Wei stele has the charm of regular script and official script, some people say that Wei stele is an

Wei stele refers to the inscription calligraphy works of the Northern and Southern Dynasties (420-588 AD) of the Northern and Southern Dynasties. The existing Wei inscriptions are all regular scripts, so these regular script inscriptions are sometimes called "Wei Kai". The Wei stele was originally also called the Northern Stele, and the Northern Wei Dynasty was the longest in the successive dynasties of the Northern Dynasty, and later the "Wei Stele" was used to refer to the inscription calligraphy works of the entire Northern Dynasties, including the Eastern Wei Dynasty, the Western Wei Dynasty, the Northern Qi Dynasty and the Northern Zhou Dynasty.

During the Wei, Jin, Southern and Northern Dynasties, the society was in turmoil, the people lived in dire straits, and the study of Buddhism and Taoism, which met the needs of social consciousness, flourished. The propaganda method of the Buddha and the Tao is to write scriptures as a great merit. Especially in Buddhism, whenever a new temple tower is built and a Buddha statue is shaped, a scholar of literature must be hired to write articles to chronicle the event.

Or chisel the stone to make the stele, or on the natural rock wall cliff carving, for a time, from the Han Dynasty popular stele fashion, to Buddhism to build temples and towers, stele carved stones. Although the war in the four seas is not stopped, the psychology of creating a statue to seek immortality is more intense, and the carved stone Buddha words are all over the mountains and valleys, no less than tens of millions. Wei Bei came into being.

Wei tablet calligraphy strokes rigorous, simple and smart, plump without losing in the engraving, the upper inheritance of the Han Li, the lower opening of the Tang Kai, both have the charm of the two bodies of the Likai. Its calligraphy art is developed and evolved on the basis of Han Li and Jin Kai, which can be called the top grade in the Han monument. Ancient and modern calligraphers have given the highest praise to this stele, which can be described as a monument of the integration of Han stele.

Modern calligraphers, the Wei stele is highly respected, there are many scholars, especially in the northern region of our country is more prosperous, perhaps the strong and simple Wei stele is consistent with the northerners' boldness, and there are a lot of people with higher attainments.

Wei stele is a kind of regular script, Wei Kai and Jin Dynasty regular script, Tang Dynasty regular script and called the three major regular script fonts. The Wei stele shows some transitional factors in the development of the official script to the typical regular script. At the time of the Wei and Jin dynasties, there were already regular scripts, and Zhong Xuan's "Declaration Table", Wang Xizhi's "Huang Tingjing" and other regular script works were already relatively mature regular scripts, but after a large number of Western Jin Dynasty intellectuals crossed south with the Jin Dynasty, the style of calligraphy in the Northern Dynasty was very different from that of the Southern Dynasty.

The Wei monument was discovered earlier, but it has not attracted people's attention.

Wei stele, different styles of book style more, and divided into steles, epitaphs, cliffs, statue inscriptions and other different types of stone inscriptions, in addition to the two, there are Shi Ping, Shimen, Yuan Huai, Zhang Menglong, Wei Lingzang, Zhang Heinu and other famous posts, although Wei stele has the characteristics of inner circle and outer square, simple and majestic, but there is still a big difference in writing, it is more difficult to have that book can completely explain the mystery of Wei stele.

It's not ugly, and it's a disadvantage of the weak pen and the weak pen of the regular script. Wei Bei's problem is pretentiousness, and it is his pursuit to use the pen to create a knife posture, so there is no derogatory meaning to say this artificiality. It's like a machine dance. What you want is unnatural beauty.

Today's ugly book masters who advertise to take the Wei monument, how many of them can write the Wei monument well? Which stroke of Kang Youwei, who admires stele learning, is Wei stele? The pursuit of Wei Beibei's clumsy beauty has become a gimmick for today's ugly book masters.

Besides, Wei Bei is not all humble and beautiful, but also strong and severe, all of which pay attention to the law. It's not that everything written by the ancients is a good thing, a good thing must be a good thing at the time, don't expect that it is an ugly book now and a good thing in the future, that is self-deception.

Wei Bei is just one of many book styles, as for the beauty and ugliness of the person is different, the good writing is vigorous and majestic, majestic. The poorly written ones are like chicken feet and full of ugliness. The same is true for regular script, and the same is true for grass. The key is in the person, not in the body.

Wei Bei is a kind of book style that has changed the most and has a competitive form, which can be said to be beautiful and not related to ugly books.

The ugly books that can win the award are all people with calligraphy skills, but the aesthetic standards of the Chinese people tend to be beautiful lines, dignified words, not crooked, and the beauty of deformation is the beauty of calligraphy, but the first impression of beauty is that the gesture is powerful, the body is dignified, and it is really difficult to write good words that people inside and outside the circle are applauding. I've been posting it for decades, and I'm really afraid to say that I can write well, it's just a hobby.

