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Graceful. Graceful is the meaning of Wan Zhuan subtle. This word was first seen in the pre-Qin period, and it has been used to describe literary dictionaries in the Wei and Jin dynasties, such as Chen Lin's "Book for Yuan Shao and Gongsun Zhan":
I have to write a book, and my words are tactful. "Lu Ji's "Wenfu": "Or clear and void to be graceful."
In the history of words, it has been a habit for a long time. The lyrics were originally composed for ensemble singing, and the purpose of singing at first was mostly to entertain guests, and the occasion for singing was nothing more than the palace nobles, Qinlou Chu Pavilion, so the content of the lyrics was nothing more than parting thoughts and sorrows, and the feelings and grievances of the boudoirs, which formed the "fragrant and soft" style represented by the "Flower Collection". The Northern Song Dynasty lyricists inherited the rest of the thread, Yan Shu, Ouyang Xiu, Liu Yong, Qin Guan, Zhou Bangyan, Li Qingzhao and others, although they developed in content, the pen was more exquisite, and they all had their own charm and became a family of their own, but in general they did not depart from the trajectory of turning and being soft.
Therefore, the predecessors mostly used words such as "graceful" (the second collection of "Tiaoxi Yuyin Cong Words"), "soft" ("Etymology"), "Silk and Turn" ("Wine Side Word Order"), and "Twists and Turns" ("Yuefu Yu Commentary") to describe the style of their works. The Ming people's use of "graceful school" to summarize this type of style of words should be said to have been brewed over a long period of time. The characteristics of the euphemistic school are mainly that the content focuses on children's customs.
The structure is deep and meticulous, attaches importance to the harmony of the rhythm, the language is mellow, fresh and beautiful, and has a kind of soft beauty. The content is relatively narrow. Due to the fact that for a long time, many words tend to be soft and beautiful, and people have formed the concept of being graceful and authentic.
For example, the "Commentary on the Words of the Zhoushan People" takes Li Houzhu, Liu Yong, Zhou Bangyan and other lyricists as "the authenticity of words", which represents this view. The graceful style of words has dominated the world of words for a long time, until a large number of lyricists such as Jiang Kui, Wu Wenying, and Zhang Yan in the Southern Song Dynasty have all suffered its influence from different aspects.
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Graceful lyricist. The graceful school does not only refer to a class of people, refers to a group of people whose style of words is more clear and graceful, and belongs to one of the style schools of Song Ci, among which the most outstanding ones are Liu Yong, Qin Guan, and Li Qingzhao, whose content mostly focuses on describing children's feelings, natural scenery, lyrical twists and turns, and the language is tactful and clear, and the beauty of reading is overwhelming, which is fascinating. Liu Yong is one of the most outstanding graceful lyricists, and his representative works include "Yulin Bell", in which "amorous parting since ancient times, and even more so can be snubbed by the Qingqiu Festival."
Where to wake up tonight, the willow bank, the evening breeze and the waning moon. "It is the best of the ancient parting words. And in another song "Butterfly Loves Flowers", "I plan to get drunk with a crazy picture, and I sing about wine, and the strong music is still tasteless."
The belt gradually widened and did not regret it, and it made people haggard for Yi. It is also a vivid description of the mentality of an amorous son, and is intoxicated by the future generations of boudoir girls. And Qin Guan's "Bird Bridge Immortal", "The clouds are clever, the flying stars spread hatred, and the silver man is dark."
As soon as the golden wind and jade dew meet, they will win and there are countless people in the world. Tenderness is like water, the best period is like a dream, endure the return of the Magpie Bridge, if the two feelings are long, how can they be there, morning and twilight. "It's a swan song for the ages.
Of course, the Song Dynasty was the era when the style of words was the most prosperous, and many bold lyricists also had euphemistic words handed down. Such as Su Shi, the head of the bold faction. There is also "Jiang Chengzi" "Ten years of life and death, without thinking, unforgettable."
Thousands of miles of lonely graves, nowhere to talk about desolation. Even if you don't know each other, your face is dusty, and your temples are like frost. Come and dream at night.
