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The bass should generally be full and soulful. But like the treble, many people lack the resonance of the mid-bass. The bass is reflected in the resonance of the chest cavity and the wide voice structure, which is relatively congenital.
In my experience, it is difficult to practice a voice that can't go down in the bass, and it's good to be able to go down a few scales. If you have to record a song with a rich bass, and you can record it in the morning without brushing your teeth or washing your face, the sound will go down a lot. Therefore, people who lack mid-bass try to avoid such songs, promote their strengths and avoid their weaknesses, and people with rich mid-bass must give full play to its potential, and it is very charming to sing well in mid-bass!
Singing alto should be polished more, including spitting out words and ventilation are aesthetic, of course, this is related to feeling singing skills, listen to "Cai Qin" more in the middle and bass.
Overall and styleMany singers only pay attention to the details of sentences and sentences, and put the details of the singing unit on the top of the "sentence", rather than on the whole song.
Unless you have a certain strength, don't talk about style. In the early stage of the singer, I am in favor of imitating the beginning, but don't be single, sing more songs of various styles of singers, and master some resonance, singing and breath of the initial experience, which is a good thing. Singing should be dedicated, but there must be a degree of devotion, not that you "exert yourself" to dedicate yourself, too sad or joyful, on the basis of understanding the meaning of the words, you can invest in a measured manner.
For example, there are some words like: "...How can you make me sad......"I've seen people who sing in extreme pain, and it's not contagious, but funny. But I have also seen a really lovelorn friend sing this song in karaoke, and when he sings, his face is expressionless, he sings very calmly, his voice is vicissitudes, and the helplessness and loneliness of singing infect everyone on the scene.
I think that's just the right amount of proportion, and I don't need to hug my head and cry. But how many people can perform such a good performance at any time? This is going to be the singer's feelings.
Let me give you another example: some friends unconsciously exaggerate the characteristics of stars when imitating singers, such as imitating Jacky Cheung, they will overpress their voices to make that weird thick voice (a characteristic of Jacky Cheung in the early days at that time, it seems to be rare now); When imitating Leslie Cheung, he will exaggerate his kind of resonance after the big tongue *; When imitating Faye Wong, it is the strange sound of a tongue knot that makes people feel funny. In fact, listening carefully to the original song, it is not so exaggerated.
I once heard a friend who spoke very much like Jacky Cheung's singing, and every time he sang Jacky's song, he was not sure of proportion, and then I persuaded him to have more of his true colors, but it was more like the original song. In fact, sometimes it is very beneficial for bystanders to ask for the opinions of friends.
In addition, people with a lot of emotions will sing better than people with low emotions. To resonate with the emotions in the song also requires the singer's rich life experience. The more you experience, the more you feel.
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Singing bass skills explain and analyze.
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1. The focus of singing bass is the loudness of the singing voice.
Many people can't make a sound when they touch the bass, and the bass can't sing. At this time, it is necessary to increase the intensity of breathing, which is to strengthen the practice of breathing, and use the breath to drive the vibration of the throat and make a sound, so that the sound will be more magnetic.
Second, open the throat.
Many people have their voices shrunk together when singing, which not only affects the voice, but also easily causes throat fatigue and pain.
Opening the throat means that the throat expands outward along the circumference of the wall of the pharyngeal cavity, and the essentials are: relax the throat and consciously open the pharyngeal cavity around. Open the throat to practice slowly, don't be impetuous, maybe you can open millimeters every day, not so obvious, but over time will go to great progress.
3. Master the voice change point.
The bass voice change point may not be as obvious as the treble, but it doesn't mean that there is none, and some people may think that the bass is just sung directly, and there are no ups and downs, this idea is wrong. The bass is also an important part of a song, which can fully express feelings, and the bass voice change point may be more difficult to grasp and interpret.
4. Open your mouth like a yawn.
When the throat is opened to sing, the vibrations of the throat and pharyngeal wall are highlighted, which increases the echo effect of the voice, and it sounds as if the sound is coming from deep in the throat, so that the voice will appear particularly majestic.
The key is to open your mouth as if you were yawning, sink your Adam's apple, relax your jaw, and open your mouth as much as you can. This results in the best bass. You can choose an etude with all the lyrics of "Ah" to practice.
Fifth, bite the word. This is a basic condition for singing a good song. In the process of articulation, the jaw cannot always relax, so it is conditional to open the throat completely, when singing some words, you can open the throat completely, and when singing others, only most or a few of them.
6. Precautions.
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Singing skills: 3 common problems when singing bass! Teach you 3 tricks to sing a magnetic bass.
