What factors have determined the development of art throughout the ages?

The mutual influence and interaction between various factors have influenced and determined the direction of the development of art throughout the ages. Art is a kind of culture that uses a carrier to spread ideas and express emotions, such as words, paintings, and so on. <>

We all know that the economic base determines the superstructure, and art belongs to the category of superstructure, so the big factor that determines the development of art is the economic base, and the economic base interacts with other factors and affects the development of art. Economic base and superstructure.

Mutual coordination and mutual promotion will promote the development of art, and vice versa, it will hinder the development of art. <>

The impact of the state of the economic baseIdeologyTherefore, the people who carry out productive activities are the decisive force that drives the development of art. To put it simply, in ancient times, for example, the rise and fall of dynasties greatly affected the development of art. For example, the Tang Dynasty, the Tang Dynasty was the heyday of ancient China, and it created the prosperous era of the Kaiyuan Dynasty.

The Tang Dynasty was a representative of the development of art during the Tang Dynasty. Another example is the Song Dynasty, the development of the citizen economy in the Song Dynasty, the prosperity of the city, and the rise of the citizen class promoted the development of folk culture in the Song Dynasty, and Song Ci is a representative of the development of art in this period. However, it does not mean that if a dynasty prospers, its art will flourish, and if a dynasty declines, its art will decline, there are also opposite examples, the development of economy and art is not synchronized, we have to analyze specific problems in detail.

There are many other social factors that influence the development of art, and it cannot be assumed that only economic factors affect the development of art. Ancient Greek period.

The people of China have created many advanced forms of artistic dance, which are still difficult in the eyes of modern people, but the era to which they belong is a primitive society.

The state of its economic development simply cannot be compared with modern times. Therefore, the state of economic development is not directly proportional to the state of art development, and the state of art development sometimes lags behind the state of economic development, and sometimes it is advanced behind the state of art development.

The development direction of art is determined by the direction of cultural development. Culture is what art is, and art goes.

Economy: The economic base determines the superstructure. Just look at the current art, with the development of the economy, the cultural development has gradually diversified, and the rise of the Internet culture has also developed more and more, such as the previous JK, ACG and other cultures have gradually been accepted by more people.

The trend of art development throughout the ages is determined by the two major factors of social trend and the recognition and appreciation of the masses, that is, the degree of acceptance.

Historical materialism holds that the mode of production of material life restricts the process of the entire social, political, and spiritual life, and that the development of the economic base has a strong constraint and influence on ideology, and that with the change of the social and economic base, the political, legal, moral, and religious ideologies in the superstructure will inevitably undergo changes more or less quickly.

I believe that the development of art throughout the ages has been influenced by factors such as cultural background, economy, and people's ideological cognition, among which the background of the times and people's values and aesthetics play an important role in the development of art.

In the history of Chinese and foreign art, there are three main representative views on the essence of art: "objective spiritual theory", "subjective spiritual theory", and "imitation theory" ("representation theory").

The objective spirit theory "holds that art is the embodiment of an "idea" or an objective "cosmic spirit". Ancient Greek philosopher Plato.

If we believe that the rational world is primary, the perceptual world is secondary, and the art world is only thirdary, that is, only the rational world is real, and the real world is only a copy of the rational world, then the art world is of course even more unreal. In ancient China, there was also a similar "Wen Yi Carrying Mountains and Selling the Tao", during the Northern and Southern Dynasties, Liu Xian's "Wenxin Carving Dragon".

It is believed that the text is the manifestation of the Tao, and the Tao is the origin of the text. Song ** scholar Zhu Xi.

In terms of the relationship between literature and Taoism, he has gone to the extreme, believing that "literature" is just a simple tool for carrying "Tao", that is, "carrying things like a car".

The subjective spirit says that "art is" self-consciousness.

The manifestation is "the impulse of the ontological nature of life". The founder of German classical aesthetics, Kant.

He bases his aesthetic system on subjective idealism.

foundation. This kind of "free art" is considered to be purely the genius creation of writers and artists, and that this "free art" has no stakes at stake and no purpose involved. Immanuel Kant saw freedom as the essence of art, and he believed that art and play were interconnected.

The era of the Northern and Southern Dynasties in China was a period of increasing prosperity of literature, and the characteristics of literary and artistic lyricism were emphasized. During this period, some literary and art critics attributed "feelings" and "aspirations" to the expression of the hearts and desires of writers and artists, and fundamentally denied the connection between literature and art and social reality.

The theory of representation advocates that literature and art are the best in life, and it is an imitation and reproduction of life. In the West, the imitation theory that has existed since the ancient Greek period is a kind of literary and artistic concept of reproduction of the classic liquid hunger. In Socrates.

Previously, Greek thinkers believed that literature and art imitate nature, such as Heraclitus, who put forward the idea that art imitates nature and appears in the form of nature.