The Book of Poetry describes the customs and customs of a place

Style classification The lyrics recorded in the Book of Songs are all lyrics that have been musical. The style of the Book of Songs is divided according to the different natures of the Song, which is divided into three categories: wind, elegance and song. Wind.

It is a place in different regions**, mostly folk songs. The poems of "Wind" are folk songs collected from 15 regions, including Zhounan, Zhaonan, Shao, Hu, Wei, Wang, Zheng, Qi, Wei, Tang, Qin, Chen, Hui, Cao, and Feng. A total of 160 articles.

Most of them are folk songs. According to the names of the fifteen national styles and the content of the poems, it can be roughly inferred that the poems were produced in the present-day Shaanxi, Shanxi, Henan, Hebei, Shandong, and northern Hubei. Elegant.

That is, the music of the imperial court, is the first in the area directly under the jurisdiction of the Zhou Dynasty, most of them are the works of the nobles, that is, the so-called Zhengsheng Ya music. "Ya" poems are the music songs of the court banquet or court meeting, and are divided into 31 "Daya" and 74 "Xiaoya" according to the difference of **, a total of 105 pieces. Except for a small number of folk songs in "Xiao Ya", most of them are works of aristocratic literati.

Ode. It is a musical song and epic poem of the temple sacrifice, and the content is mostly to praise the deeds of the ancestors. The poems of "Song" are divided into 31 "Song of Zhou", 4 "Song of Lu", and 5 "Song of Shang", a total of 40 articles.

All are the works of aristocratic literati. From the perspective of time, most of the "Song of Zhou" and "Daya" should have been produced in the early Western Zhou Dynasty; A small part of "Daya" and a large part of "Xiaoya" were produced in the late Western Zhou Dynasty to the eastward migration; Most of the "National Style" and "Lu Song" and "Shang Song" were produced in the Spring and Autumn Period.

Wind, elegance and ode refer to the three parts of the first collection of poetry in China, the Book of Songs.

The wind is a different region of the place**. The poems "Wind" are folk songs collected from 15 regions, including Zheng, Qi, Wei, Tang, Qin, Chen, Hui, Cao, and Feng. A total of 160 articles. Most of them are folk songs.

Ya is the ** of the area directly under the jurisdiction of the Zhou Dynasty, that is, the so-called Zhengsheng Yale. The poem "Ya" is a musical song during a court banquet or court meeting. Except for a small number of folk songs in "Xiao Ya", most of them are works of aristocratic literati.

Song is a dance song of the temple sacrifice, and the content is mostly to praise the deeds of the ancestors. All are the works of aristocratic literati. From the perspective of time, most of the "Song of Zhou" and "Daya" were produced in the early Western Zhou Dynasty; A small part of "Daya" and most of "Xiaoya" were produced from the late Western Zhou Dynasty to the eastward migration; Most of the "National Style" and "Lu Song" and "Shang Song" were produced in the Spring and Autumn Period.

The Book of Songs is the first collection of poetry in China and occupies an important position in the cultural history of China and even the world. The Book of Songs contains a total of 311 poems from the early Western Zhou Dynasty to the middle of the Spring and Autumn Period for more than 500 years, which are divided into three parts: style, elegance and song. Its writing technique of describing and reflecting reality has created a fine tradition of realism in poetry creation, and the poetry creation of poets of all generations has been influenced by the Book of Songs to varying degrees.

On the whole, the Book of Songs is a visual reflection of the social life of China during the 500 years of the Zhou Dynasty's prosperity and decline, including the ode to the founding of the ancestors and the music of sacrificing gods and ghosts; There are also banquets and drinks between nobles, and resentment of uneven work and rest; There are also moving chapters that reflect labor, hunting, and a lot of love, marriage, and social customs.

"Wind" comes from folk songs from all over the world, is the essence of the "Book of Songs" in the chant of love, labor and other beautiful things, there are also nostalgia for the homeland, thinking of people and anti-oppression, anti-bullying grievances and anger, often repeated in the technique of repeated arias, each chapter in a poem is often only a few words different, showing the characteristics of folk songs.

Ya is divided into "Da Ya" and "Xiao Ya", which are mostly poems of aristocratic sacrifices, praying for a good year and praising ancestors. The author of "Daya" was an aristocratic literati, but he was dissatisfied with realpolitik, and in addition to banquet songs, sacrificial songs, and epic poems, he also wrote some satirical poems that reflected the wishes of the people. There are also some folk songs in "Xiaoya".

"Ode" is a poem of the temple sacrifice. The poems in the Ya and Song are of great value for the study of early history, religion, and society.