Xiao Xuan window, dressing. There are no words for each other, only a thousand tears. It is expected that the intestine will be broken every year:
Moonlit night, short Matsuoka. Such a poignant sentence. And a fierce general like Yue Fei, a famous person like Fan Zhongyan, and a famous person like Fan Zhongyan, also have graceful words like "Little Heavy Mountain" and "Su Musha", "Little Heavy Mountain" "wants to put your heart into Yaoqin."
There are few bosom friends, and who listens to broken strings. "Su Curtain Cover" "Blue clouds, yellow leaves, autumn colors, cold smoke and green on the waves." Mingyue Lou is high and recess alone, and the wine enters the bowels of sorrow, turning into lovesick tears. ”
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Li Qingzhao's words have a delicate character unique to women, which makes her a representative of the graceful school. Although the content of her lyrics did not get rid of the traditional scope of love and parting sorrow and hatred, after crossing to the south, her words showed more of a deep sadness towards the country, the people and personal experiences. The serious and profound depiction of women's inner world in her lyrics, and the charming and untruthful atmosphere of her previous lyrics in the euphemism and delicacy, brought a lofty interest, a distant feeling, and an ethereal artistic conception to the poetry world, making her finally an outstanding female writer in the Song Dynasty.
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Chinese Song Ci's graceful school.
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Wanyue School was the most outstanding female lyricist and poet in the Southern Song Dynasty in China.
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<> Graceful faction. Li Qingzhao's words have a unique style, and they are called "Yi'an Ti" by later generations.
Li Qingzhao is a famous female lyricist in the Song Dynasty of China, one of the representatives of the graceful school, her morphemes are known for being euphemistic, subtle and beautiful.
Li Qingzhao's life path is bumpy and bumpy, so her style of words is not static.
Li Yanzhi Qingzhao was born in a scholarly family and lived a relatively prosperous life, which was in the Northern Song Dynasty at that time.
In the later period, although the society was lurking in crisis and was in the midst of storms, there was still a glimmer of light, which was a storm.
Peaceful dusk before arrival. The female lyricist often lingers in the beautiful scenery of mountains and rivers, and the beautiful nature cultivates the sentiment of the female lyricist and endows her with aura. Therefore, Li Qingzhao's words during this period are light and lively, full of strong life atmosphere, giving people a feeling of beauty.
Li Qingzhao was a girl.
Living in Licheng, Daming Lake.
The beautiful autumn scenery can't help but make Li Qingzhao feel that "the water and mountains are close to people, indescribable, infinitely good", the emotions are simple and bright, the young female lyricist's soul is sensitive and the nature is "spiritual", the words are lively and upward, and such as "the dew is thin and thin, the sweat is light and the clothes are transparent" shows the innocence, lively smile and auspiciousness of the girl, which is very interesting.
Li Qingzhao was newly married and her husband Zhao Mingcheng was not long ago.
Traveling far away, Xuan and taking up the post. At this time, her words are full of sorrow and farewell, reflecting the lonely life of the female lyricist.
It can be seen that the change in Li Qingzhao's style of words is the result of the influence of the social environment. At first, she lived a prosperous life, so her early works were bright and light, but only for the love affair.
Lovesickness, in her later years, her family broke and her husband died, so most of her later works express the deep pain of lovesickness and the sense of desolate life experience, which has realistic social significance.
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Question 1: A question asks Li Qingzhao what school of lyricists is the Wanyue school.
The Wanyue school is a school of Chinese Song poetry. Tactful, that is, tactful and subtle. Its characteristics are mainly that the content focuses on children's customs, the structure is deep and meticulous, the rhythm is tactful and harmonious, the language is mellow and beautiful, and there is a kind of soft beauty.
The representatives of the Wanyue faction include Li Yu, Liu Yong, Yan Shu, Ouyang Xiu, Qin Guan, Zhou Bangyan, Li Qingzhao, etc.
