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Wu Lingchun. The wind lives in the dust and the fragrant flowers are gone. I am tired of combing my hair day and night, things are people and everything, and tears flow first.
It is said that Sungai spring is still good, and it is also planned to go on a light boat. I am only afraid of the Sungai grasshopper boat, and I can't carry a lot of worries.
All of the above are words.
Poetry has. Occasionally.
Northern Song Dynasty Li Qingzhao.
Fifteen years ago, at the end of the flower month, Xiang Cong had been endowed with a poem to appreciate the flowers.
Looking at the similarity of the flowers and the moon today, the feelings of Ande seem to be in the past!
Feelings. There is almost no history of the cold window, and the road is pitiful. Qingzhou is engaged in Brother Kong Fang, and he has happy things all day long. Write poems and refuse to talk about closed doors, and Yan Yu Ning Xiang has good thoughts. In the quiet, I have to make friends, and there is no gentleman and son. ”
Xiaomeng. Xiaomeng followed the bell and drifted into the clouds. Born in peace due to fate, encounter calyx green flowers.
The autumn wind is a scoundrel, blowing away the Yujing flowers. Look at the boat like a lotus root, and eat dates like a melon. The guests are seated, and the witty words are also good.
Mockery and sophistry, live fire and divide new tea. Although it is not to help the emperor attack, it is not fun. Life can be like this, why go home.
Get up and sit down, cover your ears and hate the noise. I know that I can't see it, and I still think about it. ”
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The voice is slow, looking for it, cold and lonely, miserable and miserable. When it's warm and cold, it's the hardest to breathe.
Three glasses and two light wines, how can he be the enemy and be in a hurry late? The geese are also sad, but they are old acquaintances.
Yellowfare flowers are piled up all over the ground. Haggard and damaged, who can pick it up now? Guarding the window, how can you be born dark alone?
Sycamore is more and drizzle, to dusk, bit by bit. This time, what a one, sad words!
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A cut of plum, red lotus root, residual jade autumn. Lightly untie Luo Shang and go on the Lanzhou alone. Who in the clouds sent the brocade book? When the word goose returns, the moon is full in the west building.
The flowers float and the water flows freely. One lovesickness, two sorrows. There is no way to eliminate this situation, so I frowned, but I was in my heart.
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Drunken flowers and clouds, thick clouds, eternal day, Rui brain gold beast. The festival is chongyang, the jade pillow yarn cupboard, the middle of the night is cool and the beginning is penetrated.
After dusk, there is a dark fragrance on the sleeves. Mo Dao does not kill the soul, the curtain is swept by the west wind, and people are thinner than yellow flowers.
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Nangezi The stars in the sky turn, and the curtain on the world hangs. The cool pillow is stained with tears, and Luo Yi is untied and asked, what is the night?
The green lotus canopy is small, and the golden lotus root leaves are scarce. The old weather and old clothes, only the feelings are not the same, the old home!
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They are all good poems and can be referred to.
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I am only afraid that the Shuangxi boat will not be able to carry a lot of worries.
The answer is supplemented. How sad can you be? It is like a river flowing eastward. Using metaphors (intervals, exaggerations), the invisible "sorrow" is compared to the tangible "spring water of a river" that flows endlessly, and vividly writes about the number of "sorrows".
I am only afraid that the Shuangxi boat will not be able to carry a lot of worries. The exaggerated expression of misery and sorrow is so heavy that it can't even carry the boat, and the weight of "sorrow" is vividly written.
is this sentence, these two sentences have similarities, quite similar.
The answer is supplemented. Wu Lingchun.
Li Qingzhao. The wind lives in the dust and the fragrant flowers are exhausted, and I am tired of combing my hair day and night. Things are people, and everything is restless, and tears flow first.
It is said that Sungai spring is still good, and it is also planned to go on a light boat. I am only afraid that the Shuangxi boat will not be able to carry a lot of worries.
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I don't know, but I like the answers.
