Which actors are experiential?

Updated on amusement 2024-05-04
10 answers
  1. Anonymous users2024-02-09

    Actors are divided into experience school and method school, among which there are many very good actors in the experience school, such as Zhou Xun and Wang Qianyuan.

    Hao Lei, these are all very good actors, and Zhou Xun and Hao Lei have their own psychiatrists.

    Sometimes I am in empathy, unable to get out of the role I play, and I am very dedicated.

  2. Anonymous users2024-02-08

    I think like Li Chen and Jing Tian should be regarded as experiential, because Li Chen's family is in business, and he is also very successful in business, being an actor should be an experience of life, and Jing Tian's family background is very strong, she can easily succeed, but she works very hard, and it should be regarded as experiencing the fun of being an actor.

  3. Anonymous users2024-02-07

    It is said that acting is divided into experiential and methodological schools, in the popular sense, uh-uh actors are experiential, like Zhou Xun, Hao Lei, Wang Qianyuan, etc., most of the experiential factions have strong feelings, Zhou Xun and Hao Lei have their own psychiatrist, sometimes because they can't play, they are prone to depression, and there are many good actors like them. They have made great contributions to the film and television industry, and they have also performed many very wonderful film and television dramas.

  4. Anonymous users2024-02-06

    One of the schools of experiential theatrical performing arts, represented by British actor H Owen, Italian actor Salvini, Stanislavsky, etc., experiential school is one of the schools of theatrical performing arts, advocating that actors should take the initiative to feel the emotions of the characters, rather than just calmly performing, which will lack appeal.

  5. Anonymous users2024-02-05

    The experiential school is one of the schools of theatrical performing arts, represented by the Italian actor Salvini, each of which will have a variety of different problems, they are all learning a different route, and the diversity of schools can add a lot of atmosphere and inject new blood into the art performance.

  6. Anonymous users2024-02-04

    For example, there are some stars, he just acted in a scene and it was over, and there are some stars who sing and act, just like a movie by Bi Xia, but she acted very well, but because she only has this movie, I think she is an experiential school.

  7. Anonymous users2024-02-03

    I think there are some old actors who are already considered experiential now, because they have earned enough fame and money when they were young, they don't need to work so hard to film, they want to film now, and more of them are those who want to experience the life of some actors and don't want to give up this profession.

  8. Anonymous users2024-02-02

    Now there are many actors who act in movies or TV series, all of which are in line with the secular trend, but he himself is not a graduate of a class or school, and he does not have a good foundation and theoretical knowledge.

  9. Anonymous users2024-02-01

    In the 80s of the 19th century, Henry Owen had a famous argument with the French actor Gégland, Salvini supported Henry Owen, advocating that actors should actively feel the emotions of the characters, rather than just acting calmly. Henry Owen objected to the actor's observation of other people's feelings, and advocated making his own emotions part of art. He believes that actors should combine the infectious power of characters with the use of artistic means, which he calls the "double consciousness" of actors.

    Salvini believes that the special hallmark of an actor is the ability to laugh and accept, and the actor should obey the feeling of being in trouble with himself. When an actor performs, he must not only feel the emotion of the character over and over again, "but he must feel it more or less every time he plays the role, whether it is once or a thousand times".

  10. Anonymous users2024-01-31

    His "experiential art" is characterized by the actor's "subconscious creation of nature through conscious psychological techniques". He asks the actor to "think, hope, aspire and act on the stage, in the context of the character's life, exactly as correctly, logically, in order, like a living person". He calls this the experiential character.

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