Haizi, what have you been thinking about in the time you have been walking alone?

Time will make you understand love, time can prove love, and it can also overthrow love. There is no kind of grief that cannot be alleviated by time. If time can't make you forget those you shouldn't remember, what's the point of the years we've lost?

How nice would it be if all the sorrow, the pain, the failures were fake? It's a pity that there are a lot of false feelings and false meanings in the world, and your own pain, failure, and sorrow are always true.

In the spring, all ten Haizi are resurrected In the bright scenery Laugh at this savage and sad Haizi Why have you been asleep for so long? Spring, Ten seas roared low Dancing and singing around you and me Rip your black hair, Ride you away, Dusty The pain of your splitting pervades the earth In the spring, The savage and vengeful Haizi This is the only one left, the last one This is the son of the night, immersed in winter, Devoted to death Can't extricate himself, Loving the empty and cold countryside Where the grain is piled up high, Cover the window Half of them are in the mouth of a family of six, Eat and stomach Half for agriculture, They reproduce themselves The wind blows from east to west, Blowing from north to south, ignoring the night and the dawn What do you mean by the dawn?

There are many people who have to die before they "have an impact" on China!?

As of January 21, 2020, the Douban score of the movie "Farewell My Concubine" is a score. Reasons for such a high rating:

"Farewell My Concubine" is talking about the joys and sorrows of two Peking Opera artists for half a centuryIn fact, it is talking about the Chinese's thinking and understanding of the living conditions and human nature. The transformation of the times is closely linked to the turning point of the fate of the characters, the sociality is closely linked to the national, and the belief is closely linked to reality.

The dislocation of human nature and the heavy blow of disaster in the film give the film a multifaceted and rich drama. Coupled with Leslie Cheung's almost perfect interpretation of "Cheng Dieyi", it can be said that no matter from the film or the performance, he vividly interpreted the role of Cheng Dieyi, a "not crazy, not a demon, not a life", which is one of the key factors for the success of "Farewell My Concubine".

Foreign filmmakers call "Farewell My Concubine" China's "Gone with the Wind". Although the film is 3 hours long, it is not cumbersome for 1 minute, the film spans 50 years of history, reflects the changes in Chinese history in the 20th century, shines with the brilliance of traditional culture, is magnificent, and the plot is full of ups and downs. The film embodies the exquisite technical and aesthetic treatment of film, and brings the beauty of film art to the extreme.

The word-of-mouth evaluation of "Farewell My Concubine" is really as high as the Douban score, "Farewell My Concubine" won international awards such as the Palme d'Or at the Cannes Film Festival and the Best Foreign Language Film at the Golden Globe Awards, which is the highest honor for Chinese mainland films in the world. In "Farewell My Concubine", there are two people who are unanimously rated by the world film industry: one is director Chen Kaige, and the other is the actor Leslie Cheung.

Leslie Cheung portrayed Cheng Dieyi's psychological state through his eyes and movements, and the audience empathized with Cheng Dieyi's unique psychology under Leslie Cheung's careful interpretation.

Leslie Cheung's Cheng Dieyi in "Farewell My Concubine" is a classic role that is difficult to surpass. Leslie Cheung, as an actor born in Hong Kong, educated in the United Kingdom, and who has never been exposed to the art of Peking Opera, worked hard with amazing perseverance and Beijing accent before the filming of "Farewell My Concubine", and successfully interpreted the inner world of Peking Opera Dan Cheng Dieyi with superb acting skills in the movie, which shocked the audience of the film.

A movie that swept various awards in Europe, America, Japan and South Korea that year, and won the three highest awards, the Palme d'Or, needs to use Douban scores to prove anything? The high Douban score was originally what it deserved.

If you don't understand it, don't watch it, watch cartoons for a few years first.

Also, some brainless fans don't say anything "Most of the people who watch Farewell My Concubine are fans of my brother, because of my brother", I rely on it, how did people rely on their strength to get a good reputation in your mouth to become a fan? Have you investigated? What did you give?

Judge, you deserve? Or did you contribute to the box office at the time? I'm also a fan of Lao Zhang, I only liked him after watching Farewell My Concubine, some fans have a little brain, Lao Zhang doesn't need your brainless and unprincipled appreciation!

1. Troubled mountains and snowy nights, lonely candles and strangers. ——From the Tang Dynasty Cui Tu's "Except the Night in the Bashan Road in the Eve of the Book".

Translation: The remnants of snow on the chaotic mountains glitter in the dark night, and a candle accompanies me, a stranger.

2. The birds fly high, and the lonely clouds go alone. ——From Li Bai's "Sitting Alone on Jingting Mountain" in the Tang Dynasty

Translation: The birds in the mountains flew away one by one, and the last white clouds in the sky drifted away.

3. Sit alone in the secluded grate, playing the piano and howling. People in the deep forest don't know, and the bright moon comes to take pictures. ——From Wang Wei's "Bamboo Pavilion" in the Tang Dynasty

Translation: Sitting alone in the quiet bamboo forest, playing the piano and singing loudly. No one knows in the deep mountain forest? Only a bright moon quietly accompanies me.

4. Relatives and friends have no words, and there is a lonely boat for old and sick. ——From Du Fu's "Ascending Yueyang Tower" in the Tang Dynasty

Translation: My friends and relatives have not heard from me, I am old and sick, drifting around in a lonely boat.

5. Last night, the west wind withered the green trees, went up to the tall building alone, and looked at the end of the world. ——From Yan Shu of the Song Dynasty "Butterfly Love Flowers, Threshold Chrysanthemum Sorrow Smoke Orchid Weeping Dew".

Translation: Last night the autumn wind blew strongly, and the green trees withered. I climbed the tall building alone, looking at the road that had disappeared into the world.

Outside the post on the side of the broken bridge, lonely and ownerless. It was already dusk and I was alone, and it was even more windy and rainy. has no intention of fighting for spring, and a group of people are jealous. Scattered into mud and dust, only fragrant as before.

Lu You's "Fortune Operator: Yongmei".

(2) It is necessary to strengthen the accumulation of materials. The material is the flesh and blood of the article. Because many students usually do not pay attention to the accumulation of materials, they go to search for their stomachs every time they are composing, or make up nonsense or plagiarize.

The solution to this problem is to accumulate assets. If conditions permit, you can bring a video camera or tape recorder to observe life in depth, actively participate in life, and record what you have seen and heard in family life, campus life, and social life in a timely manner in the form of sketching, writing diaries, and writing observation notes. When recording, it is necessary to grasp the details and grasp the characteristics of people, things, objects and scenes.

In this way, the articles written are flesh and blood.

3) It is necessary to strengthen the accumulation of ideology. Opinion is the soul of the article. If the center of the article is not clear, or the idea is not profound, it often indicates that the author's thinking is superficial.

Therefore, it is necessary to create a "think tank".There are two ways: first, think well.

One more thought, one more harvest. "Usually you have to think deeply and encounter problems.