In the above three parts, there are 40 articles in "Ode", 105 articles in "Ya" (6 articles in "Xiao Ya" have eyes and no poems, not counted), and "Wind" has the largest number, with a total of 160 articles, a total of 305 articles. The ancients took its whole number and often said "three hundred poems".

The Book of Poetry and the 15 National Styles are folk songs from all over the world.

"Wind" comes from folk songs from all over the world, is the essence of the "Book of Songs" in the chant of love, labor and other beautiful things, there are also nostalgia for the homeland, thinking of people and anti-oppression, anti-bullying grievances and anger, often repeated in the technique of repeated arias, each chapter in a poem is often only a few words different, showing the characteristics of folk songs.

The Wind includes folk songs from fifteen places, including present-day Shaanxi, Shanxi, Henan, Hebei, Shandong and other places, most of which are folk songs from the Yellow River Valley. Most of the polished folk songs are called "Fifteen Kingdoms Style", with 160 articles, which are the core content of the "Book of Songs". "Wind" means earthy wind, wind ballad.

The fifteen national styles are: 11 in Zhounan, 14 in Zhaonan, 19 in Shao, 10 in yōng, 10 in Weifeng, 10 in Wang Feng, 21 in Zheng, 11 in Qi, 7 in Wei, 12 in Tang, 10 in Qin, 10 in Chen, 4 in juniper, 4 in Caofeng, and 7 in 豳 (bīn). Zhou Nanzhong's "Guan Ju" and "Tao Yao", Wei Feng's "Cutting Tan" and "Shuo Mouse", and Qin Feng's "Pu Jia" are all well-known articles.

The "Book of Songs" describes the customs and customs of many places, among which the wind includes the folk songs of the fifteen countries at that time, such as "Qin Wei" from Zheng Guo's poems. Zheng customs, every year in the middle of spring (March 3 Shangsi Festival exhibition), on this day everyone gathers on the bank of the Qinwei River, together to sacrifice and pray, look at the sky to descend to the gods, but also pray for marriage and childbearing. Young men and women enjoy a spring outing.

At that time, Zheng Guo had a pure social atmosphere and sincere feelings between men and women. Although it is not as romantic as Tanabata or as direct as Valentine's Day in the West, it has the innocence and simplicity of pursuing love in the social context of that time. Just like the dialogue between men and women in the poem, it is simple and religious.

The fern and the spoon medicine in the poem are the two flowers that are worn, and the fern refers to the predecessor of the current orchid - orchid. It is one of the sacrificial props, burning orchid grass, and the fragrance of orchid grass is used to convey people's hopes to the gods. The peony in the hands of men and women is a token of love, a symbol of love, Zheng Jian said:

Farewell, he gave the woman a spoonful of medicine and married kindness'。

The Book of Songs has three parts: wind, elegance and song. Among them "wind" includes:"Fifteen national styles", there are 160 poems, which are the core content of the "Book of Songs"; "Ya" is divided into "big Ya" and "small Ya", and there are 105 poems; "Song" is divided into "Zhou Song", "Lu Song", "Shang Song", and there are 40 poems. The Book of Songs has collected a total of 311 poems, of which 6 are sheng poems, with only titles and no contents, and 305 are extant (that is, those with titles and words).

The part of the Book of Poetry that describes local folk customs is the "Wind".

The Book of Songs is divided into three parts: "Wind", "Ya", and "Song". "Wind" includes "Zhou Nan", "Zhao Nan", "Shao Feng", "Hu Feng", "Wei Feng", "Wang Feng", "Zheng Feng", "Qi Feng", "Wei Feng", "Tang Feng", "Qin Feng", "Chen Feng", "Junifeng", "Cao Feng", "Feng Feng", a total of 15 "National Style", 160 poems;

Wind is one of the "six meanings of the poem", which refers to the ** with local colors, including the fifteen "national winds", that is, the folk songs of fifteen places. The "national style" has preserved the oral creations of a large number of working people and has strong folk song characteristics. The content of this part of the calendar poems has distinctive characteristics of realism, its language is simple, distinct, and full of imagery, and most of the forms and remnants are four-word sentences, and the sentences are rhymed, which is full of rhythm and a sense of **.

At the same time, there are many overlapping chapters, and there is an artistic beauty of singing and sighing, which is the essence of the "Book of Songs".

It is the wind that describes the local folk customs in the Book of Songs.

1. The wind, also known as the style of the fifteen countries, is a display and record of the folk customs of some countries at that time. The style of the fifteen countries was collected from 15 regions, including Zhounan, Zhaonan, Shao, Hu, Wei, Wang, Zheng, Qi, Wei, Tang, Qin, Chen, Hui, Cao, etc.

