Spring Botticelli, a view of Botticelli s Spring

Botticelli(Sandro Botticelli (1455-1510) was a representative of the Florentine school in the early European Renaissance, who studied painting with the Italian artists Filippo Lippi and Andrea del Verrocchio, and set up his own painting studio in 1470.

Botticelli's character expression always has a touch of sadness.

Le Retour de Judith en Béthulie (The Return of Judith from Betulia), Filippo Lippi, 1469-1470

Botticelli's talent and ability to draw were quickly acquiredThe Medici familyDuring the reign of the Medici family, he created a number of famous works, including the tempera painting "Spring" for the Medici villa, the tempera painting "The Birth of Venus" depicting Venus born from the sea, and the portrait painting for the Medici family.

La Bella Simonetta, Sandro Botticelli, 1475.

Madonna of Campana, Sandro Botticelli, 1470.

Portrait de Julien de Médicis, Sandro Botticelli, 1478-1480.

Le Jugement de Pris, by Sandro Botticelli with assistants, 1483-1485.

Nativité Devant Une Ville Maritime, Botticelli's workshop, 1490.

La Fuite en Egypte (Escape to Egypt), Sandro Botticelli, 1510.

Madonna à l'Enfant, Filippo Lippi, 1460.

Panneau de Cassone : La Bataille, Verrocchio's workshop, 1475-1480.

Réplique de la Madone du Magnificat des Offices, Uffizi Gallery, Studio Botticelli.

Vénus, Sandro Botticelli, 1490.

"Spring" is based on the poems of the poet Poliziano, and the artist interprets the image from ancient mythology with his own thoughts. In a beautiful and quiet wood, in the middle of the picture is a beautiful and dignified Venus, who waits for the arrival of spring with an idle and elegant expression. On the left, three vibrant goddesses, Aglasi, Selea, and Eumerosini, bask in the sun and dance hand in hand.

On the right is the god of flowers, the god of spring, and the god of wind that greet the viewer with a graceful and graceful walk, symbolizing that the natural season of "spring returns to the earth, and ten thousand trees strive for glory" is coming. Botticelli painted so many images of the gods full of spring joy, and although they appeared solemn and confident, they could not help but carry a nameless sadness buried in the painter's heart. The tone of the painting is delicate and slightly sad.

A coat of arms representing the Medici family at the time. The painting was made for a distant relative of a member of the Medici family, and the orange grove is a metaphor for the prosperity of the Medici family.

This is because Botticelli's paintings are anti-Nalu and should have two characteristics, including the epochal and the personal

1.Worldly Erotic Orientation: Although Botticelli's characters are inspired by religion or mythology, he paints the inner expression of human love, showing the various expressions that the real human world will see, rather than the ideal or typical expression.

2.Expression of feminine style: Botticelli's paintings have a strong feminine style, and the characters are delicate and sensitive, revealing a sentimentality towards love and the world.

Sandro Botticelli (circa 1482).

Genre: Mural, tempera woodcut.

It is now in the collection of the Uffizi Gallery in Florence, Italy.

Botticelli's famous painting "Spring" During the reign of the Medici family, Botticelli made many famous paintings for them, and became famous. In 1477 he painted the famous "The Allegory of Spring" for Lorenzo Medici's newly acquired villa, based on a long poem by the poet Polytian in praise of Venus, the goddess of love. This painting has become two of the most famous paintings of Botticelli's life, along with The Birth of Venus.

In this painting, Botticelli uses his rich imagination to reinterpret ancient myths, with smooth lines and bright colors, but also a touch of melancholy in an atmosphere full of joy and peace. The Birth of Venus, completed in 1485, is another masterpiece by Botticelli, showing the scene of the birth of Venus, the goddess of love and beauty in Greek mythology, from the sea. The goddess in the picture has white skin and long golden hair flowing flowing, which is worthy of being the embodiment of perfection; But there was a faint sadness, confusion and confusion on his face.

There have been many opinions on the subject of this work. It is generally believed that it is an allegorical painting of the author's imaginative depiction of the gods who awaken spring in Roman mythology, showing the harmony between man and nature. Originally created to decorate the dining room of Casdero in Florence, it embodies the taste of life and the aesthetic ideals of the emerging bourgeoisie of the early Italian Renaissance.

The work expresses Botticelli's unique and delicate painting style, thus establishing its important position in the history of world art.