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Nowadays, Hong Kong people lack patriotic enthusiasm and do not pay attention to morality, and there is no market in Hong Kong for the traditional themes of patriotic history and the theme of moral police and bandits in Hong Kong, mainly because the Hong Kong market is degrading, and the urban romance films co-produced in the mainland are filmed in the mainland, and there are many actors in the mainland, so it is difficult to see whether it was made by Hong Kong directors. Co-productions are basically seen as mainland films, so the real Hong Kong films are no longer visible. And I think the main reason is that there is a fault line in the actors, the major directors are paying more and more attention to the mainland market, there are more and more co-productions, and there may still be a lack of good producers.
However, the ingenuity of directors from both places, coupled with the huge potential of the Chinese-language film market, is still the biggest advantage of Hong Kong films, and in the next decade, Hong Kong films will definitely surprise the world.
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The economic development of any country and region has a peak period, after the peak is not as good as before, the United States, Japan, Britain, France, Germany and other countries are like this, China is no exception, now it is worse than in previous years, and it is still declining, India has developed rapidly in recent years, and it has not yet reached the peak, but in the end it can not get rid of this model. Let's talk about the common phenomenon of movies now. Now the commercial factor of movies is stronger than before, and the directors and actors are more eager for quick success than before, so they naturally can't reveal the real thing, and what they watch is always the content designed by others, which tastes like chewing wax, and naturally feels that it is not as good as the emotionally compatible sense of bringing in the movies in the past.
The sense of substitution is reduced, and our viewing experience is naturally not as good as before.
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It has something to do with Hong Kong films, many movies will be turned into classic movies if the previous actors come to play you to see if they will be acted in, and the main thing about the poor quality of the movies now is that the current actors are not good, and the acting skills are not good, how much it has to do with the movie ability, don't talk nonsense if you don't understand.
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1.Because what we watch is classic.
Many people say that Hong Kong films are better than current movies, and that's because what we see now are classics. In 1991, there were 122 films in Hong Kong, but how many can you name? 1.
Truant Veyron, 2Flying Eagle Project, 3Lame Hao, 4
Across the seas, 5Tricky Expert, 6Gambler II on the beach gambling saint, 7
500 million Inspector Lei Luo Biography I Lei Laohu, 8Huang Feihong, 10Prison Storm II Fugitives, 11
Xinjingwumen 1991, 12Descendants of the Dragon, 13The biography of Inspector Lei Luo II of 500 million
Father-son feud. 2.A lot of celebrities participated.
Classic Hong Kong films often have many stars involved, such as Jackie Chan's police story 1, not only two big goddesses: Lin Qingxia and Maggie Cheung, but also the five tigers at that time, Miao Qiaowei, the old drama bone Dong Bi, the great director Chu Yuan, and the classic supporting role Feng Ke'an, but now? One movie is good with one or two big names.
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In fact, it's not getting less and less, but now it's not a lot of introductions, if you go out of your way to take a look and look for it, you will still find that there are many new Hong Kong movies and TV series every year, but now our mainland TV dramas and movies are quite enough for us to watch, and the relative ones will be ignored, some dramas from Hong Kong and Taiwan.
In fact, we now have countless works made in the mainland, in comparison, I feel that there are very few in Hong Kong, and now many stars from Hong Kong and Taiwan come to the mainland to film, and there are also people in the mainland who go there to film, this sense of definition is relatively vague, and I will also feel that there are fewer and fewer Hong Kong film and television dramas.
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Because the previous actors are old.
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Because Hong Kong's film and television personnel have been cut off, and they no longer have the ability to train so many excellent actors.
To Hong Kong, you can take the Huatong business bus directly to Tsim Sha Tsui, Hong Kong, and you can go to see the Hong Kong Avenue of Stars, where there are many handprints of celebrities!
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Because the plot of Hong Kong films is clichéd, innovation is lacking, there is no connotation, and the production is not sophisticated, so it can only sink slowly.
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has declined, not only movies and TV series, but also sluggish.
The reason is that piracy is so rampant that investors withdraw to other industries if they can't make money.
There are also reasons for scripts in film and television, all kinds of comedies, police films, and romance films were basically filmed in the 90s, and good scripts are difficult to come out, and even the jokes are almost rotten. In fact, our appreciation level has also improved, so it shows that film and television dramas are getting worse and worse.
As for whether it has anything to do with the return of 97, I don't know the specifics, but I guess it has something to do with it.
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I believe that many post-80s generations grew up watching Hong Kong films. For us post-80s generations, there are too many Hong Kong films that can be said casually, and they are all very classic Hong Kong films, such as "Truant Dragon", "A Chinese Ghost Story", "Journey to the West" and "New Dragon Gate Inn" and so on. I'm sure everyone is familiar with these names, right?
However, the times are different, and Hong Kong films have lost the flavor of the past. Someone asked, why do many people think that Hong Kong films are not as classic as the previous Hong Kong films? First of all, the previous Hong Kong films were all played by Hong Kong superstars.
Secondly, the plots of previous Hong Kong films are very good. Finally, the innovation ability of Hong Kong films is insufficient, and the themes are too similar, so that everyone feels that Hong Kong films are no longer classic. <>
1. In the past, Hong Kong films were all played by Hong Kong superstars, and most of the Hong Kong films we watched before were played by superstars, such as "Journey to the West" starring Stephen Chow and Zhu Yin, "A Chinese Ghost Story" starring Wang Zuxian and Leslie Cheung, and "New Dragon Gate Inn" starring stars such as Leung Ka-fai and Maggie Cheung. Which of these stars is not a Hong Kong superstar? Therefore, the previous Hong Kong films are more classic.
Second, the plots of previous Hong Kong films are very good, and the plots of previous Hong Kong films are very wrong, such as Stephen Chow's "Journey to the West". Only those who have seen it know that Sun Wukong can still act like this. However, can Hong Kong films still have such an innovative plot as "Journey to the West"?
3. The innovation ability of Hong Kong films is insufficient, and the themes are too similar, so that everyone feels that Hong Kong films are no longer classic, and everyone laughs when they see that most of these new Hong Kong films are gangster-themed Hong Kong films, these themes are themes that everyone is too familiar with, and they lack innovation. Therefore, this gives people a feeling that Hong Kong films are no longer classic.
Therefore, through the above analysis, it is not difficult to understand why Hong Kong films are not as classic as before. I haven't had a banquet in the hall, after all, there are feelings in it, for myself, if there is a new Hong Kong film, I will still watch it. Do you have any different opinions? Feel free to discuss.
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Because in the previous Hong Kong films, everyone was familiar with the cast, and the actors' styles, files and acting skills were relatively classic. And the current Hong Kong films don't have the same stupid taste as before.
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Because the previous Hong Kong films have become classics in people's minds, and this kind of classic is impossible to surpass.
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Because the background of the times has changed. Most modern Hong Kong films are family life dramas, and there are not too many classic elements of Hong Kong films.
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