How do you practice piano to make your fingers faster?

The secret to improving your finger speed at the piano is to practice slowly. Why do you say slow practice? This may seem like a paradox, but it's actually a simple physics principle, if you want to be fast, the most important thing is to reduce the amount and amplitude of movement you need, which means that the shorter the distance you travel, the faster you can reach your destination.

In other words, if you want to play faster, you have to convince each finger to move from one key to the next with the easiest path. This means that you need to: pass your thumb in the smoothest arc; Try to eliminate any sudden shaking of the wrist.

Make sure the movement of your arm above the keys is smooth enough.

Finger hook the keys, move as fast as possible, metronome speed 40-60, two notes at a beat. It can alleviate the over-fried tone of the high finger and can work every muscle on the whole finger. The fingers do not need to be too bent on the keys, quickly hook in their own direction, the faster the better, the big finger can also be, but the action is not the same as other fingers, everyone's situation is different.

The volume is mf or mp, and after playing a note, quickly relax, let the weight of the keys automatically lift the fingers back, so that each note is a very short skip, and the range of finger movement is very small. Metronome 40-60, one tone per beat. If you don't feel right before, you can put one hand on the piano, keep a relatively round hand shape, completely relaxed, and press a finger down with the other hand, when the other hand is raised, the fingers of the piano should be automatically lifted by the weight of the key, and the hand that plays the piano is completely forceless.

This exercise is effective in increasing finger speed and relaxation.

Take more time to play Hanon, first slowly raise your fingers to make sure that each note is solid and powerful to the end, and relax the other fingers and wrists, and then increase the speed appropriately. Then practice playing the keys slowly, while paying attention to the independence of each finger, don't shake your wrist up and down, and find the point where it is loose but not collapsed. After making sure that these conditions are met, accelerate little by little.

Every day, before practicing the song, Hanon plays it for half an hour to an hour. Find the right way, have a good teacher, and with your hard work, you will definitely reach your goal quickly!

Raise your finger high and quickly press down, metronome speed 40-60, one beat and one tone. This method is very famous in China, and there is no need to repeat it, raise your finger before playing, and play it as fast as possible. Many people like to tear this, but you have to understand that this is a practice method, not a performance method, and of course you won't play it like this when you play a tune!

As for whether this injury hurts the hand, I asked the doctor at the Alexsnder Technique (a discipline that studies human anatomy, movement, how to exert force, and how to relax), and she said that the correct practice does not.

Stand and play, touch the keys deeply, feel the weight play, metronome 40-80, one beat four notes. This is a bit dangerous because the wrist and arm are at an angle, which makes it more difficult to move, and if you feel tired or your muscles are stiff, you need to stop immediately and take a break. My professor said that this is a bit dangerous, except for professional students, ordinary people can switch to using the weight of the arm to play, and the fingers support the weight of the whole arm.

I think you can try to play some light tunes to practice, don't stiffen your fingers, don't play too hard. If you practice like this for a while, you will improve.

Fast, sticky, legatissimo, as fast as possible, while paying attention to clarity and uniformity. Exercises can be divided into two types, one is exaggeration, deliberately doing larger movements to make otherwise ordinary movements difficult, good race runners do high leg raises, or sandbag exercises. The other is to increase the speed and reduce the physical exertion, and the movements are as small as possible.

This slow practice requires careful identification of problems, understanding of problems, and continuous problem solving. Although, this is a boring process that tends to be frustrating to the point of slowness, if you can hold back the loneliness and stick through the slow thinking stage, you will really find a lot of benefits.

First of all, you should practice a little more, and you should also know how to soak it in warm water every day, so that your fingers will be more sensitive.

Pick some etudes of moderate difficulty and practice slowly for a while, be sure to be slow! If you want to improve your running ability, practice scales and arpeggios, or find some small pieces to play, take your time, and don't rush it.

Immerse yourself in the world of ** and let your fingers dance with the dance of the notes, so that you can make your fingers very fast.

