Under the Sub Beigu Mountain is a brief introduction to the author of the sub Beigu Mountain

Outside the green mountains of Klook, in front of the green water.

The tide is wide on both sides, and the wind is hanging.

The sea is born in the night, and the spring of the river enters the old year.

Where to reach the township book, return to the side of Yanluoyang.

The author of "Under the Solid Mountain in the Second Bei" is the Tang Dynasty poet Wang Wan.

Wang Wan (c. 693 – c. 751), a poet of the Tang Dynasty, was a native of Luoyang (now Luoyang, Henan). During the innate years of Xuanzong (712), he was awarded the master book of Xingyang County. Later, he was recommended by the master book of Xingyang to compile the book, and participated in the compilation and compilation of the collection department.

Wang Wan "Ci Han early writing", 10 existing poems.

As a northern poet in the early years of the Kaiyuan Dynasty, Wang Wan traveled back and forth between Wu and Chu, and was overwhelmed by the beautiful landscapes of the south of the Yangtze River, and was influenced by the beautiful poetry style of the poets in Wuzhong at that time, and wrote some works that sang about the landscapes of the south of the Yangtze River, and "Under the Solid Mountain in the Second North" is one of the most famous.

In particular, the two sentences "the sea is born in the night, and Jiang Chun enters the old year" was extremely appreciated by the then prime minister Zhang Shuo, and he personally wrote and hung it on the prime minister's political hall, which is a model for literati and bachelors to learn. As a result, the magnificent and lofty situation expressed in these two poems had an important impact on the poetry of the Tang Dynasty. Until the end of the Tang Dynasty, the poet Zheng Gu said, "How can the sea be born day and night, and a sentence can make it pass on through the ages."

Under the Solid Mountain in the Second Beibei was written by Wang Wan when he traveled to the south of the Yangtze River in the Xiantian period or the early years of the Kaiyuan Dynasty, with a magnificent style and a broad artistic conception, indicating the prospect of the healthy development of poetry in the Tang Dynasty. During the Kaiyuan period, Prime Minister Zhang said that he had personally inscribed this poem in the political hall.

From the first year of Tang Xuanzong to about three years, Wang Wan Jinshi and the first, awarded the master book of Xingyang County, and transferred to Luoyang Wei. About the fifth year of Kaiyuan (about 717), Ma Huaisu was a bachelor of Zhaowenguan, and he asked for correction of the group membership and called for erudition, and he was elected to it.

Ma Huaisu died, by the Yuan Xing Chong on behalf of Ma Huaisu, please write the above table of ancient and modern bibliography, called "Group Book Catalogue". Ruled by Wu Xuan, Wei Shu, Yu Qin, Yin Jianyou and other branches, he and Liu Zhongqiu jointly managed the collection of books, which lasted 5 years to form 200 volumes of "Four Books of the Group".

After completing the books of the Inner Palace, he edited the collection of Lizheng College with Lu Shaobo and others. He did a lot of editing work on the poetry collections of the Southern Dynasty and Qi Dynasty. After the book was completed, he was appointed as the lieutenant of Luoyang for his merits. In the seventeenth year of Kaiyuan, he wrote poems to the then prime ministers Xiao Song and Pei Guangting, and later died.

The author of "Under the Beigu Mountain" is the Tang Dynasty poet Wang Wan.

"Under the Solid Mountain in the Second Bei" is a work by the Tang Dynasty poet Wang Wan.

The full poem is as follows:

Outside the green mountains of Klook, before the boat and the green water.

The tide is wide on both sides, and the wind is hanging.

The sea is born in the night, and the spring of the river enters the old year.

Where can I get the village book? Return to the edge of Yanluoyang.

Translation of the whole poem:

Beyond the lush mountains are the roads of travelers, and boats sail among the green waters.

The tide is full, the two banks are flush with the river, the whole river is very open, and the sails hang straight and high along the wind.

The night has not faded, the rising sun has risen on the river, and in the old year, Jiangnan has the breath of spring.

Where should my letter be delivered? Guiyan who went north, please bring me back to Luoyang!

Appreciation:

This poem begins with a dual sentence, which is both beautiful and jumpy. "Qingshan" is "Beigu Mountain" in the title. The author is heading towards the "green water" unfolding in front of him, heading towards the "green mountain" and the distant "Klook" beyond the "green mountain".

This couplet first wrote "Klook" and then wrote "Xingzhou", and his feelings of wandering and detention in the south of the Yangtze River and Shenchi's hometown have been revealed between the lines, and the "village book" and "return to the geese" of the last couplet, corresponding to each other from afar.

The "wide on both sides of the tide" and "wide" in the secondary couplet are the result of expressing the "tide flat". The spring tide is surging, the river is vast, and as far as the eye can see, the river seems to be level with the shore, and the vision of the people on the boat is also broadened. This sentence is written magnificently, and the next sentence "The wind is hanging" is more and more brilliant.

"Hanging" is the appearance of hanging straight upright. The poet does not use "smooth wind" but "calls the wind to be right", because "smooth wind" alone is not enough to ensure "a sail hanging". The wind was good, but it was fierce, and the sail was swollen into an arc.

Only when it is both a tailwind and a gentle wind can the sail be able to "hang". The word "positive" includes both "shun" and "and".

The third couplet shows that the author was left in the twilight of the year and traveled overnight. The tide is flat and there are no waves, the wind is smooth but not violent, the river can be seen to be green in the near distance, and the two sides of the bank can be seen in the distance. It was obviously a sunny night with the breath of spring everywhere, and the lonely boat sailed slowly on the river, unaware that it had reached the end of the night.

This third couplet is to show the scene of the boat on the river, which is about to dawn. This joint has always been popular. Before the night had subsided, a red sun had risen from the sea; When the old year has not passed, the river has already shown spring.

"Day and night" and "spring into the old year" all indicate the alternation of time, and it is so hurried, which can't help but make the poet in the "Klook" feel homesick. These two sentences of refining words and sentences are also very skillful. The author focuses on the meaning of refinement, takes "day" and "spring" as symbols of new beautiful things, mentions the position of the subject and emphasizes it, and uses the word "sheng" to personify it, giving them human will and feelings.

The sea is rising in the east, the spring is budding, the poet puts the boat on the green water, and continues to sail to the Klook road beyond the green mountains. At this time, a flock of wild geese returning from the north was skimming the clear sky. The geese are about to pass through Luoyang!

The poet remembered the story of "The Book of the Wild Goose's Feet", so he asked the wild goose to carry a letter: When the annoying wild goose flew over Luoyang, he greeted his family for himself. These two sentences come from the triptych, and they respond to the first couplet, and the whole article is shrouded in a faint layer of nostalgia.