Is the design environment decisive for the design style? Give examples and demonstrate

Eh, I still haven't found a good answer, and I'm going to hand it in in the evening.

The formation of interior design style is the ideological trend of different times and regional characteristics, and gradually develops into a representative form of interior design through creative conception and expression.

Influence of interior design:

1. Functional practicability.

The size, shape, overall layout, furniture, environmentally friendly and healthy materials, reasonable and smooth traffic flow, good lighting and comfortable physical environment are closely related to the scientific nature of the project.

2. Aesthetic artistry.

Satisfaction of psychological needs, emotional needs, personality needs and other spiritual aspects. Such as: sense of security, personal preferences, aesthetic taste, national culture, regional culture, historical context and other factors.

Principles of Interior Design:

1. Integral design principle: to ensure the harmonious beauty of the indoor space.

2. Functional design principles: the use of space functions such as layout, interface decoration, furnishings and environmental atmosphere and function unity.

3. Aesthetic design principles: reflect the beauty of interior space through formal languages such as shape, color, quality, sound, and light.

4. Technical design principles: proportional scale relationship; The relationship between material application and construction coordination.

5. Economic design principle: to achieve the desired purpose with the minimum consumption.

The form of a typical style is usually closely related to local human factors and natural conditions, and needs to have the characteristics of conception and modeling in creation. The external and internal factors that form the style. Although style is expressed in form, style has profound connotations such as art, culture, and social development; In this deeper sense, style does not stay or equate with form.

The style of interior design can be mainly divided into: traditional style, modern style, and mixed style.

Summary. It is mainly manifested in the following aspects: first, the influence of culture on the design content.

Cultural (knowledge form) design content of the direct, different cultural knowledge forms objectively limit the choice of design content, such as China's six dynasties when the wind was prosperous, celebrities and scholars advocating Qing talk, wandering bones, the rise of Buddhism, at this time bronze, stone carving, embroidery, etc., most of the Buddhist themes; Second, the influence of cultural tradition on the formation of design style. The diffuse nature of culture determines its ubiquitous and pervasive characteristics, and cultural tradition is deeply hidden in the psychology of designers, which is a powerful force with internal constraints. For example, different countries have different cultural traditions, and the design presents different characteristics.

For example, the traditional British society has a deep tradition of classical humanism, American pragmatism, French romance, etc. China has a profound cultural tradition, and Confucian culture, as the mainstream of cultural traditions, also deeply influences China's design. In the context of traditional Chinese culture, which is centered and rooted in Confucian culture, Chinese design has had some characteristics that are different from those of the West since its inception.

It is mainly manifested in the following aspects: first, the influence of culture on the design content. Culture (knowledge form) design of the direct fiber silver, different cultural knowledge forms objectively limit the choice of design content, such as China's six dynasties when the Xuan Feng flourished, celebrities and scholars advocated Qing talk, wandering remains, the rise of Buddhism, at this time bronze, stone carving, embroidery and so on mostly show Buddhist themes; Second, the influence of cultural tradition on the formation of design style.

The diffuse nature of culture determines its ubiquitous and pervasive characteristics, and cultural tradition is deeply hidden in the psychology of designers, which is a powerful force with internal constraints. For example, different countries have different cultural traditions, and the design presents different characteristics. For example, the traditional British society has a deep tradition of classical humanism, American pragmatism, French romance, etc.

China has a profound cultural tradition, and Confucian culture, as the mainstream of cultural traditions, also deeply influences China's design. In the context of traditional Chinese culture with Confucian culture as the core and foundation, the design of the Chinese Destruction Chain Banquet has some different characteristics from the West since its inception.

When an app starts designing, the first thing must be to determine the style, a unified design style can present users with an overall consistent visual experience, a stool is conducive to conveying the overall brand image of the product, and it is also convenient for the team to formulate specifications.

The first thing to understand is what is a design style? Design refers to the designer's purposeful and planned technical creation and creative aesthetic activities, and style can be understood as different visual forms of beauty. Just like decorating a house, choosing a rustic, Mediterranean, pastoral or classical style will take into account different color combinations, furniture choices and lighting styles.

The same is true for application software design, the apps we usually use are different according to the category and target group, and the colors, copywriting, fonts and icons used are different. As shown below, the homepage screenshots of JD.com, Meituan and 36Kr.

The difference in design style is evident from all of this. Therefore, an excellent app with its own fixed style will become a kind of logo, a kind of brand image.

How do you establish a design style?

Clause. First, look for the temperament of the product. Each letter coarse product has its own unique temperament, what is the positioning of the product and who the target group is must be considered, these are the guidelines on which the design is based, otherwise it is separated from the function and sticks to the style form, just a "vase".

Clause. 2. Determine the main color. The visual experience brought by each color is different, our common WeChat green, ** orange, Meituan's yellow, basically see this color and basically think of this application, indicating that the brand color of these applications has been deeply rooted in the hearts of the people.

Therefore, it is necessary to determine the brand color, and the brand color is the main color of the application, and different auxiliary colors are matched according to this main color. Although the main color is the style color of the application, it is generally not applied in a large area, and usually appears in places such as the navigation bar, some buttons, icons, special pages, etc., which will be a little sunny and set the tone, because the navigation is global, and it is also the easiest for users to see repeatedly.

