The earliest pastoral poets of the Eastern Jin Dynasty Ancient Chinese pastoral poets, which do you

The earliest pastoral poet - Tao Qian (Tao Yuanming).

Tao Yuanming (352 or 365 - 427 years), the character Yuanliang, also known as Qian, privately known as "Jingjie", known as Mr. Jingjie, Xunyang Chaisang (now Jiujiang City, Jiangxi Province) people. From the end of the Eastern Jin Dynasty to the beginning of the Southern Song Dynasty, he was a great poet and poet. He once served as Jiangzhou sacrificial wine, Jianwei joined the army, the town army joined the army, Pengze County Order, etc., the last time he was the Pengze County Order, he abandoned his post for more than 80 days, and since then he has returned to the countryside.

He is the first pastoral poet in China, known as the "Sect of Ancient and Modern Hidden Poets", and has "Tao Yuan Ming Collection".

Tao Yuanming (352 or 365 or 372 or 376-427), the character Yuan Liang, alias Mr. Wuliu, changed his name to Qian in his later years, and after his death, relatives and friends privately paid homage to Jingjie. A native of Xunyang Chaisang in the Eastern Jin Dynasty (now Jiujiang City, Jiangxi).

The line is not compatible, there is no boasting in the year, and there is no joy and sorrow. Good drinking, too much is not messy; As for forgetting to be proud, there is no one. ”

He embraced two different ideas of Confucianism and Taoism, and cultivated two different aspirations of "fierce ambition to the four seas" and "sex to love the hills and mountains".

Idyllic poems Tao Yuanming's idyllic poems have the largest number and the highest achievements. This kind of poem fully expresses the poet's disdain for fame and fortune, and his noble temperament; fully expresses the poet's extreme hatred and complete rupture with dark officialdom; It fully expresses the poet's love for the simple pastoral life, his understanding of labor and his friendly feelings for the working people; It fully expresses the poet's pursuit and yearning for an ideal world. As a literati doctor, such thoughts and feelings, such contents, appear in the history of literature, which is unprecedented, especially in the gate valve system and a society with strict concepts.

Some of Tao Yuanming's idyllic poems also reflect the difficult situation of his later years, which can indirectly give us an insight into the miserable life of the peasant class at that time. Tao Yuanming's "Peach Blossom Spring Poems and Notes" was written in the early years of the Southern Song Dynasty. It depicts a utopian ideal society.

It expresses the poet's complete rejection of the existing social system and his infinite admiration for the ideal world. It marks that Tao Yuanming's thinking has reached a new height. Tao Yuanming is the pioneer of idyllic poetry.

With its simple and natural language and lofty artistic conception, it opened up a new world for the Chinese poetry circle and directly influenced the pastoral poetry school of the Tang Dynasty.

Tao Yuanming uses poetic insight to see through life, and uses a wonderful pen to light up the scenery, through the reproduction of unrestrained rural life and the description of natural scenery with light and clear winds, clear and clean, showing the poet's romantic feelings of advocating nature and pursuing freedom, and also reflects the poet's disgust with officialdom and the arrogance of staying away from the world. When people talk about "Words of Return", they are accustomed to praising Tao Yuanming's pastoral joy and secluded joy, while ignoring the sadness of life hidden between the lines. When I was studying the text, I found an interesting phenomenon, that is, while the poet was expressing joy and joy, he always intentionally or unintentionally used some words and phrases that were easy to arouse people's association with him, and pondered and tasted the deep connotations of these words.

When it comes to pastoral poets, the most impressive ones are Tao Yuanming, Meng Haoran, and Fan Chengda. The so-called pastoral poetry is a poem that takes pastoral life as the main description object, and most of these poems convey the poet's mood, and the leisurely pastoral life carries a trace of unwillingness.

1. Tao Yuanming.

Tao Yuanming is the first pastoral poet in our country, later generations called him: "the ancestor of the pastoral, the ancestor of the eternal seclusion", the more famous poem, but also our catchy sentence: "picking chrysanthemums under the east fence, leisurely see the South Mountain", just two sentences depict a beautiful pastoral scenery, leisurely life artistic conception.

In addition, Tao Yuanming's "The Story of the Peach Blossom Spring" is also very famous, and the depiction is also far away from the noise of the world, which is completely a beautiful place for pastoral life, which is enviable. In real life, returning to the countryside is what Tao Yuanming often does, some people say that he simply can't realize his political ambitions, so he uses the hermit as an excuse, and some people say that Tao Yuanming is not used to seeing the sinister of officialdom and returns to the countryside.

Second, Meng Haoran.