Skip notes, play at medium speed, metronome 40-80, four notes in one beat. Exercise finger reaction speed. When playing, you should listen carefully, whether each note is disconnected, the length and the timbre is even, this exercise can also be matched with crescendo, a little more sexual.

Because the fingers often practice pressing the piano keys, the finger dexterity has improved. So the finger speed will be faster.

This requires you to keep practicing, and then know how to soak your hands in warm water every day.

If the level is okay, you can practice wild bee flying, just about one point.

Big Finger Exercises:

1. Hang your hand in the air to relax your hand, and the second root of the big finger should be relaxed and prominent, and then let the big finger gently move up and down, and the second root should be prominent. Pay attention to the big finger to do it independently, not to affect the other fingers and palms, to do it relaxed.

2. To do the exercises on the piano, move the exercises done in the air to the piano, first lift your fingers lightly, and gently press down the keys slowly. Pay attention to relaxation and independence. Pay attention to the shape of your hands. Fingers can be clicked without one finger.

3. On the basis of the second article, do the quick touch of the big finger practice, which is also to gently lift the finger first, and then quickly lower the key. The power should not be too great, relax quickly after the sound, the hand shape should be in a good state, and the lower key must be agile.

Practicing the piano is related to the flexibility of the fingers, I don't know how old you are now, it is recommended that you start not to practice some music now, start practicing Hanon from the first one, repeat the practice every day, one to ten repeat the practice every day, that is, practice one to ten before practicing every day, and then according to the weak links of your fingers to have targeted exercises, so that the flexibility of the fingers can be improved faster, I teach my students like this. But learning a musical instrument is a long way, you have to practice for a long time, you can't rush, you can't rush.

When practicing the piano synchronization course, you should practice the "Harong Piano Practice Fingering" every day, and you can practice it one by one or selectively according to your weak points. You can practice for half an hour at the beginning, and then you can practice for 1-2 hours after the level gradually deepens, you can change the rhythm (such as adding points), and then play the music after the practice, which is very helpful for the flexibility of the fingers.

Hope it helps.

1. Practice Hanon Fingering in the right way. Lessons 1-30, fingers raised high, touch the keys correctly, and each note is played clearly. When you start practicing, slow down and gradually speed up.

2. After practicing Czerny 599, practice 849 and 299 seriously, they are smooth and fast exercises. If you can persevere, your fingers will become more and more flexible.

It is recommended to buy a Hanon and practice quickly every day, and it is important to persevere.

1. One-handed practice:

Practice with one hand first, relax your fingers, and put your palms lightly on the piano for basic movements, and then drive your wrists to practice with your fingers on the keyboard one by one, and be sure to master the correct movements:

The wrist must be higher than the piano, the knuckles can not be concave inward, the whole palm should be arched, the thumb is inward, especially pay attention to the little finger can not collapse when touching the keys, every time you play a Jian, you must raise your fingers high and then fall on the keyboard forcefully and accurately.

2. Finger independent exercises:

Mastering this technique requires a certain understanding of piano playing. The Shmidt Piano Tutorial is a difficult piano fingering exercise, but after playing it, you will find that the original unsolvable technical problems are no longer difficult. Liszt's Nightingale is a very nice piece of music, but many people always play the cord, that is, the problem of finger independence has not been fundamentally solved.

3. Master finger independent exercises, and you can do finger gymnastics

Finger gymnastics is an exercise that uses various movements of the fingers, including fingers, palms, and wrist joints to complete the work of various parts of the arm. It is like other physical gymnastics, according to a certain pattern, to complete each movement. Finger gymnastics can improve cognition, numeracy and reading skills.

First, the mention of "metacarpal joint force" needs to be explained: The use of finger playing is the force of the metacarpal joint on the surface, but it is actually the result of the rapid contraction of the finger flexors in the forearm (also known as the forearm) (the elevation of the fingers before the lower button is also completed by the finger extensors in the forearm), which is the force of the fingers when they actively play**. This is the basic skill of piano playing, and it is also an important part of the beginner piano learning stage.