Summary. Which of the following factors is continuous and essential in the formation of design style? Cultural factors are the essence, and time and geography are also continuous essential factors.

Which of the following factors is continuous and essential in the formation of design style?

Which of the following factors is continuous and essential in the formation of design style?

Which of the following factors is continuous and essential in the formation of design style? Cultural factors are the essence, and time and geography are also continuous essential factors.

Culture is a wrist factor that influences design style.

It is also a factor of continuity and essence.

Choose a analogy ideas that include both direct and indirect analogies.

The ratio of the yellow nuggets is the most aesthetically pleasing ratio of the rectangle, that is, the ratio of the width to the height of the rectangle is 1:. In newspaper layout design, the segmentation ratio is the most important aesthetic reference data. The ratio of width to height of a folio newspaper is 1:

The four-open newspaper is 1:, which is relatively close to the ** division ratio, so it meets the reader's demand for trial Mu Jianmei.

So**Split choose C

The best value engineering is to improve functionality and reduce costs

Design Aesthetics Choice C

Option D for analogy

Kiss Kiss is happy to answer for you: What are the causes and influences of interior design style: Kiss Interior design style and genre Style is demeanor and character, reflecting the artistic characteristics and personality in creation; Genres refer to academic, literary and artistic schools.

The style and genre of interior design belong to the category of artistic modeling and spiritual function in the interior environment. The style and genre of interior design are often closely integrated with the style and genre of architecture and furniture; Sometimes it is also closely combined with the styles and genres of painting, plastic arts, and even literature and ** in the corresponding period; Sometimes it is also based on the styles and genres of painting, plastic arts, and even literature and ** in the corresponding period. For example, the term "postmodernism" and its meaning in architecture and interior design were first used in Spanish literature, while "Mannerism" is a school of Dutch plastic art with distinctive characteristics.

It can be seen that in addition to the characteristics of architecture that are closely related to material materials and key engineering technology, architectural art also communicates with literature, painting, sculpture and other types of art. Causes and influences of style The formation of interior design style is a special trend of thought and region of different times. Thank you for your patience.

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1.Briefly describe the etymological significance of design? The English word "design" can be traced back to the Latin word "desegnare", which means "to draw a mark".

"Desegnare" evolved into the Italian word "disegno", meaning "to draw, to draw", and entered the field of art during the Italian Renaissance. ?Reach?

Vinci elevated painting from a manual skill to a science by using "disegno" as the common ground for painting and science. ?disegno "entered France and became ",,conceived, planned Qi Zheng) and, depicted)?

In ancient Chinese, "design" means "strategy", not an artistic conceptIn modern Chinese, the design is popularly interpreted as: "Before formally doing a certain work, according to the requirements of a certain purpose, the method and pattern are formulated in advance."

2.Design in a broad sense is a human desire and impulse for order and law? All kinds of natural phenomena originate from the dominant forces in a cosmic nature and the divine power of natural selection, and are the inevitable results of the joint action of various forces, and human beings, as the crystallization of cosmic nature, have also inherited this force that tries to unify and dominate everything.

In every work of human design, the designer follows an impulse as old as the universe - the formation of the universe is a continuous process, and design is the premise of all these processes - it is a force and impulse to pursue unity and order, that is, the power and impulse of designDesign is a part of our lives, a reflection of our ideas, and in turn changes the way we live and shapes our bodies and minds.

Design is a kind of human beings as old as the universe, the desire and impulse for order and law, it is a reflection of human nature, a kind of ultimate care for the rhythm of human life and the inner soul.

Environment creation and environment decoration are two different concepts. Environmental creation refers to the creation of a comfortable, safe, practical and conducive environment conducive to people's physical and mental health through design, renovation and planning in indoor or outdoor places. Environmental decoration refers to the integration of aesthetic elements such as color, materials, and artworks into the environment, so as to make it more aesthetically pleasing, artistic, tasteful, fashionable, etc., so as to meet people's aesthetic needs and cultural appreciation.

Therefore, the difference between the two is that the environment creation pays more attention to functionality and practicality, while the environmental decoration pays more attention to artistry and aesthetics. The two complement each other to create an experiential environment.

Please confirm, thanks.

Summary. The status quo of modern environmental art design: After the 19th century, the "Bauhaus movement" in Germany made modern design have achieved unprecedented development, and the main feature is to emphasize the practical functional factors with the law of reason.

Hello, I am glad to answer for you: the development of environmental design has gone through three stages or processes of "utilization, transformation and creation".

1. The pursuit of the personality of the design In the artistic design of the architectural environment, in addition to the requirements of Xiaopei to adjust the relationship between the architectural environment and the space, and grasp the overall design style and function of the spine and the combination of bright and beautiful, but also to reflect the owner's inner ideal and pursuit.

The status quo of modern environmental art design: After the 19th century, the "Bauhaus movement" in Germany made modern design unprecedentedly developed, and the main feature was to emphasize the functional factors of practical excavation by the rule of reason.