Camel Shoko Annotation !!!! Each page should have about 100 words, thank you!!

Camel Xiangzi tells the tragic story of Xiangzi, a rickshaw driver in the city of Beiping, old China. Coming from the countryside, where the decaying countryside made it impossible for him to survive, Shoko came to the city eager to create a new life with his honest labor. He tried all kinds of jobs and finally chose to pull a foreign car.

This career choice shows that Shoko, despite leaving the land, still has a peasant way of thinking. He was accustomed to individual labor, and at the same time longed for a car that was as reliable as the land. Buy a car, be an independent worker, "This is his will, hope, and even religion" "The city seems to give Xiangzi the opportunity to realize his wish, after three years of struggle, he bought a car, but in less than half a year, he was robbed; But Shoko still refuses to give up his dream of owning his own car, and although he doubts his pursuit and wavers several times, he still keeps picking himself up and fighting again.

It should be said that Xiangzi struggles with life with a tenacious character and stubborn attitude, which constitutes the main plot content of **. And the end of the fight ended with Shoko's defeat, and he finally failed to achieve his dream of owning a car of his own. The profundity of the realism of this ** lies in the fact that it not only depicts the material deprivation of Shoko by the harsh living environment, but also depicts the spiritual degradation of the appearance after the destruction of life ideals.

He had no heart, and his heart was taken away. "A hard-working and kind rural youth was transformed into a jobless vagrant like the walking dead. Shoko's tragedy is a product of the social environment in which he lives.

**Through the description of the characters and interpersonal relationships around Xiangzi, it truly shows the life of that dark society, shows the ugly faces of warlords, spies, and car factory owners, and a deformed reflection of the oppression and oppression relationship between Xiangzi and the oppressed by the web of domination woven by them. ** did not avoid the instinctive desire and a little bit of mutual attachment between Xiangzi and Hu Niu, but at the same time, it also profoundly described that even such a relationship between men and women is also based on the relationship of monetary interests, so Hu Niu must always take the money in her own hands, "The money is in her own hands, and the power is in herself." The combination of Tiger Niu and Xiangzi undoubtedly exacerbated Xiangzi's tragedy.

Camel Xiangzi is a tragedy depicted by the great people's artist Lao She with sympathetic brushstrokes: in Beijing in the late twenties, a hard-working and strong little person from the bottom society had a beautiful dream of making a fortune and struggle, but was finally swallowed up by a dark storm, which revealed the slave psychology of the "little people" at that time and the final disillusionment of unrealized hopes. With the suicide of Shoko's beloved woman, Xiaofuzi, Shoko extinguishes the last spark of personal struggle.

This is the typical fate of the poor citizens of old Beijing in old China. The book "Camel Xiangzi" uses a large number of Beijing colloquial language, dialects, and some descriptions of the customs and customs of old Beijing, which is friendly and natural to read, catchy, and is a classic work of modern vernacular literature.

4.His legs are long, so every step he takes is huge. Rub your big feet on the ground and stand up in no time.

Appreciation: The mountain rain is coming, and the wind is full of buildings. The author seems to describe Shoko concentrating on pulling the cart, ignoring what is happening outside the window, but introducing the turbulent current affairs without revealing a trace. It seems to be an idle pen, but in fact it is ingenious and ingenious, hinting at and promoting the development of the plot.

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Chapter 6: This chapter reflects that the relationship between Tiger Niu and Xiangzi is one-way, that is, Tiger Niu is active and Xiangzi is passive. When writing about Tiger Girl, the author also skillfully arranged and "hidden" his emotions without revealing any traces.

shows her character traits of "thick and fine". Shoko has no love for the tiger girl. But because of many complex factors such as his prior encounters, the confusion of the tiger girl, the budding nature, and the effect of alcohol, as well as Xiangzi's own personality and life experience, he decides.

In short, when the author writes about this emotional experience, he writes about the complexity of human nature, which seems real but not singular, making the image of the characters more full, vivid and credible.

Extended information: "Camel Xiangzi" is the masterpiece of the famous modern Chinese writer Lao She, which was originally published in the magazine Cosmic Wind in 1936. "Camel Xiangzi" depicts the poignant story of a rickshaw driver in old Beijing in the 20s.

This ** uses a large number of Beijing colloquial language, dialect, and some descriptions of the customs and customs of old Beijing, which is a classic work of modern vernacular literature. It profoundly exposes the darkness of old China, indicts the exploitation and oppression of the working people by the ruling class, expresses the author's deep sympathy for the working people, and shows people the picture of the poor citizens of Beijing living in the abyss of misery under the chaos of warlords and the rule of darkness.

Actually, I'll be honest with you, I'm the one who asks, although I'm the one who asks, but I want to state my own point of view, I think you should answer the question clearly and write which page, which chapter, which natural paragraph, so that others are not easy to find, easy to complain about you, will you trample on it? Oh will never read your answers, oh, I'm like this, I always keep my opinion, because I've been looking here for a long time and haven't found which natural paragraph, which chapter which fragment I don't know at all, if you don't reply to me, I'm going to complain, please respect yourself, otherwise you will bear the consequences.

The stars—in his eyes—seemed to be in a hurry than he was, you touch me, I touch yours and they move around in the dark sky.

Chang Analysis: The use of anthropomorphic techniques vividly expresses Xiangzi's panic and anxiety.

Their car was broken, and they didn't dare to "pull it late," so they could only get out of the car early, hoping to pull out the "car" and their own chewing grain from early morning to three or four o'clock in the afternoon. Their cars are broken and they run slowly, so they walk more and ask for less money. To the melon market, the fruit market, the vegetable market, to pull the goods, they are all them; You don't have a lot of money, but you don't need to run.

Appreciation: The bumpy and miserable life of the coachman profoundly exposed the darkness of the society at that time, and he decided to pull the car, so he pulled the car. rented a broken car, and he practiced his legs first.

Didn't pull any money on the first day. The next day business was good, but after lying down for two days, his feet and neck were swollen like two gourds, and he could no longer lift them. He endured, no matter how painful it was.

He knew it was inevitable, and it was a hurdle that had to be passed to pull the cart. Unless he passed this hurdle, he couldn't run boldly.

Appreciation: Writing about the difficulties encountered by Xiangzi exposes the darkness of the society at that time, and the happiness of the people at the bottom of the society, he does not eat cigarettes, does not drink, does not gamble, does not have any hobbies, does not have family burdens, as long as he is willing to grit his teeth, nothing will happen. He swore to himself that after a year and a half of work, he, Shoko, had to build his own car!

It's a freshly typed, don't see the new one in the old car.