Gao Shi s verses, what poems Gao Shi has

Dengguangling Qiling Temple Tower.

Since the thistle returned to the north. Shogunate poems of King Shin'an.

and Dou Shi Yu Dengliangzhou seven-level floating map work.

Send Chai Sihu to charge Liu Qing's Judge Ridge.

Don't Dong Da's second head.

Except for the night. Cui Silu Zhaiyan Dali Li Qing.

After getting drunk, he gave Zhang Jiuxu.

Judge Don't Feng. Yingzhou song.

Homestay at the Tian family. With Lu Yuanwai pay Tian to write, the curtain gate army west of the mountain autumn night work.

Qi Shangbei Liu Shaofu Ziying.

Send Yucheng Liu Mingfu to Wei County Miao Taishou.

Tongzhu Gong Deng Ci'en Temple floating map.

Fisherman's Song. See you in the snow.

Don't Zhang Shaofu. Crying single father Liang Jiu Shaofu.

Send Yangshan people back to Songyang.

The platform meets Li Jingshen at night.

Given to return the mountain and send Shen Sishan people.

Singing the horse whip Bewei V. Farewell to Chushan people.

Reward Suiyang Road is too shou to see the gift.

Title: Don't drive the wall.

Tong Xian in Luoyang, in Bi Yuan's house to watch the painting of horse songs.

Send Wei Ba. Four songs of bitter snow.

Farewell to the third priest.

Ki Shang sent Wei Sicang to the slide.

Guangling Bei Zheng Shishi.

Don't be the king. Li Yunnan's barbarian poems.

Send Tian Shaofu to degrade Cangwu.

With Li Jiushi Cao Guan mural cloud work.

Song Zhong met Secretary Liu differently.

Make the Qingyi army into the three heads.

The soldiers are half dead in front of the army, and the beauties are still singing and dancing!

Don't worry about the road ahead, no one in the world knows you.

1, "Thistle Gate Xing".

Youzhou rides and shoots, and the knotted hair is heavy.

Once a general, there is a reputation for going in and out.

They hunted autumn grass one after another, and bowed to each other.

Outside the gloomy Great Wall, the sun is not more dusty.

Although Hu cavalry relied on the mausoleum, the Han soldiers did not care about themselves.

The ancient trees are full of empty blockages, and Huang Yunchou kills.

2. Plug it up and listen to the flute.

The snow is clean and the horses are still herding, and the moon is bright and the Qiang is between the buildings.

Where do plum blossoms fall? The wind blew all night over the mountain.

3. Jincheng North Building.

The north building looks at the clear sky in the west, and the water is even in the painting.

The sound of the rapids on the turbulent is like an arrow, and the waning moon at the head of the city is like a bow.

The hanging rod has been envious of the old stream, and the body is still thinking about the Weng.

In order to ask what is more important in the side court, Qiang Di has endless complaints so far.

4. Send Li Shiyu to Anxi.

The line is against the flying peng, and the golden whip is pointing at the iron skull.

Fame is thousands of miles away, and the heart is in a cup.

Captive obstacle Yanzhi north, Qincheng Taibai east.

Don't be melancholy when you leave your soul, look at the treasure sword hero!

Gao Shi was one of the famous poets of the Tang Dynasty, and his poems were heroic, unrestrained, majestic, and passionate, reflecting the hardships of life in the Tang Dynasty and the cruelty of war. Here are some of Gao Shi's representative works:

Yan Ge Xing is one of Gao Shi's masterpieces, and it is a long poem describing the life of Biansai. The poem depicts the quiet and hard life of Biansai, as well as the soldiers' longing for their hometown and relatives. The language of the poem is concise and the artistic conception is far-reaching, expressing the author's deep reflection on the war and his cherishing of life.

"Ascending" is a poem with the theme of ascending and looking far away, describing what the poet saw and felt when he climbed high and looked far away, and expressed the author's love for the mountains and rivers of the motherland and his longing for his homeland. The language of the poems is fresh and natural, the artistic conception is lofty and infectious.

Sending Li Shaofu is a farewell poem that describes the poet's emotional exchange when bidding farewell to his friends. The poem takes parting as the theme, and expresses the author's cherishing of friendship and feelings about parting through the description of parting and the expression of friendship.

"Song on the Stopper" is a poem on the theme of the life of Biansai, describing what the poet saw and heard in Biansai. The poem expresses the author's love for life in Biansai and his loyalty to the motherland in a heroic and unrestrained tone.

"Farewell to the Ancient Grass" is a poem on the theme of parting, describing the poet's emotional exchange at the time of parting. Through the description of parting and the expression of friendship, the poem expresses the author's cherishing of the limbs of the friendship hall and the emotion of parting.

The above are some representative works of Gao Shi, these poems are heroic, unrestrained, majestic, and passionate as the main style, reflecting the hardships of life in the Tang Dynasty and the cruelty of war. Gao Shi's poems not only reflect his literary talent and artistic charm, but also provide important materials and perspectives for us to understand the history and culture of the Tang Dynasty.

Gao Shi's ancient poems include: "Except for the Night", "Farewell to Dong Da's Second Song", "Send Li Shaofu to Degrade the Gorge in Wang Shaofu to Degrade Changsha", "Yan Ge Xing", "Yingzhou Song" and so on.