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I don't know if you've seen this.
Li Qingzhao's artistic technique of writing sorrow in "Slow Voice":
One, fourteen overlapping words, how delicate. "Seeking and seeking, cold and lonely, miserable and miserable." At the beginning of the word, these fourteen overlapping words are used to tell her mood in detail.
She longed for comfort, but she couldn't, and she felt cold, desolate, and grief. From longing to disappointment to grief, this complex feeling is expressed in these fourteen overlapping words with great delicacy. The use of overlapping words is a major feature of "Slow Voice".
With such concise language and such complex feelings, I have to be amazed! No wonder some people have compared this to "big beads and small beads falling on the jade plate", which is also appropriate.
Second, the three "how" words, how strong. The word "how" of "three glasses and two glasses of light wine, how can he be in a hurry late" expresses her helpless mood of using wine to drown her sorrows. "Guarding the window, how can you be born alone in the dark.
The word "how" expresses her lonely mood of looking out the window at the haggard yellow flowers all over the ground, watching the flocks of geese flying in the air, and the desolation of thousands of species. "Sycamore and drizzle, to dusk, bit by bit, this time, how a sad word! The word "how" expresses that her sorrow has reached its peak.
These three "how" words express sorrow, but the degree of rendering is stronger than layer by layer. The three "hows" are used wonderfully!
Third, the word "sorrow" is so profound. At the end of the word, "What a sad word!" The word "sorrow" does not appear until the end of the word, and it is also the only word "sorrow" in the whole word.
This word "sorrow" is condensing the strongest feelings. In this poem, the word "sorrow" that appeared after a low and detailed statement is so profound! Think about the situation in her later years, think about the disaster of the country, "what a sad word"!
The word "sorrow" contains so much pain. This word "sorrow" makes us concretely feel the feeling in Li Qingzhao's heart that he can no longer endure the torment.
Fourth, the scene blends, how touching. Touching the scene and hurting, this is another feature of "Slow Voice". The evening breeze, flying geese, yellow flowers, drizzle, and sycamores paint a picture of bleak autumn colors that are all visible:
In the autumn dusk, the female lyricist Li Qingzhao stood in front of the window. She looked up at the flock of flying geese, and couldn't help but remember that she had asked the geese to bring a letter to her husband, but now that the building is empty, there is no letter to carry. How could she not be touched by the sadness of the scene!
She looked at the yellow flowers outside the window, haggard and damaged, the rain hit the sycamores, bit by bit, and the irrepressible tears also wet the placket. This kind of scene blending, scene generation technique, this vivid picture, is really touching!
A cut of plum and red lotus fragrance remnants of jade in autumn. >>>More
Li Qingzhao's most classic poem "Slow Voice". Looking for and seeking, cold and lonely, miserable and miserable. When it's warm and cold, it's the hardest to breathe. Three glasses and two light wines, how can he be in a hurry? The geese are also sad, but they are old acquaintances. >>>More
Li Qingzhao is a lyricist of the graceful school. Li Qingzhao, as a cultural woman in feudal society, she is not like everyone who is beautiful and small, and Jasper locks herself in the boudoir embroidery building to spend her youth, but extends her sense of touch to the broad society, faces the society, and relies on her keen and delicate observation and profound and exquisite artistic attainments, and uses literary language to reflect the upper class society, ethnic relations and class contradictions in the Song Dynasty. The spiritual world of a woman with a passionate love for her country. Since Li Qingzhao is a female lyricist, her words naturally have not been able to get rid of the spirit of the boudoir, but this must not be regarded as the same "boudoir words". >>>More
Graceful. Graceful is the meaning of Wan Zhuan subtle. This word was first seen in the pre-Qin period, and it has been used to describe literary dictionaries in the Wei and Jin dynasties, such as Chen Lin's "Book for Yuan Shao and Gongsun Zhan": >>>More
Sitting alone in the city of sorrow. The day sits in the city of sorrow. >>>More