The deep foundation tomb is the tomb of which people

The sarcophagus tomb is commonly known as the "deep foundation tomb", and it is distributed throughout the county of Wude Town. The most typical is the Honzhuang town Leqiao sarcophagus tomb group. According to the survey, this area was due to the Great Leap Forward in agriculture in 1958.

Large-scale deep cultivation, coupled with the later mass movements such as building water conservancy and roads, there are many sarcophagus burials unearthed from excavation. There are more than 20 places such as Zhaiyang, Yanshang, Persimmon Dam, Gaotai Temple, Getaizi and so on. A group of as few as three or five coffins, more than ten coffins, as many as forty or fifty coffins, more than 100 coffins.

There is also a layer of wooden coffins in the general sarcophagus, all painted vermilion, which is extremely luxurious.

According to the investigation, it is the old house foundation of the Yaozhai Management Area of Wude Town, surnamed Gong, and the Gelao ethnic group.

of the "Family Palace".

Sarcophagus tombs have been found everywhere in the prefecture, and many have been damaged. The relatively well-preserved, there is the surname Zhu of Zhujiaba in Longtang Town.

The Gelao people have a deep foundation with seven eyes, the old Eagle Lin Wang surnamed Gelao people in Pingdichang Township are buried in the deep base, the mountain behind the Gelao people in Damaopo Yang in Baisha Town is buried in the deep foundation, the mud pond stone chamber tomb in Shigu Township, and the deep base group of the Gelao people in Shixi Yuan in Honzhuang Town.

Judging by what you have narrated.

The tomb should be a Song tomb.

The masonry tomb was in the Song Dynasty and the Six Dynasties.

And many of the tombs you are talking about are exposed, and it may also be the tombs of the Ming and Qing dynasties, depending on the soil quality and soil color, to judge the period of a tomb.

1 Check the change in soil color.

2 Combination of utensils.

3 Burial style.

4 Carbon 14 assay.

You're pictured above. In my opinion.

It should be the late Ming and early Qing dynasties.

In the Qin and Han dynasties, the texture of the bowl was mostly marl pottery.

You picked up this thing.

This is in shape. Red pottery.

The body is decorated with a sauce-colored glaze.

Lap foot. There are wheel marks.

Identification completed. Turn it in, landlord: haha.

Folklore is part of traditional culture, and there is no dross in it. The so-called dross is just not in line with the morality and ethics of modern society.

The formation of a folk custom must conform to the social form of the time, and is a concrete manifestation of the universally recognized values, outlook on life, and world view (ideology). Folklore is not static, it is constantly changing with the transformation of society. Some of them are passed down; Some were created for the sake of creation; Some were eliminated.

It's not dross that's being eliminated, it's just out of place.

Folk customs refer to the cultural matters that are gradually formed and passed down from generation to generation in the long-term production practice and social life of a nation or a social group, and can be simply summarized as popular folk customs and customs.

Patterning must not be arbitrary, temporary, or improvised, but can usually transcend time and space, which is the premise that folk customs have inheritance, extensiveness, and stability: an activity occurs here and now, and its activity mode is not a folk custom if it is not implemented by another person again; Only when the activity goes beyond the context and becomes the content of multiple people who do the same thing many times, can it be a folk custom that has been passed down from generation to generation. On the other hand, folklore has variability.

Folklore is a life culture, not a classic culture, it does not have a text, mainly by the way of hearing and seeing, words and deeds to pass on between people and generations, even under the same conditions, it can not be repeated unpleasantly, in the ever-changing life situation, the main body of the activity must be appropriately adjusted, and the folk customs have changed immediately. This difference is manifested in individuals and groups, including occupational groups, regional groups, and class groups, which leads to the industry, regional, and class nature of folk customs. If the time factor is highlighted, a generation or an era will inherit, change, and innovate the previous folk customs.

This change between time periods is the epochality of folklore.

It's tradition, but don't add the word culture.

The traditional cannon dragon in the Binyang Cannon Dragon Festival, which has been included in the list of national intangible cultural heritage, makes Yongzhou eight sounds, traditional cannon dragons, Binyang Zhuang brocade and other intangible cultural heritage.

Binyang traditional food - sour powder.

During the event, a variety of traditional specialties and native products from Binyang County and Xingning will be introduced to create a traditional "food paradise" in Nanning. At the same time, a number of commemorative significance and practical value in one, with the characteristics of Kunlun Guan folk tourism series of creative tourism products, handmade products and agricultural products, for tourists to dedicate a feast of food, tourism and culture.

Rich in cultural connotations.

Create a brand of traditional folk festivals.

It is reported that the Kunlun Pass Folk Culture and Tourism Festival held in the Kunlun Pass Scenic Area on the 13th day of May of the lunar calendar every year originates from the major folk celebration activity "Guan Gong Sharpening Knife Festival". Guan Gong's spirit of "being loyal to the country, treating others with righteousness, dealing with the world with benevolence, and fighting with courage" embodies the traditional virtues of the Chinese nation. Every day of "Guan Gong's Knife Grinding Festival", people within a radius of dozens of kilometers have flocked to Kunlun Pass to carry forward the traditional virtues of the Chinese nation by worshiping Guan Gong's "loyalty, righteousness, benevolence and bravery", and also to pray for the peace of the country and the people, smooth wind and rain, and good life.