Information about the poet Qu Yuan, introduction of the poet Qu Yuan

Qu Yuan is a patriotic poet. He's a lot, a lot, a lot, a lot. There are many, many things, and the patriotic poems he wrote are the poets of Biansai.

Qu Yuan (c. 340 BC, c. 278 BC), Han nationality, a native of Chu during the Warring States Period, surnamed Qu, Mingping, and Ziyuan; It is also from the cloud name regular, and the word is even. A native of Danyang of Chu at the end of the Warring States Period of China, a descendant of Qu Bian, the son of Xiong Tong, King Wu of Chu. He advocated joining forces to resist Qin and advocating "American politics".

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Qu Ping (c. 340 B.C., c. 278 B.C.) is commonly known as Qu Yuan; Mi's surname is Qu. He is also from the cloud name Zhengzhi, the word Lingjun, Han nationality, a native of Danyang (now Zigui, Hubei) in Chu at the end of the Warring States Period, and a descendant of Qu Bian, the son of Xiong Tong, King Wu of Chu. Although Qu Yuan was loyal to King Huai of Chu, he was repeatedly ostracized, and after the death of King Huai, he was exiled because King Qingxiang listened to slander, and finally died on the Miluo River.

Qu Yuan is one of the greatest romantic poets in China, the earliest known famous poet in China, and a world cultural celebrity. He founded the genre of "Chu Ci" and also created the tradition of "vanilla beauty". His representative works include "Lisao", Zen Li, "Nine Songs of Wisdom" and so on.

Qu Yuan was a descendant of Qu Bian, the son of Xiong Tong, the king of Chu, and was born in Danyang (present-day Zigui County, Yichang City, Hubei) in about 340 BC. In his early years, Qu Yuan was trusted by King Huai of Chu, served as a disciple of Zuo and a doctor of Sanlu, often discussed state affairs with King Huai, participated in the formulation of Heshanchi's laws, advocated the law of Zhangming, promoted the virtuous and capable, reformed politics, and united to resist Qin. At the same time, he presided over foreign affairs.

He advocated that the state of Chu and the state of Qi should unite and jointly counter the state of Qin. Advocate "American politics". With Qu Yuan's efforts, the national strength of Chu has increased.

However, due to his upright personality and the slander and exclusion of others, Qu Yuan was gradually alienated by King Chu Huai. 305 BCIntroduction to Qu Yuan, Qu Yuan opposed King Chu Huai and Qin to enter into the Yellow Thorn Alliance, but Chu still completely threw himself into Qin's arms. As a result, Qu Yuan was also expelled from Yingdu by King Chu Huai and began his exile career.

The morning is in vain, and the sunset is ......"I wandered around in Pupuyu, and I didn't know what I was ......During his exile, Qu Yuan left many immortal masterpieces for posterity. His works are gorgeous, with peculiar imagination, novel metaphors, and profound connotations, and have become one of the origins of Chinese literature. "The water of the waves is clear, and you can wet my hair; The water of the waves is turbid, and you can wet my feet.

After Qu Yuan was exiled, in a conversation with the fisherman, the fisherman advised him to "move with the world" and not to "think deeply and exalt" and seek hardships for himself. Qu Yuan said that he would rather die by throwing himself into the river than let his innocent body suffer the dust of the world. In the opinion of the fishermanIntroduction to Qu Yuan, you don't have to be too high.

The world is honest and honest, and you can come out as an official; The world is turbid, and it can rise and fall with the world. As for "thinking deeply" and ending up in exile, it is not necessary. The conversation between Qu Yuan and the fisherman shows two philosophies of life.

In 278 BC, the Qin state conquered the capital of Ying. On the fifth day of May of that year, Qu Yuan threw a big stone into the Miluo River in his arms and died in despair and grief.

Qu Yuan (c. 339 B.C., c. 278 B.C.). He was a poet and politician of Chu during the Warring States Period, and the founder and representative author of "Chu Ci". In the middle of this century, he has been widely commemorated as a cultural celebrity in the world.

Qu Yuan's works, according to the proofreading of Liu Xiang, Liu Xin and his sons, and Wang Yi's annotations, have 25 articles, namely 1 article of "Lisao", 1 article of "Tianwen", 11 articles of "Nine Songs", 9 articles of "Nine Chapters", and 1 article each of "Far Travel", "Buju" and "Fisherman". According to Sima Qianyu in "Historical Records: The Biography of Qu Yuan", there is also 1 article of "The Conjuring". Qu Yuan's works, mentioned in the biography of "Historical Records", include "Lisao", "Tianwen", "Conjuring Spirits", "Lamentation", and "Huaisha".

Hanshu Art and Literature Chronicles contains 25 articles of Qu Yuanfu, which are not listed. Wang Yi of the Eastern Han Dynasty also contains 25 chapters in "Chu Ci Chapters and Sentences", which are "Lisao", "Nine Songs" (counted as eleven articles), "Tianwen", "Nine Chapters" (nine articles), "Far Travel", "Buju", and "Fisherman", and "The Conjuring" is listed under Song Yu's name ("Hanshu Yiwenzhi" is basically based on Liu Xiang, Liu Xin's father and son's "Cha Du Lu Qiluo", and "Chu Ci Chapters and Sentences" is a commentary on Liu Xiang's "Chu Ci". So these two should be consistent).

It can be seen that there was controversy in the Han Dynasty about the attribution and authenticity of some of the works in these 25 articles. Generally speaking, most modern researchers believe that "The Conjuring" is still defeated and should follow the "Historical Records" and regard it as Qu Yuan's work; "Far Travel", "Buju", and "The Fisherman" are more likely to be pretended. Some scholars believe that "The Great Move" is also Qu Yuan's work; However, some people suspect that the following chapters of "Far Travel" and some chapters in "Nine Chapters" are not written by Qu Yuan.

In terms of linguistic form, Qu Yuan's works break through the four-character pattern of the Book of Songs, each sentence.

Five, six, seven, eight, nine characters, there are also three words, cross sentences, the syntax is uneven, flexible and changeable; At the end of the sentence, the word "Xi" is mostly used, as well as imaginary words such as "zhi", "yu", "hu", "husband" and "and", which are used to coordinate syllables, resulting in the rhyme of ups and downs, singing and sighing. In short, his work is immensely creative in both content and form.

Nine Songs: East Emperor Taiyi Nine Songs: Yunzhongjun Nine Songs:

Xiang Jun Nine Songs: Mrs. Xiang Nine Songs: The Great Si Ming Nine Songs:

Shao Si Ming Nine Songs: Dongjun Nine Songs: Hebo Nine Songs:

Mountain Ghost Nine Songs: National Mourning Nine Songs: Ritual Soul Lisao Tianwen Chapter 9:

Huaisha Chapter 9: Cherish the recitation Chapter 9: Shijiang Chapter 9:

Mourning Chapter 9: Reflections Chapter 9: Thinking of Beauty Chapter 9:

Cherish the Past Chapter 9: Ode to Orange Chapter 9: Sadness Returns to the Wind, Summoning Spirits, Great Moves, Far Travel, Buju, Fisherman.