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While singing. We often feel that singing high notes is easier to produce than singing low notes, and when we sing low notes, the sound never falls down, and even others cannot hear our own bright timbre and the lyrics of the low part. That's a lack of skill.
The following is the singing technique of the bass in the vocal music that I shared, let's take a look.
(1) Do more breath training.
Beginners can find professionals to train themselves in bass breath. Only the breath fell. Only when singing can there be a full and powerful voice. The bass can be sung clearly and clearly.
(2) Do more oral exercises.
Gradually strengthen the strength of oral articulation and pronunciation. Use the five vowels a, o, e, i, and u for oral training, and pronounce each vowel clearly. Train for a long time. It can correct the phenomenon of slurred words.
(3) Do more reading exercises for words, words, sentences, and paragraphs.
When reading, we should pay attention to using our vocal methods, pay attention to the concept that each word must have a prefix, belly, and ending, and develop a prefix to bite and spit clearly. The belly of the word should be exaggerated. The end of the word should be cleaned up and the habit of pronouncing words.
Persist for a long time, even if you sing bass, there will be no slurred or weak words when singing'Something went wrong.
For beginners who are learning to sing, they should pay attention to mastering the following skills in singing:
(1) Breathing techniques.
Imagine what we are asking for when practicing our voices, and what movements will help us breathe correctly. For example, open your mouth to inhale, inhale quickly and exhale slowly, etc.
(2) When pronouncing, it should be combined with correct articulation and pronunciation.
When we practice simple voices, we will not involve too many words, but when we sing songs, there will be endless words that jump out to trouble our singing, which requires us to improve the flexible use of lips, teeth and tongue through the practice of combining words and voices.
(3) When singing vocalizations.
Attention should also be paid to the training of intonation and rhythm. When we practice vocals, the direction of the melody is often simple and repetitive, but when it comes to specific singing, we need coherent, intonation and frustration, and obvious singing and vocal skills with obvious contrast between strength and weakness, so when we usually sing songs, we should pay attention to the training of pitch and rhythm.
(4) Cultivate a good sense of musicality.
When we start to practice our voice, we must train each vocal practice song as a song, and combine it with ** from the beginning of vocal practice, and cultivate a good sense of musicality from the most basic place.
(5) Pay attention to the cultivation of emotions.
When singing songs, be sure to put in the work. With good emotional support, singing skills will be used unconsciously.
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Singing bass techniques and vocalization methods:
1) Every singer must fully understand and use the method of breath vocalization and breath control (i.e., the breathing method of the diaphragm), because in the whole vocal function series, singing breathing is the most important part and the foundation of the whole singing branch shouting building, so it is necessary to clarify the importance of breathing and pay attention to practicing the basic skills of singing and breathing.
2) Open the throat and stabilize the larynx.
It is the core of the basic skills training of singing, which is one of the keys to the smooth development of singers' vocal skills, many singers' voice problems are mostly caused by the larynx not opening and unstable when singing, and the correct laryngeal position is the key to coordinating the movement of the respiratory organs and obtaining a stable and smooth sound effect.
3) Use the resonance of singing appropriately.
To make the sound far, full of theater, mellow and beautiful, this is a subject that requires special training, and it is a difficult subject for beginners to master. Because resonance training is often inseparable from other basic vocal requirements, singers are required to resonate the sound at the resonance point of the high head cavity above the nasopharyngeal cavity through the conversion of vowels, stabilizing the larynx, opening the mouth, adjusting the breath, etc., so as to increase the volume, expand the vocal range, beautify the timbre, unify the vocal area, and make the sound of the high, medium and low vocal areas coordinated, seamless, and free and flexible.
4) The correct vocalization should be combined with the correct articulation and pronunciation.
Through the practice of combining words and voices, the flexible movement ability of the lips, teeth and tongue is improved, so that it can express the song and emotions and content more perfectly and vividly.
5) When singing vocalizations.
It is also necessary to pay attention to the training of pitch and rhythm, and gradually master the comprehensive singing and vocal skills such as lian, pause, strong and weak through vocal exercises, enrich the means of expression of songs, and enhance the ability to sing songs in the mountains.
6) At every practice.
It is necessary to maintain a correct singing posture, and the correct singing posture is the prerequisite for entering a good singing state.
On the one hand, you can use falsetto to sing the highest place, which requires professional practice, for example, when Xin's "Leaving Song" is the highest, it is good to use falsetto at this amateur level, and the combination of true and false is better and needs to be controlled by yourself. If you can't go up, then you need to keep opening your voice, it is recommended to use "The Sea" to open your voice and sing more openly.
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