How do you play the violin master?

This is Canon.

This sentence is a total of two beats, the first six notes are one beat, and the last eight notes are one beat.

The first note is a quarter of a 16th note, the second note and the third note are both 32nd notes, and the second and third notes add up to the same as the first.

Each of the last eight notes is of the same length, all 32nd notes.

It's a bit cumbersome to look like this, so it's recommended to score it. Think of a half beat as a beat, then the first note is a half beat, and the second and third notes are two 16th notes. The last eight notes can be seen as a combination of two sets of 16th notes.

I really don't understand, you can listen to Canon, you will know how to control the rhythm and how to pull it when you listen to it. It will definitely help you.

I've been studying violin and classical guitar for many years and have never heard of a 26th note... These 2 beats are actually very easy, the first beat of the first beat, the first half beat is 3 notes, the first note is 16th note is a quarter beat, the second note and the third note are 32nd notes, these two notes add up to a quarter beat,,, the second half beat and the first half beat are exactly the same, both are 3 note half beats... The next beat is all 32nd notes, which means that 8 notes are played quickly to become 1 beat...

Children, you can't understand such a simple score, I guess you can't play these notes quickly, don't be too ambitious to learn the violin, you have to be down-to-earth, study solidly, come on.

Looks like you're a Canon score, right? If you are a beginner, it is better not to practice.

You should know that the first eight and then the last sixteen, and then you can pull eight sixteenth notes in a row, and you can double the speed according to this.

Say it clearly... You don't need a teacher!。

Violin. The way of playing is "pulling" and "plucking the strings".

The violin is a stringed instrument.

It is mainly played by "pulling", but sometimes due to the needs of the music, the player will pluck the strings with his fingers, this action is called "playing", also known as "plucking the strings".

Pull. 1. For violin, the second joint of the left index finger and the first joint of the left thumb hold the first position of the body, the second joint of the right index finger hooks the bow, the thumb rests on the bow, the tail end of the little finger is gently resting on the bow, and the wrist and arm are in a straight line.

2. In a standing position, the left foot is 45 degrees apart outward.

3. Don't put the piano directly on the shoulder, first raise it high, lift it above your head, and then rotate it inward 45 degrees, slowly cushioning it on your collarbone.

, the neck is slightly tilted, and the collarbone is clamped with the piano.

Pluck the strings. 1. Place the violin on your chest with the belly facing the ceiling.

The right hand supports the cheek rest, and the three and four fingers are placed firmly on the e-string. Make sure that you develop these skills without straining your neck and engaging in activities. The involvement of the neck is often a destruction of the overtones.

Technique and the causes of the plucked string technique that causes tension.

2. Pluck the strings with four fingers abruptly downward, while the three fingers remain tightly on the notes below. Repeat this action a few times. Repeat the four-finger plucking downward movement, only this time straightening your fingers after plucking the strings. Do it repeatedly.

3. Use two fingers to press three fingers to practice plucking skills. Finally, use one finger as the fulcrum and two fingers to pluck the string to end the exercise. Repeat this exercise on all strings and practice with other positions.

Violin. The violin is a stringed instrument. There are four strings in total.

The vibrations are generated by the friction between the string and the bow, which is then transmitted to the backplate through the sound column in the resonant box. The resonances created by these parts produce a harmonious and bright piano sound.

The method of holding the piano is the first thing to study in the whole playing posture. The piano should be clamped flat. Don't overlook this question, it has a lot to do with developing your bow skills.

Place the piano on the left shoulder clavicle, so that the lower jaw is attached to the cheek rest, the left shoulder is slightly raised, and the lower jaw and shoulder clamp the piano, the piano is about 45 degrees to the left of the front, and you must be able to support the piano without using your hands, and the piano can still maintain the correct position, so that the left and right hands can move freely.

When you have a complete grasp of the correct way to hold the piano, the feeling of stiffness and discomfort is gone. Of course, it takes a lot of trial and error (including choosing a cheek rest and shoulder pad) to find the safest way to do it. The criteria for identification are:

The playing feels comfortable and natural, the tone becomes melodious and melodious, and the sound is noticeably more resonant. Identifying posture from the sound it makes is often the most reliable method.