Wei Bei is dignified, majestic, solemn, difficult to write, it is easy to become an ugly book if it is not written well, and it is called an ugly book if it is not written well in Wei Bei.

It is understandable that Wei Bei is an ugly book, because this kind of people have not yet stepped into calligraphy, and they are still in a state of writing, because I myself have had this period.

Wei Bei and Han Li are mostly ugly, but because of the quick start, so there are many scholars, and there are few people who really innovate and write well. I don't believe that everyone looks at the calligraphy of Wang Yaoju, Liu Bingsen and others, that is called calligraphy, which can give people beautiful enjoyment!

In my opinion, a truly ugly book is an extremely high art. It's a pity that it was counterfeited by some dirty people today, and it lost its original. Just like Chinese medicine is great and profound, but now it has occupied the position of Chinese medicine, so that many people do not believe in Chinese medicine.

Wei Bei is strong and strong, and he is more affectionate in Pu Maozhong. On the knot, use torsion to enhance the tension, and become more and more strong.

Beauty and beauty are two sides of calligraphy: for example, opera: Hua Dan is feminine and beautiful

Takeshi is masculine and beautiful; Tsing Yi is beautiful: the horn is beautiful: the same is true for the book, and Wang Yizhi is soft:

Wei Bei is masculine and beautiful (except for a few ') we can't scold people as soon as they look at the words, in fact, the book is more difficult to write:

People with ugly characters want to make excuses, Wei Shu inside and outside, the structure is clear and powerful, the chapter is strict, and it is an excellent traditional calligraphy.

The sea is inclusive, each with its own calligraphy style, and a calligraphy lover takes the strengths of others. You should respect other people's works, pursue perfection in art, write your own words well, and learn to respect people. Different views, common progress.

This is pee to confuse the public, don't compare Wei Tablet with Ugly Books, don't look for ancestors for Ugly Books, it has no ancestors itself.

Don't make excuses for the ugly book, the ugly book actually involves Wei Bei, and you have to be shameless. To solve the problem of not reading ugly books, there is also the so-called calligraphy of celebrities, you know, celebrities are only outstanding in one or several aspects, not outstanding.

Saying that Wei Bei is an ugly book is called fart.

This font is convenient for inscriptions. Carefully ** its strokes are thick and strong, skimming without a sharp tail, you say horse.

Wei stele has more than 2,000 years of historical and cultural heritage, and its penmanship has: square pen, round pen, square and round pen. So beautiful.

I lament that some people sometimes really don't know what shame is, and try to destroy the regular calligraphy but flaunt their ugly books, just like making his parents transgender.

Wei stele is the most important type of regular script relative to the Tang Dynasty, and many great calligraphers of the late Qing Dynasty absorbed the nutrients of Wei stele, such as Zhang Yuzhao, Kang Youwei, Zhao Zhiqian and other ......

I don't approve of it, but it's still not as good as the book.

What do you think"? Are you asking me how Wei Bei? Or do you ask me what do you think of the person who said that Wei Bei is an ugly book? If you ask Wei Bei, I don't even think my wife is ugly, how beautiful Wei Bei is! If you ask about Wei Bei's ugliness. Do you need to ask! Hit him!

If Wei Bei is an ugly book, then where does the regular script come from?

The characteristics of Wei Bei Kaishu are as follows:

1. Horizontal painting and painting maintain the characteristics of official calligraphy, often extending to the boundary of the glyph or even beyond the boundary.

2. The glyph is flat and square compared with the official book.

3. The outstanding features are the skimming stretching to both sides, the roughness before the pen is closed, and the peak on the pen.

4. Wei stele is roughly divided into inscriptions, epitaphs, statue inscriptions, cliff carvings, etc., and the fonts are mostly regular scripts, and there are lines of calligraphy and cursive scripts.

Wei stele is the general name of the Northern and Southern Dynasties period (420-588 AD) in the Northern and Southern Dynasties of China, with the Northern Wei Dynasty as the most refined, it can be roughly divided into four types: inscriptions, epitaphs, statue inscriptions and cliff carvings. At this time, calligraphy is a transitional calligraphy system that inherits the past and opens up the future, Zhong Zhishuai said that Wei Monument "can glimpse the old style of the Han and Qin dynasties, and can observe the customs of the Sui and Tang dynasties".

Wei tablet calligraphy had a great influence on the formation of later Sui and Tang Kai calligraphy. Generations of calligraphers have also drawn beneficial essences from it in the process of innovation and change. The style of Weibei is diverse, simple and precipitous, comfortable and beautiful.

The very famous such as "Zheng Wengong Monument", "Zhang Menglong Monument", "Gao Zhen Monument", "Yuan Huai Epitaph" and "Zhang Xuan Epitaph" have opened the Sui and Tang Kai calligraphy precedents.

