Self taught erhu is asking questions again

1. The principle of proximity... For example, 6 in D key... If the hand is in the second position at this time, it is better to use the inner string...

If it's the first. With an outer string. In a word..

Pick the one that's easy ... Other than that.. Personally, I think.

The timbre of the outer strings is better than that of the inner strings. The further down it goes, the more obvious it becomes ...

2. Check if the rosin is on? The strings are rusty or covered by rosin or something... Other than that..

Don't be too slow. When it's slow. Don't be too strong...

Be steady... If the strength is paused, it will become the neighing of the last imitation horse of the race.

3. Pick a two-string spacing that is about the same. . . It can be slightly larger. It's not good to be small... The initial impact of the piano saddle is not large. Just put it in the middle and you're good to go.

1. First of all, how to pull how to pull smoothly, secondly, consider the timbre effect, and then come to the principle of proximity.

2. It should not be a problem with the piano, but you can consider whether it is a problem with the strings, if you practice the piano very diligently, you should change the strings once every three months and at most half a year. Also, don't use too much force to pull the bow with your right hand, you must pull it along the way, just like a kitten, if you touch it along the fur, he will be very docile, and if you go against the fur, he will be very uncomfortable. Also, don't lean all the strength of your right hand on the strings, in fact, most of the power is on the barrel, so that the sound is clean and will not float.

3. The saddle is the same as above, pay attention to the spacing must be wider, to avoid noise from rubbing the strings.

1: You can also listen to how the teachers pulled.

2: Bow, has your bow been used for too long, it's time to change. If not, go buy rosin, apply a little, and it will be fine.

3: Smaller, the color is useless, pick the middle one that is wider, that is good for the timbre. You can also go to a piano shop and ask the erhu teacher.

Exercise sequence: longbow, fast bow, other bows, scales,A small comprehensive etude, a piece of music arranged by the teacher. The longbow and the fast bow must be practiced every day, the fast bow must be from slow to fast, and the most important thing is that each note must be clear.

Comprehensive exercises are available at each level in the exam book, and you can choose according to your ability. When practicing music, it is best to break it down to zero, conquer a small section every day, never go through the piece over and over again, practice from slow to fast little by little, especially fast bow, pay attention to the intonation.

No matter how you practice, time is guaranteed, at least one hour a dayIf you still feel that you don't have enough time, you can practice the basics, laying the foundation is very important, maybe you have the ability to play a big tune, but without a good foundation, you will find that all the tunes you play are flawed, and none of them are satisfactory.

Notes

First of all, don't be too concentrated in the practice time, especially for adult friends who are amateur piano learners and children who have just started learning erhu but don't plan to become the best family, they should learn to divide the whole into zero and allocate time to learn erhu, and students who have registered for classes or asked teachers to study should coordinate with the teacher, try not to have more than two classes a week, 1 to 2 hours per class, and the rest of the time is mainly used to practice digestion and absorb what the teacher talks about in class.

At the same time, we should also pay attention to daily practice, usually not more than an hour is appropriate, in fact, for amateur piano friends, keep the piano in the hands of no less than 20 minutes of practice every day to ensure stable progress.

Of course, generally speaking, it is always good to practice more, but not too much, especially for beginners to practice for more than an hour, which will cause a greater burden on the fingers, and beginners also lack the ability to practice the most powerful repertoire, excessive practice is often too boring for them, which can easily lead to the loss of interest, which is very fatal for a learner of musical instruments.

Secondly, you should also pay attention when practicing, rather practice slowly than practice wrongly, it is difficult for beginners to play too fast repertoire, then you can reduce the speed to practice, slowly accelerate, do not rush to play fast bowing, so that the gains often outweigh the losses.

There are many studies that prove that when we learn to practice a melody on a musical instrument, the number of correct movements must be more than three times the number of wrong movements, so that we can say that we have mastered the skill of potato hu good, that is to say, we can reduce the practice time by 3 by reducing one mistake, and it is really important for us to make fewer mistakes.

The above content reference: Encyclopedia - Erhu.

The method of erhu self-study is as follows:

For each new song, you must follow the rule that you can sing before you can play. All the actions that people command are commanded by the brain, and they are digested into the brain first, so that the action reflection will be agile and not take detours. The singing referred to here is not only to read music, but to follow the law of listening, singing, singing, and letting go of the sky.

As soon as you listen to the performance of the whole piece, you should first listen to it repeatedly against the score until you are familiar with the score and the rhyme is in your heart, and then hum out the style and charm of the song.

The second is the law that practice makes perfect, the Zheng long bow is slightly faster and then the slow solution is balanced, the short bow is slightly slower and the solution is fast and clear, and some chapters even have to be practiced one by one, and then gradually reach the required rate on this basis. If you are in a hurry, you will not be able to achieve it quickly, and it is likely that you will not be able to achieve the high or low, or you will not be able to pass the test for a long time, and even lose confidence and pull a lifetime of incomplete and incomplete songs.

Overcome the three characteristics of randomness, blindness, and superficiality. The fingering is not according to the rules, the bow is as you like, the interest comes, you pull it violently, you get carried away, and you don't talk about the effect. There is no goal, a hammer in the east and a stick in the west; Or they don't measure their own strength, which pot is not opened, and the result is that it backfires and the progress is slow.

Don't seek to win, smug, no skills, I don't know what to do.

Do not let go of the pitch loss of every finger, we must strive to be accurate in place, especially for the introduction, cadenza and free part, this is one of the essence of the music, experts demonstrated the most beautiful rhythm, honest imitation of practice, that is, you can achieve the finishing touch, for difficult chapters, such as difficult fingering, key bow method, must not be in place not to let go, do not give up halfway, persevere.