Gao Shi (about 704 to about 765), the word Dafu, Zhongwu, Tang Dynasty Bohai County (now Jing County, Hebei), later moved to Songcheng, Songzhou (now Suiyang, Shangqiu, Henan), the Tang Dynasty famous Biansai poet, known as Gao Changshi, and Cen Shen together called "Gao Cen", and Cen Shen, Wang Changling, Wang Zhilian together called "Biansai Four Poets". There are "Gao Chang Shi Ji" and so on. Kaifeng Yuwangtai Five Sages Temple is specially for Gao Shi, Li Bai, Du Fu, He Jingming, Li Mengyang.

He once served as a waiter in the Criminal Department, a regular attendant of the loose cavalry, and a candidate in Bohai County, and his poetry and writing are strong and vigorous, full of the spirit of the times that is unique to the Tang Dynasty.

Style:

Gao Shicen's Selected Poems "Majestic and tragic" is the outstanding feature of Gao Shi's poems. His poems are still qualitative, majestic and simple. Gao Shi is less lonely and poor, has the spirit of a ranger, once roamed the Liang and Song dynasties, cultivated and self-sufficient, coupled with his bold and upright personality, so the poems reflect a broader level and the theme is also profound.

Gao Shi's psychological structure is relatively rough and his personality is straightforward, so his poems are mostly straightforward and expressive, or interspersed with narratives and discussions, and less use of comparative techniques.

Gao Shi's poetry focuses on people rather than on the natural landscape, so he rarely writes about the scenery simply, and often writes about the scene when lyrical, so the scene bears the imprint of the poet's personal subjectivity. In "Yan Ge Xing", the bleak scene is outlined with "the desert is poor and the grass is declining in autumn, and the sunset in the lonely city is sparse", and the desert, dry grass, lonely city, and sunset are used as a comparison to form a picture full of subjective emotions, which makes the heroic and tragic soldiers who fight more and more intensely. Gao Shi uses simple and unpolished words in the language style.

Gao Shi has poems such as "Plugging and Listening to the Flute", "Except for the Night", "Farewell to Dong Da's Second Song", "Giving Zhang Jiuxu After Drunk" and so on.

1. Where do plum blossoms fall? The wind blew all night over the mountain. - Plug it up and listen to the flute

Appreciation: Three or four sentences are not only wonderful. The "plum blossom falling" is dismantled, and the virtual scene of the plum blossom blooming all over Guan Mountain is constituted, echoing the real scene of the snow and the moon, and euphemistically and implicitly expressing the strong feelings of missing the hometown.

It seems that the wind blows not the sound of the flute but the flowers of the falling plum, they are scattered everywhere, and the harmony and fragrance are sprinkled all over Guanshan overnight. Of course, this is an image of writing, but it is an illusion formed by the dismantling of the title of the song.

And this virtual scene is in harmony with the real scene of the pure moon in Xuehong, and the virtual and real cultivation are staggered, forming a wonderful and far-reaching artistic conception, which is difficult for any clever painter to paint. At the same time, it still contains synaesthesia, that is, the component of "thinking about shapes" by listening to music.

2. The cold lights of the hotel never sleep, and the guest's heart turned sad. Except for the night.

Appreciation: "The cold lights of the hotel never sleep", the first sentence of the poem contains very rich and inspiring content, pointing out that the author is still traveling to the end of the world on Chinese New Year's Eve, it can be imagined that the poet sees that every house outside is brightly lit and gathers together, but he is far away from his family and lives in a guest house.

The two contrasted, and I didn't feel that the scene was emotional, and even the lamp in front of me that emitted light and heat became "cold". "What is the sadness of the guest's heart", this is a vicarious sentence, using the form of questions to make the thoughts and feelings clearer, because of the body in the guest, so it is called "guest".

The poem asks, "What makes the hearts of the guests desolate and sad?" "The reason is that he is on Chinese New Year's Eve. The thick atmosphere of Chinese New Year's Eve at night surrounded the poet in the guest house with cold lights, and his sense of loneliness and sadness arose.

3, don't worry about the road ahead without a confidant, no one in the world knows you. Don't Dong Da's second head.

Appreciation: These two sentences are a consolation to friends: Don't worry about not meeting a confidant, who in the world doesn't know you Dong Tinglan! How loud and powerful the words were, full of confidence and strength in the comfort, inspiring friends to fight and fight with great spirits.

Filled with confidence and strength in solace. Because he is a bosom friend, he speaks simply and boldly; And because of its fall, it takes hope as a consolation.

4, Xinglai book is self-sacred, and the language is especially turbulent when drunk. After getting drunk, he gave Zhang Jiuxu.

Appreciation: "Xinglian comes to the book from the sacred, and the language is especially turbulent when drunk. Zhang Xu Jing Kaishu, especially good cursive, Yishi strange, continuous winding, self-innovative style, known as "grass saint". Zhang Xu is addicted to alcohol, and every time he is drunk, he calls for madness and writes, or writes with ink on his head, and he thinks he is a god.

can't be regained, the world calls "Zhang Dian". This couplet is written when Zhang Xu is drunk, and his calligraphy will reach the realm of transcendent sanctification, and his words will be more uninhibited and naïve. The poem expresses a heartfelt praise for Zhang Xu's calligraphy and character.