Meng Haoran's life is also depressed, so he pins his feelings on the landscape, after all, there is no Zhongjinshi at the age of forty, so he travels in the mountains and rivers, Meng Haoran's poems are more famous and we have begun to recite since childhood: spring sleep is not aware, birds are heard everywhere, wind and rain come at night, and flowers fall to know how much. Meng Haoran's poems are often quatrains, but they always depict scenes and landscapes in a few simple sentences, so Meng Haoran is also a rising star of pastoral poets.

3. Wang Wei. Wang Wei is a representative of the pastoral poetry of the Tang Dynasty, and the verses I am more familiar with are: people are idle and osmanthus flowers fall, the night is quiet and the spring mountains are empty, the moon rises and frightens the birds, and the spring stream sings.

Wang Wei's poetry and Xie Lingyun are the same school, creating another artistic conception of landscape poetry, and the unity of purity and tranquility in his poetry is indescribable.

Pastoral poets include Tao Yuanming, Fan Chengda, Wang Wei, Meng Haoran, Liu Yuxi, Xie Lingyun, Xie Wei and so on. Pastoral poems are mainly written about rural life, most of which are based on rural scenery and peasant labor themes, and many pastoral poems in the Tang and Song dynasties were mainly composed by reclusive literati and officials who retired to the countryside.

The ancient pastoral poets in China are: Wang Wei, Fan Chengda, Meng Haoran, Tao Yuanming, Wei Yingwu, Xie Lingyun and so on. These poets are very outstanding representatives, and their poems are also very classic.

Tao Yuanming, Meng Haoran, Wang Wei, Fan Chengda, these are all ancient pastoral poets, and they are also relatively famous, and there are many poems that are very classic.

There are many, such as Wang Wei, Tao Yuanming, Meng Haoran, Xie Lingyun, Wei Yingwu, Fan Chengda and so on. These are very good pastoral poets, and they have created many excellent verses, and many people admire them very much.

There are ancient Chinese pastoral poets, Tao Yuanming, Wang Wei, Meng Haoran, Fan Chengda, Liu Yuxi, Xie Lingyun, Xie Wei and so on.

Ancient Chinese pastoral poets include Xie Lingyun, Tao Yuanming, Wang Wei, Xie Hao, and Meng Haoran.

The most famous pastoral poets are Tao Yuanming in the Jin Dynasty, Meng Haoran and Xie Lingyun in the Tang Dynasty.

Among the more famous ancient Chinese pastoral poets, Tao Yuanming, for example, he planted beans in the south of the mountain, and the grass was full of beans and seedlings.

The most famous is Tao Yuanming, picking chrysanthemums under the east fence, leisurely seeing Nanshan.

The more famous ones are Tao Yuanming, Wang Wei, and Meng Haoran.

The most famous pastoral poet in ancient times should be Tao Yuanming.

The 4 representative figures of pastoral poets are as follows:

Landscape Pastoral Poetry School: The poetry school of the Tang Dynasty is the landscape pastoral school inherited from Tao Yuanming of the Eastern Jin Dynasty, and the representative figures are Wang Wei, Meng Haoran, Chu Guangxi, Chang Jian, etc. in the Tang Dynasty, Wei Yingwu and Liu Zongyuan in the Middle Tang Dynasty.

It mainly reflects the pastoral life and depicts the landscape and scenery. Among them, Wang Wei's achievements are high, he is a poet, and a painter, can use painting to understand poetry, poems have paintings, paintings have poems, in addition to Li Du, set up a sect, which has a great impact on later generations.

A genre of Chinese Tang Dynasty poetry. It mainly reflects the pastoral life and depicts the landscape and scenery. He inherited and developed Tao Yuanming's idyllic poems and Xie Lingyun, Xie Hao's landscape poems, etc.

Representative figures include Wang Wei, Meng Haoran, Chu Guangxi, Chang Jian, etc. in the Tang Dynasty, Wei Yingwu and Liu Zongyuan in the Tang Dynasty. Their works mostly reflect the thoughts and emotions of leisure, the colors are elegant and light, the artistic conception is profound, and most of them adopt the form of the ancient style of five words and the rhythm of five words.

Representatives of the Landscape Idyllic School: Tao Yuanming, Wang Wei, Meng Haoran, Wei Yingwu, Liu Zongyuan.

1. Tao Yuanming.

The name is only false, the character is bright, alias Mr. Wuliu, known as Mr. Jingjie. The originator of the idyllic school. Tao Yuanming's idyllic poems have the largest number and the highest achievements.

This kind of poem fully expresses the noble discipline of the poet; It fully expresses the poet's love for the simple pastoral life, his understanding of labor and his friendly feelings for the working people; It fully expresses the poet's pursuit and yearning for an ideal world.

