are like this, I don't think it's worth the money.
As can be seen from books such as notes and poems from China's past, Chinese literati in the past, especially poets and lyricists, attached great importance to rhetoric. The list goes on. Du Fu's "words are not amazing, and death is not surplus", which is well known.
The word "green" in "Spring Breeze and the South Bank of the Green River" by Wang Anshi, a friend of the erector, was chosen by the poet after several considerations.
Wang Guowei linked this kind of character refining work with his literary and artistic ideal "realm". He said, "Words are based on the realm.
What is a "realm"? It is certain that it has something to do with the refining of words. He said:
The red apricot branches are in the spring', with the word 'trouble' and the realm is all out. Isn't the word "trouble" refined?
This situation is related to the characteristics of difficult parts of Chinese to distinguish between word classes. This is not entirely the case in other countries. Striker.
It's poetry. What about prose? I think that, albeit to a different extent, this is also the case. Regarding the story of Ouyang Xiu's scrutiny of the words and sentences of the article, there are many records in the past notes. I'll now copy a passage from "Fei Xuelu":
Predecessors of the article, everyone did not hesitate to change the article. Today's shallow academic ability is not changed to high. Every time Ou Gong is written, it must be changed by itself, and there are those who do not leave a word in the original book.
It is an article, and the book is glued to the wall of the house, and it enters and exits the province. To the size of the single Jane must also be drafted, its fine review is so. For each article, the scholars wrote and recited it. Only to see its natural formation, do not investigate the marks of the axe and chisel.
This is undoubtedly a mirror for us to write articles today.
26 December 1993.
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Anonymous users2024-02-061. "My own flowers are for others to see" (the second volume of the fifth grade of the standard experimental textbook of the compulsory education curriculum) 2. "Missing the Mother" (the first volume of the sixth grade of the standard experimental textbook of the compulsory education curriculum).
3. "Oleander" (Compulsory Education Curriculum Standard Experimental Textbook Jiangsu National Standard Edition Primary School Sixth Grade Second Volume).
4. "Little Seedlings and Big Trees" (Compulsory Education Curriculum Standard Experimental Textbook for Primary School Chinese Fourth Grade, Volume II).
Ji Xianlin: Ji Xianlin (August 6, 1911 - July 11, 2009), a native of Linqing, Liaocheng City, Shandong Province, China. He is an internationally renowned master of Oriental studies, linguist, writer, Chinese scholar, Buddhist scholar, historian, educator and social activist.
He has served as a member of the Department of Philosophy and Social Sciences of the Chinese Academy of Sciences, honorary president of Liaocheng University, vice president of Peking University, director of the Institute of South Asian Studies of the Chinese Academy of Social Sciences, and a tenured professor at Peking University.
In his early years, he studied abroad, fluent in English, German, Sanskrit, Pali, able to read Russian and French, especially Tocharian (an independent language in the Indo-European language family, the most widely distributed language family in the contemporary world), and is one of the few scholars in the world who are proficient in this language.
For "the simultaneous study of Sanskrit, Buddhism, and Tocharian literature, and the study of Chinese literature, comparative literature, and literary theory", his works were compiled into "Ji Xianlin's Anthology", a total of 24 volumes. Before his death, he wrote three laurels: master of Chinese studies, master of academic circles, and national treasure.
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