Question 2: What kind of lyricist is Li Qingzhao Li Qingzhao is a representative of the graceful lyricist.
Question 3: What kind of poet is Li Qingzhao? <> Graceful faction.
Question 4: What school of poet does Li Qingzhao belong to The Southern Song Dynasty female lyricist Representative of the Wanyue faction.
Question 5: What kind of dynastic lyricist is Li Qingzhao, and what kind of representative figure is the Song Dynasty lyricist and Wanyue faction.
Li Qingzhao (March 13, 1084, May 12, 1155), known as Yi'an Jushi, was a native of Zhangqiu, Qizhou (now Zhangqiu, Shandong). The Song Dynasty (the turn of the two Song Dynasty) female lyricists, the representative of the euphemistic word school, is known as "the first talented woman in the ages".
Li Qingzhao was born in a scholarly family, and her father Li Gefei was a wealthy book collector, and she laid a literary foundation in a good family environment when she was a child. After getting married, he and her husband Zhao Mingcheng worked together to collect and sort out calligraphy and paintings. When the Jin soldiers entered the Central Plains, they lived in the south and were lonely.
The lyrics are mostly written about his leisurely life in the early stage, and lamenting his life experience in the later stage, and the mood is sentimental. In terms of form, he makes good use of white drawing techniques, finds his own way, and the language is clear and beautiful. The Analects emphasize harmony, advocate elegance, put forward the theory of "not being a family", and oppose the method of composing poems and essays.
Noh poems, not much remains, some of the chapters are time-sensitive, and the words are generous, which is different from its style of words.
There are "Yi'an Jushi Anthology" and "Yi'an Ci", which have been dispersed. Later generations have a compilation of "Shuyu Ci". Today, there is "Li Qingzhao's Collection of Proofnotes".
Wish! Thank you!
Question 6: What is the school of Li Qingzhao Li Qingzhao (1084 1155), a native of Zhangqiu, Jinan, is known as Yi'an Jushi. A female lyricist in the Song Dynasty, a representative of the graceful faction.
Born in a scholarly family, he was outstanding at a young age under the influence of his family. He is familiar with poetry, prose, calligraphy and painting, and has the highest achievement in words. The words are fresh and euphemistic, the feelings are sincere, and they are different from the changes in life in the Northern Song Dynasty and the Southern Song Dynasty.
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Li Qingzhao, known as Yi'an Jushi, is a representative of the Song Dynasty female lyricist and the euphemistic word school, and is known as the first talented woman in the ages. The lyrics are mostly written about his leisurely life in the early stage, and lamenting his life experience in the later stage, and the mood is sentimental. In terms of form, he makes good use of white drawing techniques, finds his own way, and the language is clear and beautiful.
The Analects emphasize harmony, advocate elegance, and oppose the method of composing poems and texts. Li Qingzhao left behind works such as "Yi'an Jushi Anthology", and his descendants have a compilation of "Shuyu Ci".
The Wanyue school is a school of Chinese Song poetry. Tactful, that is, tactful and subtle. It is mainly characterized by the content focusing on children's customs, the structure is deep and meticulous, the rhythm is tactful and harmonious, the language is mellow and beautiful, and there is a soft and graceful beauty.
Li Qingzhao's most classic poem "Slow Voice". Looking for and seeking, cold and lonely, miserable and miserable. When it's warm and cold, it's the hardest to breathe. Three glasses and two light wines, how can he be in a hurry? The geese are also sad, but they are old acquaintances. >>>More
A cut of plum and red lotus fragrance remnants of jade in autumn. >>>More
Li Qingzhao's early style of writing was more about national feelings, but later because of her and her husband, they were separated from each other, often missing each other, and had melancholy feelings, so the style of words slowly turned to a miserable and poignant poetry school.
Date]: Song.
Author]: Li Qingzhao - "Huanxi Sha". >>>More
"Slow Voice".
Searching, deserted, miserable and miserable. When it's warm and cold, it's the hardest to breathe. Three glasses and two light wines, how can he be the enemy, and the wind is in a hurry at night! >>>More