Where is there a teaching frame, and there are materials

There are many shops on Fuzhou Road that can frame calligraphy and paintings, which are determined according to the size and the quality of the mounting materials used. If you want to be good, go to Duo Yun Xuan, which is quite expensive, Duo Yun Xuan is on the pedestrian street of Nanjing East Road, opposite the Landmark Plaza.

Cake shop and cooking school.

How to frame calligraphy and drawings is as follows:

1. Turn the work back to the back. Spread flat on the table.

2. Soak the brush in water and brush the back of the work, don't use too much force, don't dry too much, just brush the work flat.

3. Spread the newspaper on the work and absorb the water.

4. Dilute the paste with water, not too thick and not too thin.

5. Another wool brush evenly coats the diluted paste on the back of the work, and must be evenly coated. Then clean the extra paste on the table around the work.

6. Take a piece of rice paper that is about 2 cm wider than the work, put the rice paper from the side with the left hand, and brush back and forth with the brush (the brush to be dry) in the right hand and slowly put the rice paper to continue to brush until the rice paper is completely attached to the work. {For example: when we put rice paper, we use our left hand to hold the rice paper and put it slowly, then the right hand brushes back and forth up and down, and keeps moving to the left, and after brushing, you can cover the newspaper and continue to brush until there are no bubbles.}

7. At this time, brush the paste on the extra 2 cm, and then prepare two pieces of rice paper about 5 cm wide and 10 cm long, and cover them in 1 3 places on the side of the work, which is called "chimney" to keep the back of the work breathable. Finally, use a knife or something like to pick up the corner of the rice paper and slowly lift it up. Pay attention to the work to be pasted on rice paper.

8. After picking up the framed work, the front of the work is facing itself, walk to the side of the smooth wall (board), the closer the better, blow the breath, and paste it on the wall, use a dry brush to brush a stroke vertically on the work, brush horizontally - pen, draw a rice character type, and finally brush the 2 cm around the work outside. In this way - the secondary painting is basically flat.

9. After a few days, when the painting is dry, use a knife to cut off the painting on the wall, and the cutting is completed, and the mounting is finished.

1. The main materials are: Sun Xiangsheng rice paper, silk, silk, brocade, brocade silk, linen, etc. Sky rod, ground pole, crescent pole, shaft head, hand roll piece, skewer, ribbon, ribbon, copper button, etc., surface slippery nuclear powder, gelatin, alum, etc.

2. Paste and adhesive required for mounting. It is made with Yodoshin digging flour or good flour with the tendon and bran skin removed, and an appropriate amount of alum needs to be put in when beating to prevent insect moths in the future. Pigments, i.e., Chinese painting pigments, are used to dye paper, silk, silk and to add color to damaged painting hearts.

Ropes, belts, pins, used to tie up tight frames. In addition, some chemicals must be prepared, such as potassium permanganate, oxalic acid, hydrogen peroxide, acetone, ether, etc., to remove mildew, stains, etc.

There are a lot of materials used for the framing of calligraphy and paintings, and there is a lot of handwork

Generally is made of raw rice paper, and zhi flower aya. Now also dao

There are a lot of ones that use brocade silk. Nishiki aya is generally machine-mounted. The mounting right (also called the double back) is used to clamp rice paper (that is, the second layer of rice paper) and Ling cloth (including flower silk brocade silk, etc.), as well as heaven and earth poles.

It is used in the banner of the hanging scroll, paraffin, used in the painting and calligraphy after the completion of the grinding back can play a role in moisture-proof, and the paste is used for bonding, the machine is framed with adhesive tape, the shaft head is used at both ends of the ground rod, the ribbon is used to tie the sky pole, and the left and right sides of the sky pole are used with perforated copper nails (4 grains are generally used for four feet, and 2 grains are generally used for four folios). Add a workbench and framing tools and you're good to go.

The basic materials are water, pulp and paper; The decoration materials are silk, silk, brocade and other auxiliary materials.

The specific embodiment of calligraphy and painting is inseparable from the material conditions, and the artistic beauty we enjoy is created by the perfect combination of beautiful materials and craftsmanship. The mounting material is the material condition that embodies the art of mounting, and the paper, brocade, silk and silk used in mounting are the main materials that reflect the beauty of the decoration texture.

Therefore, the understanding of the properties of materials, the selection and matching of materials and the processing and application of materials are the basic knowledge of framing work, which must be mastered by framing workers, especially beginners.

The basic mounting materials for calligraphy and painting mainly include rice paper, silk silk, brocade, paste, heavenly rod, earth axis, shaft head, pigment, glue, alum, latex, silk rope (silk), ribbon (cable tie), bone beg, etc.

What materials are needed for mounting calligraphy and painting, the first is to distinguish whether it is machine mounted or hand-mounted, the second step is to determine what materials are needed, the main materials for machine mounting: sky pole, ground rod, shaft head, adhesive film, backing paper, tape with glue silk cloth, clip paper, with glue lines, edging strips, ribbons or original ropes, double-sided tape, etc.

There are many materials used for the mounting of calligraphy and paintings, and the handiwork is generally made of raw rice paper and flower silk. Nowadays, there are many uses of brocade silk.

Target. Nishiki silk is generally framed by machine. The mounting answer (also called the double back) is made of rice paper (that is, the second layer of rice paper) and Ling cloth (including flower silk brocade silk, etc.), as well as heaven and earth poles.

It is used in the banner of the hanging scroll, paraffin, used in the painting and calligraphy after the completion of the grinding back can play a role in moisture-proof, and the paste is used for bonding, the machine is framed with adhesive tape, the shaft head is used at both ends of the ground rod, the ribbon is used to tie the sky pole, and the left and right sides of the sky pole are used with perforated copper nails (4 grains are generally used for four feet, and 2 grains are generally used for four folios). Add a workbench and framing tools and you're good to go.

Traditional handmade calligraphy and painting mounting is a unique technology in China to protect and beautify calligraphy and painting and inscriptions. It has a long history, complex procedures, and relatively many tools and materials required, which is a relatively professional technical work, and is not suitable for amateurs to learn by themselves, and is not recommended for personal operation. If you want to learn, it is recommended to find a professional training institution or find a professional technician for relevant training or learning.

1. The main equipment for painting and calligraphy mounting: studio, wall, desk, drying rack, copy table, herringbone ladder, etc.

2. The main tools for painting and calligraphy mounting: pen arrangement, brown brush, ruler, cutter, stone, scissors, awl needle, etc.

3. The main materials for painting and calligraphy mounting: There are many materials used in painting and calligraphy mounting, including paste, rice paper, silk and silk, as well as painting rods, shaft heads, copper buttons, rope belts, wax plates, etc.

4. The main process of painting and calligraphy mounting: according to the different shapes of calligraphy and painting mounting, different calligraphy and painting, the process of mounting is not exactly the same. It can be roughly divided into six processes: material preparation, painting heart, thorn setting, preparation, support, and upper rod.

Peng Changgui, a master of the art of framing calligraphy and painting of the Four Treasures of Chinese Study.