You can hold the forearm of the hand playing the piano with your other hand, and when you play the lower key, you can see that the flexor muscles in the forearm are contracting. At this time, the muscles in the palm of the hand (called the "interphalangeal muscles") are relaxed. Only when playing octaves, chords, do you need the muscles of the palm, such as the interphalangeal muscles, volar muscles, adductor pollicis muscles ("thenar major"), to work.

Second, training to raise the finger and lower the key is an important learning content for beginner piano learners, but it is not about how much time it takes to practice (some students can quickly master the essentials of playing and smoothly enter a new learning stage), but it is necessary to pay attention to the clear training goals and the high quality and high requirements of the training, which can achieve twice the result with half the effort. 1. The preparation of the finger lifting must be natural, not too fast and forceful; After lifting, the key can be lowered, and it should not delay and cause tension in the tendons of the hand. 2. The lower key should be fast and powerful, like an arrow off the string.

3. Relax immediately after pressing the key, and only let the fingertips of the playing stand firmly on the key (to the degree that the key is not raised) and do not continue to press the key hard. 4. During the finger lifting and lower key playing, the wrist is always in a stable state of moderate control, neither stiff nor too relaxed.

Three, what do you mean by "power in the fingers"?

1. The strength of finger playing power first lies in the strength and speed of the finger flexor muscle contraction movement of the forearm. The sound of the piano depends on the force and speed of the moment you touch the keys (after that it is just the continuation and decay of the sound). This power of the finger button is achieved gradually through systematic training of the muscles related to the hand (force intensity) and nerves (speed response).

2. In addition, the ubiquitous support of the piano is actually another way of playing with sustained force (or weight) of finger or arm strength. The fingertips, fingers, and arms coordinate and cooperate in the process of playing, and jointly assume the indispensable supporting function and adjustment role, so as to ensure the quality of piano playing (especially chords and octaves).

Piano teaching has made remarkable achievements, but Mr. Zhaoyi has long attached great importance to and emphasized the importance of "support" techniques in piano playing. Recognizing this, we will gain a lot from our learning and training.

(100 Easy Exercises) - 599 (100 Practical Beginner Exercises) - 821 (160 exercises of 8 or 16 bars) - 849 (Smooth Etudes) - 299 (40 Quick Exercises) - 740 (50 Gorgeous Exercises with Flexible Fingers) - 718 (24 Easy Exercises for the Left Hand).

It's still relatively difficult, and it's not easy to be able to play smoothly. This takes time. Including finger training for Hanon.

In addition, Hanon is best performed at the same time as the etudes 599 or 139. Moreover, "Hanon" is to be played all the time, and the scales, arpeggios, octaves, thirds, wheel fingers, and various ornamental trills are the basis for all future performances.

If you practice more fingers, you will be able to be flexible on the piano, there is no good way, that is, you practice, ** College piano students practice every day.

Seven or eight hours.

When you practice the piano every day, you will play the first 30 Hanon without mistakes, and the time will be controlled within 30 minutes. No matter how much you practice targeted etudes, you must not use electronic piano and electric piano to practice, the strength and feel are different, and the fingers will be broken, so go to the piano shop to practice.

I've been in this situation too, take your time, you can try :

Play the electronic keyboard more often (this key is light).

Practice with your fingers hanging from a rope.

Play slowly, not too fast, take your time, and after a while, you will get faster.

The best way to deal with it: play the difficult parts into the front dot rhythm first, and then change to the back dot rhythm, and practice at a slow speed (must be slow) with medium to strong repetition.

The most careful way to do this: start with five-finger exercises, hanon, scales, and arpeggios. Pay attention to all the technical aspects, and over time you will get flexible fingers.

Don't just focus on the technology, and pay attention to the content of every song you play, I think it's just as important as having good technology. And it can promote the improvement of technology.