Light is the main character in the painting Monet, Monet s follower of light

Updated on international 2024-06-16
10 answers
  1. Anonymous users2024-02-12

    Mr. Jiang Xun talked about Monet as a "follower of light", and I paid attention to the three masters of Gauguin, Van Gogh, and Cézanne Impressionism, or radical, obsessive, or grotesque, which may be what an outstanding artist should look like, and it is also a place that later generations will talk about. However, Monet, as the founder of Impressionism, saw more optimism, peace, and the pursuit of beauty and happiness from him.

    As Mr. Jiang Xun said, people like Monet because Monet's paintings are close to their lives, close to their yearnings, close to their understanding and hope for life. Affluent, leisurely, free and relaxed, Monet's paintings represent a world of freedom and liberation, without fear and sorrow, letting go of anxiety and pursuing the blossoming of spring.

    When he went to Paris, Monet went to the park with his friends for a picnic, and he painted the outdoor life of the first urban dwellers on holiday, happy and happy. It was the "Lunch on the Grass" series that Monet officially started the painting revolution with the theme of light and shadow.

    Monet's one-page dawn diary in Harvard Harbor opened one of the most important schools in the history of Western art--- Impressionism! Go outdoors, go to light, go to modernity!

    Man and nature, heaven and man are one, equal to each other, and ordinary life shows the greatness of life.

    Camille (Monet's first wife) in the painting has a beautiful posture, turning around and looking back at the background of the cloudy sky, the phoenix blowing the grass and the sky, as if the whole person is about to transform away, and their eight-year-old son in the painting is cute and sad, although it is beautiful, but it gives people a faint sadness.

    Monet's "Weeping Willow Series" and "Water Lily Series" in his later years are the most amazing and well-known, Monet has been living in Monet's garden in Giverny in his later years, and every tree, every flower, and every grass is his last utopia. Only in old age, in the face of death, in the face of new life, can there be such inner peace, this is the world of cultivation that everyone should aspire to, a trace of weeping willows reflected in the water and a blooming lotus flower to understand the meaning of the existence and disappearance of life!

  2. Anonymous users2024-02-11

    The reasons why Monet's paintings cannot be looked at closely are:

    1.The main expression of Monet's paintings is the combination of light and color, and the combination of light and color in his paintings is very harmonious, as if it were natural.

    2.Monet's paintings show such a fitting combination of light and color that, if you look closely, you can see that the seams between the blocks of color spoil this sense of naturalness.

    3.Monet's faithful depiction of natural light and shadow when painting, as well as innovative painting procedures, make his works look like **.

    Therefore, it is often said that Monet's paintings cannot be looked at closely, and once you look closely, you will find seams between the color blocks, which spoils the beauty of the picture.

  3. Anonymous users2024-02-10

    Impressionist works cannot be seen at close range.

    Monet's paintings are still very good, especially the psychedelic colors. Don't get close enough to look closely, it really feels rough and messy. So each viewer is told to take a few steps back to know what they are seeing, and at the same time to mix colors through distance and eyes.

    Monet's works are extremely creative, and he is good at finding out that feeling from light and shadow, especially the difference in brightness, or the abstract painting elements of the spike ridge, each stroke has reached a perfect level, which makes everyone feel the charm of his brushwork.

  4. Anonymous users2024-02-09

    La Route de Vétheuil

    Vétheuil is a town on the banks of the Seine in the Val d'Oise department in the Île-de-France region, about 60 kilometers northwest of Paris. Monet lived here from 1878 to 1881 and produced more than 150 paintings.

  5. Anonymous users2024-02-08

    Woman walking with a parasol.

    This is: Monet Oil painting "Woman Walking with a Parasol" Aka: "Woman with a Parasol" Claude Monet (November 14, 1840 - December 5, 1926), a French painter, representative of Impressionism and one of the founders.

    Sogou asked.

  6. Anonymous users2024-02-07

    1. "The Seine Estuary of Honferre" 2, "Sunrise Impression" 3, "Church of Saint-Germain Oseroi" 4, "Lady in Green - Kamey" 5, "Gare Saint-Lazar".

  7. Anonymous users2024-02-06

    Claude Monet Painting in His Garden at Argenteuil, 1873.

    The author was not Monet, but Pierre-Auguste Renoir (1841-1919).

    It depicts a scene from Monet painting in a garden.

    To enlarge a large image, click ** to enlarge.

  8. Anonymous users2024-02-05

    Hello, copy.

    This is: Monet's oil painting "With a parasol.

    The Woman Who Walked

    Also known as: "Woman with a Parasol".

    Claude Monet (November 14, 1840 – December 5, 1926) was a French painter, representative of Impressionism and one of the founders. Monet was one of the most important French painters, and much of the theory and practice of Impressionism was promoted by him. Monet excelled in experimenting with light and shadow and expressive techniques.

    His most important style is the alteration of shadows and contours, in which there are no very clear shadows, nor protruding or flattened contours.

    For more information, please visit.

    Hope it helps.

  9. Anonymous users2024-02-04

    Monet: "bai

    Woman with a parasol du

    1886, 131x88cm, collection of the Musée d'Orsay, Paris, Monet remarried Alice Obsey, this painting was modeled after Susanna, the daughter of Alice and her ex-husband. There is another work in the Musée d'Orsay in the opposite direction, in which Suzanne is looking to the right. Ten years before the completion of this work, about l875, Monet had also painted a similar scene with his ex-wife Kamei as a model (now in the collection of the National Gallery in Washington, D.C., USA).

    Of the three paintings, this one is the most powerful. Compared with the other two, this scene is more dramatic, depicting the unrestrained sense of the characters, and the brushstrokes are more generous. From this work, it can be seen that Monet's portrait painting skills are also very good.

  10. Anonymous users2024-02-03

    <> but among his many works, there is only one woman in his paintings, and that is his ex-wife Kamei.

    In 1865, at the age of 25, Monet first met Kamei and asked her to be a model for a huge oil painting "Lunch on the Grass" that he was planning at the time, and the young two fell in love at first sight.

    The first woman on the left side of the picture is painted with Kamei as a model.

    At that time, the girl Kamei was like a hibiscus out of the water, a fair lady, like a fairy in the world, exuding a brilliance that fascinated Monet. They quickly fall in love, like one light nestling into another.

    The first portrait of Kamei Monet, The Woman in Green, made him his first success at the Official Salon.

    However, Monet's businessman father did not accept Kamei's modeling background and strongly opposed their marriage. Monet didn't comply, so Monet's parents cut off his finances**. Since then, Monet and Kamei have lived a poor life, but they are very happy.

    Financial pressures, as well as the success of Woman in Green, made the young Monet eager to paint another large-scale oil painting, Woman in the Garden.

    In this painting, the images of the three women are all made with Kamei as a model.

    It's a pity that Monet's painstaking creations were not accepted by the official salon, and the double blow of economic distress and family frustration made Monet's mood indescribable, but the beautiful and kind Kamei has never given up, always silently supporting him by his side and acting as his model.

    Even when Monet couldn't even give her the most basic title, he gave birth to a child.

    In 1867, Jay in the Cradle. Monet", Monet's eldest son was born.

    Kamei with his son.

    "Lunch" 1868, happy family life.

    Later, their love finally touched Monet's family, and in 1870, when their child was 3 years old, they finally got married and spent a sweet honeymoon in the small town of Trouville, where Monet tirelessly painted Kamei.

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