I ve only been studying art for three months, how about the sketch plaster statue, please comment, t

Spent a little. The general light and shade are not well grasped, for example, the front part of the hair ignores the relationship between light and dark because it is too restrictive. The line between light and dark is a bit stiff.

Next time you find the general light and shade, you should be dark in a large area, ignoring those subtle changes The real thing in the dark part can also be put first, and then paint the specific part of the dark part when the general light and dark relationship But the degree of depiction should be less than the light part.

Xiaowei is very dynamic. It's also one that I often need to spend a long time modeling, and if I only learn it for 3 months, I should say that the sense of style is good!

I've painted this one.

To be honest, in addition to the inaccurate dynamics, as a plaster cast, the face is too full. The virtual and the real did not pull apart. The type is not accurate. The color block, despite this, does not seem to be joined by understanding, stiff, and rigid. ......

Well, it is advisable to look at Bourne, and then for the details witness the physical comparison.

After that, for us beginners, the above is enough.

Learn well and be able to draw the composition completely.

The place to pay attention may be the time.

Marked with lattice specifications.

All the lines inside must be correct and precise.

The content of the grid by grid will not be crooked.

In fact, it is very good to be willing to learn sketching, and continuous learning can enhance your skills.

I hope all of the above can help you!

Well, it's okay for beginners, but the plaster is full of difficult to draw. I took 12 sketch classes to get to this point.

Shape and structure problem! is a very important question! I guess, you don't need to draw too much light and shade right now!!

Get the structure right! Light and shade are easy to come out ... I only painted it for 3 months.

It is recommended that the landlord only draw the structural frame. The foundation is not strong!! It's useless for you to draw so much now...

Let's draw it step by step!! I want to draw a good picture. There is no such thing as a quick fix.

Only those who take the exam. There is a quick success. But the height of the artistic standing must not be very high...

It's too prescriptive!! Although my words are a little harsh. But ......I won't talk about the rest of the story!!

There are still good places for this painting of yours. At least the big dynamics can be grasped.。。 Draw more boldly.

The facial features need to be improved......There are a lot of things to change. But not what you are going to do now ...

There is a problem with the facial muscles, the facial features are too stiff, the light and shade should be more obvious, the contrast is not obvious, the face is not prominent, and the painting has not been finished to continue to go deeper, the reflection of the base is too bright and brighter than the front, and the chin is too.

The plaster should be painted a little lighter. Just earn the side apart. The front is real and the back is virtual. That's it. Hair as long as the front of the painting is a little more careful. Later, you just need to draw it.

It's good to be able to learn like this in 3 months, which shows that you have a good intention.

Pay more attention to the structure of the face and the treatment of hair.

The outline of the bright part is too hooked, there must be a change, the relationship between light and dark is a little confusing, pay attention to the virtual and real, and keep up the good work.

It's not bad if you've only been studying art for three months!! It's just turning your head and not being natural.

I'm the opposite of you, my gouache isn't very good at sketching, especially the avatar, and it's the people who come over.

Let me give you some advice:

Because of your time, I suggest that you don't paint the facets and muscles in the plaster cast first, and practice their facial structure, because the most important thing about the avatar is the structure, and the reason why you can't grasp the big one is that you don't understand the structure.

This also kills two birds with one stone, plaster can also be practiced well, and there is also drawing sketches, because sketching can improve your composition and overall ability, sketching is best drawn every day until a few days before the exam.

When you think you have a certain understanding of the form, you should sketch and copy, copy more, observe more when sketching, draw less even if it is three or four days, copy and dictation to combine so that progress is faster, you must observe more, you must carry out the overall synchronization, in fact, copying and sketching Plaster painting is to serve your sketch avatar, and the overall practice is your ability to observe and express. I wish you success.

Sketching occupies most of the rational thinking, and color occupies the emotional thinking. Sketching is the best practice of styling ability, and I guarantee no less than 30 sketches every day like you at this time. First of all, painting is not in a hurry to draw well, and if you can't grasp it, it means that your basic skills are still not in place What you are doing now is not blindly painting all day long, since there is no way, you can master the methods and methods first, you don't need to look at the works of any masters, first buy an excellent work of the technical examination of major art colleges and universities Bookstores have it.

