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Since the author of the book, Li Yang, has traveled to France for many years and has studied the history of French cinema in depth, his discussion of the New Wave movement and the activities of the film critics of the "Cinema Handbook" school is quite detailed and insightful. This paragraph is an example of this.
At the beginning of the paragraph, the author begins by saying, "The history and people mentioned above are not that I deliberately 'legendary' film history. The sufficiency of historical attention to detail often helps us to discover the practical significance of film history. The purpose of sorting out and expounding the 'cultural history of fan films' is not to exaggerate history, but to return to help us think about the various problems facing today's films through this special history.
Let's turn to the controversy that Hitchcock, the most talked about director in the world, has sparked. ”
In the main part of the text, the author details the controversy surrounding Hitchcock in the French and American film critics at that time—the disdain of Hitchcock by most traditional film critics, and the admiration, fascination, and staunch defense of Hitchcock by young film critics of the "film manuals". Among them, Truffaut, Chabrol, and Godard are the most popular (reading a paragraph about Truffaut's efforts and efforts to interview Hitchcock, one can't help but sigh: Is there still such a 'fan man'?
Their "obsession" and defense of Hitchcock eventually changed people's perception of the film master, and made a major change in people's perception of cinema, and rewrote the history of world cinema.
As Li Yang said, looking back on history is to look at reality. We reread this film history today in order to understand the current Chinese films. So, what can we learn from this history?
I think the most important thing is how to correctly evaluate a (or n) films, a director (or n) directors and a cinematic phenomenon. And in this regard, the real "film fans" and "film critics of the fans" have an important mission. Like the film critics of the "Film Handbook" back then, they have to take up the pen and fight, defend the films and directors they think are excellent, expose those "pseudo-excellent" films and directors, and fight unremittingly with those film critics and fans who are outdated, biased, and lack real insight into the film, until they win a big victory.
The task was daunting, but not impossible, as Truffaut and others had proven to be.
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American Pie Sibu should be compared to your taste.
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I feel that the uncle is quite good-looking.
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Curtain, down. There are no words. The view of the curtain.
frequency file, and then to shoot. Hand. Net or everybody.
Shadow. Look to find the corresponding external subtitle file,Generally in SRT or SSA format,**There will be an opening and closing word in the device settings。 Curtain hotkeys, you set a favorite and convenient hotkey, when learning to switch the word at the right time.
curtain on it.
Glad to help you o(o
If not, please ask
If you are satisfied, please click on the quality of the answer
Yours is the greatest affirmation for me! Thank!
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It seems that Thunderbolt can, but you can cover the position of the subtitles when watching the movie, and the subtitles are generally fixed in that position anyway.
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When it comes to Hong Kong films, from the era of enlightenment to the embryonic era and then to the ** era. From Bruce Lee and the Hui brothers to Jackie Chan and Stephen Chow. Of course, there are many excellent film actors (Leslie Cheung, Anita Mui, Andy Lau, Chow Yun-fat, Shen Dianxia、、、 who have supported Hong Kong films.
The spirit of Hong Kong is also recognized and accepted by mainland audiences. Entering the new millennium, the new generation of filmmakers is burdened with too many expectations. So they seem to be powerless.
It's a pity that none of these people have a comedy genius or kung fu superstar. Besides, there are too few good **, and it is inevitable that it will be shoddy. The topic of Hong Kong movies being dead has also been noisy for many years.
I don't think there's a shortage of good young leaders. Let's hope he or she shows up sooner.
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With the passage of time, the changes in public tastes, the improvement of the standard of social life, the impact of foreign films, Hong Kong films are in a period of transition, such as the recent loyal martyr Yang Jiajiang, blood drops, etc. are still good, the actors are not all from Hong Kong, but the director is, with very strong Hong Kong characteristics, as for the new actors, they have to give them a certain period of growth, after all, how many movies have to be made, how many years have passed, and they will get the title of actor or something.
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You can go to watch some comedy films such as "Baixing Hotel", "Human Comedy", "Vulgar Comedy", "Laughter and Martial Arts" and so on.
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The director tried his best, he is not to blame for the bad film, you say he can't do it, you can shoot it!
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can't be generalized, although most Hong Kong films are not good-looking now, there are still bright spots, such as Stephen Chow, and Jackie Chan, the new actors' acting skills are a bit bad.
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Now is the time when Hong Kong products are in flux.
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Yes. Think about the old Hong Kong movies in the past, they are really classics.
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