How can the violin play a more beautiful tone?

It's mainly a matter of two hands. There are some subtle requirements on the strength of the right hand, don't press down, in fact, you put the bow on the string, the big arm and the small arm are naturally relaxed and not forced, you try, the bow has been bent by natural gravity, this force is enough, professional violinists are like this, if necessary, it is necessary to reduce the force, not afterburner, so you will find the weak place in the back to be tired. That's how the basic tone comes out.

Then talk about changing the strings, be sure to gradually approach the strings you want to change, and suddenly touch it will only reduce your timbre effect On the left hand, pay attention to the technique and speed of the left hand when practicing, it is best to ensure that the left hand moves slightly faster than the right hand, so that when you pull it fast, you can basically ensure that you don't pull it messy. Then there is kneading, practice the three types of kneading, if you can figure out which method to use when you have different expressions for different songs, different parts, and different expressions, you will have no problem in terms of timbre.

Hello landlord What I said upstairs is very right, find the right feeling I want to ask how to find the right feeling or do the most basic empty string Pull the empty string for a long time every day Just like playing table tennis juggling, basketball free throws, football juggling can cultivate the feeling Of course, it is not enough to pull the beautiful light to find the right feeling Jumping the bow, pausing the bow, kneading the string. All the techniques have to be strong enough, if you just play simple tunes, play beautifully, knead and empty strings well enough.

The sound of the violin is caused by the friction of the bow on the strings, causing the strings to vibrate.

1. Hold the bow in the right hand, the tip of the thumb must be close to the spiral sleeve (arch), and the other fingers hold the bow shaft to make the back of the hand form a natural arc. The fingers need to be soft and bent.

The bow shaft is located in the distal segment of the index, middle, and ring fingers (i.e., the finger end), the thumb is opposite the middle finger, and the fingertips of the little finger are easily placed on the bow shaft, making it easy to adapt to the needs of moving forward or backward (forward when the bow is up, and backward when the bow is down). Between the four fingers, it must be slightly close together, not separated, otherwise it will look clumsy and ** view.

2. When kneading the wrist back and forth, drive the joints of the fingers, and the touch points of the fingers cannot be displaced with the kneading of the wrist. When practicing kneading the strings at your wrist, start with three fingers. Because rubbing with three fingers can make the movement more relaxed, then practice two and one fingers.

A beautiful mellow note, often derived from a good bow. Therefore, the study of bow method is very important, and the following points are more noteworthy:

1. When the sound begins, make it very crisp and calm. The bad tone is caused by the fact that when the bow hair touches the string, it does not properly grasp the string and stick to the string. In order to get a beautiful and full-bodied sound, the bow hairs must be placed in the appropriate position to touch the strings (about 1 inch from the bow base), and the full width of the bow hairs must be in contact with the strings, with the bow shaft slightly outward, diagonally towards the fingerboard.

2. Form a straight line when drawing the bow.

3. All kinds of bowing methods only use small arms and hands. The big arm is basically immobile.

4. Bow is usually used, and the same rate should be used. If the tone is uneven, it will produce a strong and weak tone on a bow, which is naturally not good.

Whether a piece of music is played beautifully and whether it can properly express the content of the piece is inseparable from the quality of the bow. Bow movement plays a key role in violin playing, so special attention should be paid to the practice of bow movement and the mastery of some related techniques.

When moving the bow, the whole upper limb is in motion, and the main link is the extension and flexion of the lower arm, while the upper arm, wrist and fingers should be coordinated. Some beginners in the bow movement, especially when pulling to the lower half of the bow, the big arm is clamped, this is a problem, when pulling the G string, the big arm should be raised at the same height as the shoulder, because the right arm with the play of each string of the angle of activity is different, when pulling the D, A, E strings can be slightly lowered, but the elbow can not be raised higher than the wrist.

There may be some problems with your right hand, practice the slow bow more, practice the stability of the right hand, there are overtones that are the problem of touching the strings, and you can't let the bow slide around on the strings. That happy chapter should be practiced slowly first, the sound should be clarified, and then the bow jumping should be practiced. Jumping the bow without jumping is the essence of practicing the jumping bow, stick to the string and pull quickly, and jump up naturally when you pull it quickly.

Don't be in a hurry.

It feels like a light match with a bow, and it's very relaxed.

I don't think it's a one-day solution. In fact, for beginners, it doesn't matter whether the sound is clean or not, some people will make the sound float in order to pursue sound quality. Therefore, we must try our best to lay a solid foundation, and at the same time lay a good foundation, we are pursuing the beauty of sound quality.

Take your time, I was the same when I first started this piece.

The landlord first practiced slowly, pulled out each note, and then gradually increased the speed, jumping the bow, and the right hand was skillful, and I believe the landlord also knew.

Therefore, it is recommended that the landlord take some time to practice the jumping bow slowly while practicing the score, and this piece should be practiced very patiently.

That's how I practiced this piece, I was self-taught, hehe, but in the end, I borrowed it in my school competition and won the first prize.

Let's try it.

This, I can only say, hard work on the basics! I'm a beginner.