In the middle of the Qing Dynasty, he advocated "respecting the stele and suppressing the post", breaking through the shackles of the "pavilion style", the rise of stele learning, and the style of calligraphy changed. The Wei stele inherits the tradition of Han Li and enlightens the new style of Tang Kai, which has laid a solid foundation for the knotting and penmanship of modern Chinese characters. But there are many cliff stone carvings, not the first book on the stone, but directly carved on the stone surface, when writing, pay attention not to exaggerate the knife marks, so as not to get used to it.

The form of existence of the Wei monument:

The Wei stele is a calligraphy work of the Northern Dynasty during the demolition and excavation of the Gao Bei Dynasty. The existing Wei inscriptions are all regular scripts, so these regular script inscriptions are sometimes called "Wei Kai". Wei stele was originally also called the North Stele, in the Northern Dynasty succession of the various dynasties to the Northern Wei Dynasty for the longest time, and later used "Wei Stele" to refer to the entire scattered Northern Dynasty including the Eastern Wei, Western Wei, Northern Qi and Northern Zhou Dynasty inscription calligraphy works.

These inscriptions are mainly in the form of "stone tablets", "epitaphs", "cliffs" and "statues". The number of existing Wei tablet works is huge, and there are thousands of square meters only found in the statue records of Longmen Grottoes. These works are uneven, and after the sorting of predecessors, some of the works stand out from them and are regarded as the representative works of Wei Bei.

There are only "Wei stele" and "new Wei style", Wei stele refers to the many epitaph calligraphy of the Northern and Southern Dynasties period, and the new Wei style refers to a font used for big-character poster propaganda in modern times, mainly during the Cultural Revolution, drawing on the characteristics of the outer square and inner circle of the Wei stele.

I haven't heard of the calligraphy of Wei Ti characters, and the specifics are not clear. Literally, the stele is engraved, and the post is written.

Wei stele does not need to say much, Wei Ti character has not heard of, maybe I am lonely and unheard, even the surname Wei character can not be written well, so it is estimated that Wei Ti character refers to the font library of Wei stele font.

The difference between "stele" and "post" is simply that the "stele" carved with a knife and the "post" written with a pen.

Mr. Qi Gong once raised the issue of the master of the sword and the pen, and I think this should be said separately. For example, signboards and plaques are more suitable for tablets, which are more atmospheric, and if the official book is recognized as having a high level of Han Li, where to find a pen to write. In other words, beginners are worried about the difference between "tablets" and "posts", and only royal descendants like Mr. Qigong have the opportunity to see the authentic works.

First, the characteristics of Wei monument:

1. Horizontal painting and painting maintain the characteristics of official calligraphy, often extending to the boundary of the glyph or even beyond the boundary. 2. The glyph is flat and square compared with the official book. 3. The outstanding feature is that the skimming stretches to both sides, the roughness before the pen is closed and the peak is lifted, so that the whole glyph is thick and steady, slightly flying, the rules are positive and dynamic, and it has aesthetic value. The Formation and Significance of "Wei Tablet Style" Abstract:The Northern Wei Dynasty was a critical period for the transition from official script to regular script, and a unique style of regular script was formed during the Luoyang period of the Northern Wei Dynasty, which we call "Wei Tablet Style".

Under the vigorous promotion of Kang Youwei in the Qing Dynasty, it became famous and enjoyed the history of calligraphy, but the formation of "Wei Tablet Style" was not achieved overnight, and its formation and development were intertwined with political, religious, historical and cultural changes. From the many inscriptions and inkblots found so far, the author wants to find a trajectory of the formation and development of the Wei stele through this text. This paper will focus on the formation and development of the "Wei Tablet" in the Northern Wei Dynasty, and make a brief analysis of the significance and value of the "Wei Tablet".

The feature is just four words: writing with a knife!!

The characteristics of the Wei stele style in Chinese calligraphy are as follows.

1. The horizontal painting and the painting maintain the characteristics of the official script, because it is relatively long, so it often extends to the boundary of the glyph or even beyond the boundary.

2. The glyph is flat and square compared with the official book.

3. The outstanding feature is that the skimming stretches to both sides, the roughness before the pen is closed and the peak is lifted, so that the whole glyph is thick and steady, slightly flying, the rules are positive and dynamic, and it has aesthetic value.

The production of Wei steles: In 439 AD, the Northern Wei Dynasty unified the north and moved the capital to Luoyang, ending the chaos in the Yellow River Valley. Emperor Xiaowen of the Northern Wei Dynasty was eloquent and strategic, advocating sinicization and developing education, and Luoyang once again became the center of calligraphy art, and a new style of calligraphy between the Han and Jin Dynasty and Tang Kai - Wei tablet style was produced.

Because the representative work of Wei tablet calligraphy is the inscription of the Northern Wei Dynasty statue of about 1,000 square meters in Longmen Grottoes, so Wei tablet body is also called Longmen style, Yique Sect and so on.

Sun Boxiang in Zhang Menglong Lesson 1 The calligraphy characteristics of "Zhang Menglong Tablet".

Strong and powerful, round inside and square outside.

1.Which font should I start with?

The way to learn calligraphy, passing.