Who was the earliest representative writer of Han Fu?

The earliest writer is, Sima Xiangru.

The earliest representative writer of the Han Dynasty was Sima Xiangru.

Han Fu is divided into Sao Ti Fu, Big Fu, and Small Fu. As Jia Yi's "Hanging Qu Yuan Fu" and "Peng Niao Fu", it is directly influenced by Qu Yuan's "Nine Chapters" and "Tianwen", and retains the tradition of adding "Xi".

Dafu, also known as the scattered Dafu, is huge in scale, magnificent in structure, magnificent, and ornate in vocabulary, often a long masterpiece of thousands of words. Xiao Fu Yang abandoned the defects of the big fu's length, rhetoric, discarding the basics, and lacking emotion, and on the basis of retaining the basic literary style of the Han Fu, he created a short short fu with a small length, clear and beautiful style, satirizing current affairs, and lyrical songs.

As a literary style, Fu was produced in the late Han Dynasty, and its formation was directly influenced by Chu Ci, which was very popular in the Han Dynasty, so it was called Han Fu. Han Fu has the characteristics of both rhyme and prose, and makes good use of gorgeous rhyme to lay out the narrative, that is, "the appearance of writing things is like carving and painting". The representative figures of Han Fu include Jia Yi in the early Han Dynasty, Sima Xiangru in the period of Emperor Wu, and Yang Xiong in the Wang Mang period; Representative works include Jia Yi's "Hanging Qu Yuanfu", Sima Xiangru's "Zixu Fu" and "Shanglin Fu", Dong Zhongshu's "Shi Bu Yu Fu" and so on.

In the Han Dynasty, the original Taile official office was in charge of Yale, and when Emperor Wu of the Han Dynasty, the Yuefu official office was set up to manage the secular music, and the main responsibility of Yuefu was to collect folk eulogies for processing and soundtracking. Most of the poems are folk songs, the language is simple and natural, the content is rich and colorful, the emotions are real and moving, and they have high artistic value.

Sima Xiangru established the style of Han Fu's persuasion and satire one, and his masterpieces "Zixu Fu" and "Shanglin Fu" marked the maturity of Han Fu. Yang Xiong's "Ganquan Fu", "Changyang Fu" and "Feather Hunting Fu" are based on Sima Xiangru's Fu, which is the first in the history of literature to be not inferior to the original imitation style. Bangu's masterpiece "Liangdu Fu" praises the prestige of the Eastern Han Dynasty.

Zhang Heng's "Erjing Fu" is longer and more magnificent in structure than "Liangdu Fu", and is known as "the extreme track of the long story".

The four masters of Han Fu: 1, Sima Xiangru, the representative work "Zixu Fu"; 2, Ban Gu, representative work "Liangdu Fu"; 3, Yang Xiong, representative work "Hedong Fu"; 4, Zhang Heng, representative work "Erjing Fu".

Sima Xiangru: "Zixu Fu", "Shanglin Fu", "Adult Fu", "Mourning II Fu", "Beauty Fu".

Yang Xiong: "Hedong Fu", "Feather Hunting Fu", "Ganquan Fu", "Changyang Fu".

Bangu: There is "Liangdu Fu" famous all over the world.

Zhang Heng: The scattered body is endowed with "Xijing Fu".

Han Fu's representative works are:

1. "Zixu Fu": Sima Xiangru, a writer of the Han Dynasty, wrote when he was traveling to Liang in the early days.

2, "Shanglin Fu": the sister chapter of "Zixu Fu".

3, "Adult Fu": implies a satirical admonition to Emperor Wu of the Han Dynasty to be a good immortal.

4. "Hanging Qu Yuanfu": The works of the Han Dynasty writer Jia Yi.

5, "Ostrich Fu": Written for Jia Yi when he lived in Changsha, he expressed his grievances.

6. "Recruiting Hermits": The work of Liu Anmen, the king of Huainan in the Han Dynasty, and Huainan Xiaoshan.