2. The national style is an integral part of the Book of Poetry, including "Zhou Nan", "Zhao Nan", "Shao Feng", "Hu Feng", "Wei Feng", "Wang Feng", "Zheng Feng", "Qi Feng", "Wei Feng", "Tang Feng", "Qin Feng", "Chen Feng", "Junifeng", "Cao Feng", "Feng Feng", a total of 160 articles, collectively known as the fifteen national winds.

3. The national style preserves the oral creations of a large number of working people, and has strong folk song characteristics. The content of this part of the poem has distinctive realist characteristics, its language is simple, distinct, and full of imagery, and the form is mostly four-word sentences, with rhyme in other sentences, rich in rhythm and **. At the same time, there are many overlapping chapters, and there is a sense of beauty in the art of singing and sighing, which is the essence of the "Book of Songs".

About the Book of Songs:

1. The Book of Poetry is divided into three parts: wind, elegance and song, which is the beginning of ancient Chinese poetry and the earliest collection of poetry. The author of the Book of Poetry is unknown, and most of them can no longer be verified, and it is said that it was collected by Yin Jifu and compiled by Confucius.

2, the poetry technique is divided into Fu, Bi, Xing, the wind is the ballad of the Zhou Dynasty, Ya is the positive sound of the Zhou people, and is divided into small Ya and Da Ya, Song is the music of the Zhou royal court and the noble temple sacrifice, and is divided into Zhou Song, Lu Song and Shang Xiang Eggplant Song.

3. The Book of Poetry is rich in content, reflecting labor and love, war and servitude, oppression and resistance, customs and marriage, ancestor worship and banquets, and even celestial phenomena, landforms, animals, plants and other aspects, which is a mirror of social life in the Zhou Dynasty.

The part of the Book of Poetry that describes local folk customs is the "Wind".

The Book of Songs is divided into three parts: "Wind", "Ya", and "Song". "Wind" includes "Zhou Nan".

Zhao Nan", "Shao Feng", "Hu Feng", "Wei Feng", "Wang Feng", "Zheng Feng", "Qi Feng", "Wei Feng", "Tang Feng", "Qin Feng", "Chen Feng", "Junifeng", "Cao Feng", "Feng Feng", a total of 15 "National Style", 160 poems;

Wind is one of the "six meanings of poetry", which refers to ** with local colors, including fifteen "national winds", that is, folk songs in fifteen places. The "national style" has preserved the oral creations of a large number of working people and has strong folk song characteristics. The content of this part of the poem has a distinct realism.

Characteristics, its language is simple, distinctive, rich in imagery, the form is mostly four-word sentences, rhyme in sentences, rich in rhythm and sense of **. At the same time, there are many overlapping chapters, and there is an artistic beauty of singing and sighing, which is the essence of the "Book of Songs".

The Book of Poetry: Wind. The title in the Book of Songs, by its original nature, is the lyrics of the song. "Mozi Gongmeng" said:

Three hundred hymns, three hundred string poems, three hundred song poems, and three hundred dance poems. It means that there are more than three hundred poems in the poem, which can be recited, played with musical instruments, sung, and danced. "Historical Records of Confucius.

The Family also said: "Three hundred and five articles, Confucius all sang songs, in order to combine the sound of Shao, Wu, Ya, and Song." Although these statements may be acceptable, there is no doubt that the Book of Songs was closely related to ** and dance in ancient times.

The division of the three parts of "Wind", "Ya" and "Song" is based on the difference of **.

The wind is the first tune, and the national wind is the music of each region. Country means region, region. The 160 articles of the fifteen national winds include Zhou Nan, Zhao Nan, Shao Feng, Post Feng, Wei Feng, Wang Feng, Zheng Feng, Qi Feng, Wei Feng, Tang Feng, Qin Feng, Chen Feng, Hui Feng, Cao Feng, and Feng Feng.

Zhounan, Zhaonan, and Feng are all place names, and Wang refers to the Eastern Zhou Dynasty.

Wangji Luoyang, the rest are the names of the princes, and the fifteen national winds are the local folk music of these regions. In the national style, all the winds are the Western Zhou Dynasty.

Except for a few works produced in the Western Zhou Dynasty, most of the works are Eastern Zhou works. [2]

"National style" refers to the folk songs of various regions - the sound of local customs, which refers to the folk ** with local colors relative to the "Wangji" that is, the area directly ruled by the Zhou Dynasty.

Fifteen "National Style" is the folk song of fifteen places. Its region, except for "Zhounan" and "Zhaonan", which were produced in the Jiang, Han and Rushui areas, are all produced in the Yellow River basin from Shaanxi to Shandong.