Second, Wang Wei. The word Maha, the number Mahaju. Wang Wei's landscape idyll, while depicting the natural beauty, reveals the leisure and sparse taste of idle life, seeking sustenance in Buddhism and landscapes.

Wang Wei's landscape idylls skillfully use artistic compositional techniques. His famous poems include "Autumn Evening in the Mountain House" and "Rain-Bearing Rim Chuan Zhuang Works".

3. Meng Haoran.

Meng Haoran was born in the Tang Dynasty, and in his early years, he aspired to use the world, and after a difficult career and painful disappointment, he cultivated and retired for life. Meng Haoran's poems have unique artistic attainments, and later generations called Meng Haoran and Wang Wei, another landscape poet in the Tang Dynasty, "Wang Meng". Meng Haoran was the first poet to create landscape poems in the Tang Dynasty, and "Looking at Dongting Lake as a Gift to Zhang Chengxiang" was written with majestic momentum and style.

Fourth, Wei Yingwu.

Wei Yingwu is a poet of the pastoral school of landscape reputation, his poetic style is clear and exquisite, the poetry is rich in content, and the style is unique. Wei Yingwu's landscape poems often reveal a little loneliness in the quiet, in which the expression of emotions is controlled, which is really a kind of sad but not sad beauty of loneliness.

Answer]: B This question examines the literary scholars of the Wei and Jin dynasties. Tao Yuanming, also known as Qian, known as "Mr. Jingjie" blind locust skin, from the end of the Eastern Jin Dynasty to the beginning of the Southern Song Dynasty Wei Ming Yunda poet, poet and poet. He was the first pastoral poet in China and was known as the "Zong Mocha of Ancient and Modern Hidden Poets".

Tao Yuanming, a famous poet of the Eastern Jin Dynasty, his pastoral poems are known as "the cornerstone of Chinese pastoral poetry", among which "Returning to the Garden and Pastoral Home" and "Drinking" are the most representative.

Tao Yuanming's Profile:

Tao Yuanming (about 365-427), known as Qian, the character Yuanliang, alias Mr. Wuliu, privately known as Mr. Jingjie, known as Mr. Jingjie, one said that Xunyang Chaisang (now Jiujiang, Jiangxi) people, the other said that Jiangxi Yifeng people, from the end of the Eastern Jin Dynasty to the beginning of the Liu Song Dynasty, outstanding poets, poets, essayists.

Tao Yuanming once served as Jiangzhou sacrificial wine, Jianwei joined the army, the town army joined the army, Pengze County Order, etc., the last time he was the Pengze County Order, he abandoned his post for more than 80 days, and since then he has returned to the countryside. He is the first pastoral poet in China, known as the "Sect of Ancient and Modern Hermit Poets", known as the "Sect of Hermit Poets" and "the Originator of the Pastoral Poetry School".

Tao Yuanming's works include "Drinking", "The Story of the Peach Blossom Spring", "Words of Return", "The Biography of Mr. Wuliu", etc., and he is the first literary giant in Jiangxi. Tao Yuanming's hand-me-down works have a total of 125 poems and 12 articles, which were compiled as "Tao Yuanming Collection" by later generations.

Tao Yuanming's work type:

1. Yonghuai poem

Tao Yuanming's Yonghuai poems are represented by 12 poems of "Miscellaneous Poems" and 13 poems of "Reading the Classic of Mountains and Seas". The twelve poems of "Miscellaneous Poems" mostly express the political anguish of his ambitions after his retreat, and express his noble personality of not being in the same stream as the world. It can be seen that the poet's heart is infinitely deep and wide.

The thirteen poems of "Reading the Classic of Mountains and Seas" express the same content by chanting the strange things in the "Classic of Mountains and Seas", such as the tenth poem by praising Jingwei and Xingtian's "fierce ambition is always there" to express and show that his ambition to help the world will never be extinguished.

2. Idyll

Tao Yuanming's idyllic poems have the largest number and the highest achievements. This kind of poem fully expresses the poet's noble Huai calendar and scumbag discipline; It fully expresses the poet's love for the simple pastoral life, his understanding of labor and his friendly feelings for the working people; It fully expresses the poet's pursuit and yearning for an ideal world.

3. Drinking poems

Tao Yuanming was the first poet in the history of Chinese literature to write a large number of drinking poems. His "intoxicating" tone or accusations of reversing right and wrong and slandering the same high society; or reflect the sinister nature of the career; or show the poet's drunken heart after withdrawing from officialdom; or to express the poet's grievances in distress.