7. "Seven Hairs": The Han Dynasty's Fu Jia Meixian's work, which is an ironic work.

8. "Chu Ci": written by Wang Bao of the Han Dynasty, in memory of Qu Yuan's work.

Han Fu's masterpiece is "Leaving the Book and Opening the Eyes". Lisao is one of Qu Yuan's representative works, a famous poet and thinker during the Chu period of China. "Lisao" is a 374-sentence long rhetoric, known as the crown of Chu Ci, representing the peak of ancient Chinese literature.

The content of "Lisao" is very rich, mainly expressing Qu Yuan's painful feelings about the decline of the country and his own exile, as well as his pursuit and reflection on myths and legends. This literary work not only has high value in literature and art, but also has a profound impact on the thinking and civilization of the Chinese people in terms of history and culture for thousands of years.

In addition, "Lisao" also reflects the unique characteristics and full personality of Chu culture. Chu culture is characterized by enthusiasm, unrestrained and boldness, which is also reflected in "Lisao". The emotions of "Lisao" are very strong, the language is fluent, and the descriptions are magnificent, and the descriptions of characters, animals and natural scenery are very vivid and have artistic value, which is enough to make readers have strong feelings and experiences.

At the same time, this work also marks a turning point in the development of traditional literature to individuality in the history of Chinese literature, and is a classic work in the history of Chinese literature.

In short, Han Fu's masterpiece is Lisao, which is not only a literary work, but also an important part of Chinese culture and history. <>

Undoubtedly, [Sima Xiangru] is the most important representative of them.

Evidence]: Han Fu was able to form his own fixed stylistic characteristics through his fusion of various characteristics and his own creations.

For example, his "Zixu Fu" and "Shanglin Fupao", which depict safaris as the theme, have become models for later generations of Fu writers to write similar themes, but they cannot overcome their barriers.

Therefore, Yang Xiong once commented in "Burning the Law, My Son": "If the door of the Kong family is also endowed, then Jia Yi will ascend to the hall, which is like entering the house." ”

Lu Xun also spoke highly of Sima Xiangru's important contributions to the Han Fu in the Outline of Gonghan Literature.

He said: "Gai Han is good at Chu Sheng......It is like a unique change of body, covered with the meaning of Weiqi, decorated with beautiful words, short and long sentences, and not formal, which is very different from that time. ”

He also said that he "did not learn from the past, shook himself and was talented, broad and beautiful, and outstanding in the Han Dynasty".

These commentaries convey the creative characteristics of Sima Xiangru's works with magnificent scale, grand system, clear atmosphere, harmonious syllables, and rich vocabulary. It was fully affirmed and recognized that it represents the highest achievement of Han Dafu.

Sima is similar. In the Han Dynasty, the style of fu flourished, and a group of writers who were good at writing fu emerged, and Sima Xiangru was the most typical representative.

In addition to "Zi Xufu", Sima Xiangru also wrote.

Shanglin Fu", "Beauty Fu", "Nagato Fu" and so on.

Among them, the content of "Zixu Fu" and "Shanglin Fu" is connected, with the story of Zixu and Mr. Wu You competing to boast about their country as the basic structure, and it is extremely narrated, exaggerated, and imagined

The ability to rank and match, the magnificence, the accumulation of allusions, and the brilliant writing embody the characteristics of the scattered body from all aspects, and lay the foundation of the system of the scattered body and the great wealth, which occupies an important position in the history of Chinese literature.

Represented by "Nagato Fu".

The body endowment has a great influence on the literature of palace resentment in China.

Because of his literary influence, Sima Xiangru is considered to be an important writer on a par with Sima Qian.

Lu Xun said in the "Outline of the History of Chinese Literature": "When Emperor Wu was a literati, he was endowed with Mo Ruo Sima Xiang, and Wen Mo Ruo Sima Qian. ”