Look hard and see how people deal with the details.

In fact, sketching is a process of moving from the boundary between light and dark to the bright parts of the structure, and then repeatedly emphasizing the dark parts. Find another piece of paper and take a pencil to practice more tunes. In addition to pencils, rubbing (with a soft paper towel), dotting (with a plastic eraser), and wiping (with fingers) are just a few of the techniques used to draw sketches.

Take it easy, it's not that hard.

Clearly tell you to play the overall knock on the details you must be out of proportion you can only draw more and use your brain more buy ben burryman is very useful for sketch understanding believe me.

There are some problems in head sketching that need to be taken seriously. First, the basic shape of the characters is inaccurate. Including head movement, the outer contour of the head and the contour of the face, the position of the facial features, the relationship between the portrait and the neck and shoulders, etc.

2. Lack of understanding of the structure of the head. Lack of anatomical knowledge, unable to see the essence through the phenomenon, tightly grasping the bones and major muscles to express, so that the body is loose, and the lines, light and shade cannot be implemented. Third, the three-dimensional concept is not strong.

Because the geometric plaster is clear and easy to identify, while the head shape is more complex, it is often caught in the local tracing and ignores the three-dimensional observation and expression, lacking the due depth. Fourth, the sense of wholeness is not strong. Pick your eyes, nose, and mouth tirelessly.

The hair and ears are sloppy, the relationship between the neck and shoulders is not valued, and the picture is messy and uncoordinated. 5. Not paying attention to the position of the parietal bone. Because the hair covers the skull, the frontal bone and the parietal bone are often shortened, which makes it look extremely uncomfortable All this shows that some candidates are not able to grasp the overall sense of the whole at a macro level, grasp the basic shape, and pay attention to the complete processing picture in depth, and are often entangled in the details.

It is necessary to improve artistic accomplishment, and there is an urgent need to improve the observation method and painting steps.

What are the practical strategies for character plaster sketching? This is also a problem that art students are more concerned about, I believe that many art students want to master the actual combat strategy of character gypsum sketching, we can not blindly learn art, we must cultivate keen observation ability and application ability, but also have the professional quality and literacy of art students, so let's learn the actual combat strategy of character gypsum sketching.

Before we come into contact with the sketching of the human head, we generally have to learn a sketching method, that is, the plaster sketching of the character, that is, the depiction of the plaster portrait of the character. The plaster statue is a work of art after the sculptor's summary and expression of different figures, which is conducive to our grasp of the proportion of human facial features in the future sketching of the human head. In actual creation, it should be noted that the plaster statue should not be painted too rigidly, and it is necessary to learn to express the characteristics and texture of the characters and hair, and deal with the relationship between the light and shade and composition of the plaster sketch.

First of all, in terms of composition and modeling, it is necessary to be accurate, rigorous and coordinated. In the composition, it is necessary to pay attention to the relationship between the space on the four sides of the paper and the main body of the plaster statue, the space on the four sides should not be too equal, and at the same time, the depiction of the plaster statue should be as full as possible. In terms of modeling, it is necessary to observe the whole more, try to outline the large shape, large proportion and large momentum of the plaster statue through a few large lines, grasp the proportional relationship of the five senses, and do not pay too much attention to local changes here.

The effect of this step is that the overall picture is more complete and coordinated.

Secondly, in the detailed depiction, after fully knowing and understanding the geometric structure of the plaster statue, it is necessary to intersperse the use of line method and chiaroscuro method to deeply depict the characteristics of the physiological structure of the plaster statue, especially the subtleties of the face and hair, such as virtual reality, space, light and shade relationship, etc., so as to make the depiction of this step more detailed and vivid.

In short, the way of sketching the plaster statue can enable us to better understand the sketch while learning the sketch, and vividly present the three-dimensional artwork of the plaster statue on the drawing paper. Once you can establish accurate spatial modeling and structural characteristics in your mind, and at the same time grasp the relationship between light and shade and the portrayal of facial details, then the sketching of a large number of plaster casts will be similar and easy, and it can also lay a certain foundation for future sketches of human heads.