What is the level of poetry and painting of Xu Wei, an outstanding ancient Chinese calligrapher and

As a prodigy, Xu Wei has outstanding performances in many fields. Although Xu Wei first used his true colors in his opera creation, his true colors were also used in his poems and became the guiding ideology of poetry creation. A rough count of Xu Wei's poems shows that there are about 2,070 of Xu Wei's poems that have been preserved to the present.

Xu Wei's poems describe all aspects of things, and the content is very rich and the emotions are also very abundant. It can be said that looking at Xu Wei's poems, we can see the path of Xu Wei's life and what he feels and knows. Although Xu Wei's poems were well written, they were really unpopular at the time.

It wasn't until Yuan Hongdao discovered the poems written by such a talented person as Xu Wei that Xu Wei slowly became famous, and later generations pushed Xu Wei to such a position as the altar. Xu Wei is actually the same as Van Gogh, when he was alive, he was destitute all his life, and only after his death did people appreciate and worship.

In the colorful history of Chinese painting, Xu Wei's paintings in the Ming Dynasty are unique, and his unique painting techniques are amazing. Xu Wei likes to inscribe a poem on your painting, and the combination of painting and poetry makes the emotion and artistry of painting vividly expressed.

Each of Xu Wei's paintings seems simple and seems to be very unserious, but in fact, each of his works is a microcosm of his life, and they are all completed with his blood and sweat. For example, Xu Wei's "Ink Grapes", a seemingly ordinary and simple painting, has nothing special, but if you look at Xu Wei's inscription poem on the painting, you can see the clues and the emotions that his paintings want to express.

In painting, Xu Wei takes paper, water and ink to the extreme, making his ink freehand paintings varied, rich and colorful. Each of Xu Wei's paintings gives people a feeling of freedom and unrestrainedness, and the momentum is not lost to any other painting made by others. Xu Wei even pushed open another door in the field of ink and wash freehand painting, creating a new era of ink and wash freehand painting.

The influence of Xu Wei's paintings on later generations is also extremely far-reaching. In the history of art, Xu Wei and Chen Daofu are called "Qingteng Baiyang", which shows Xu Wei's achievements in painting. <>

Xu Wei mainly focuses on freehand flowers in his paintings, dares to break through barriers and innovate boldly in art, and takes a big step forward on the basis of his predecessors. He often uses themes in his works, combining arbitrary vertical and horizontal brushwork with inscription poems to express the blockages and resentment in his chest. Reading his paintings is like reading his poems and operas, and you can feel a "spirit of injustice", and his paintings are also different from the characteristics of his predecessors in terms of brush and ink skills.

He paints flowers and brushstrokes, like cursive writing, but there is composure in the joy, and there is joy in the composure. Use ink to splash ink and break ink, and the ink color is varied, dripping and hearty. On the basis of traditional ink freehand, he created a school of freehand painting.

Xu Wenchang's literary and artistic creations cover a wide range of fields, but it can be pointed out that they have a common characteristic, that is, they do not depend on others in art, they like to be original, they have a strong personality, their style is bold and relaxed, and they often show a love for folk literature. In the poetry circle of the Ming Dynasty, due to the advocacy of the seven sons before and after, there was a trend of imitation of antiquity.

Although they also have their own indelible achievements, this kind of antiquity is obviously hindering the development of poetry art. Xu Wenchang was deeply dissatisfied with this and sharply criticized it. He said:

Birds learn to say, the nature is still birds; If you write poetry and imitate your predecessors, no matter how similar you learn, it is just a bird learning human words, and it has no real value. His own poetry creation, focusing on the expression of personal feelings for social life, the style is slightly close to Li He, the study of the Tang Dynasty, and mixed with the Southern Dynasties, in and out of the Song and Yuan dynasties, and in the end without losing his self. This tendency was inherited by the Gong'an faction, which later advocated the expression of sexual spirituality, and was of great significance in changing the poetic style of the late Ming Dynasty.

1. Painting: Xu Wei is an epoch-making artist, and can be said to be the originator of Chinese freehand flower and bird painting! (Bada Shanren, "Qingteng pen and ink treasure in the world, there has been no such way for decades.")

Shi Tao, Zheng Banqiao of "Cattle and Horses Walking under the Qingteng Gate", "Hate is not born three hundred years ago, grinding ink and paper for Qingteng." Qi Baishi, Huang Binhong and others were deeply influenced by Xu Wei, and they all revered and admired Xu Wei; Look at the people who worship Xu Wei, but they are all world-class artists!

2. Poetry: Xu Wei Ming Dynasty "Public Security Faction" leader Yuan Hongdao respected as "Ming No. 1"! He advocated "the ancient is my present", completely repudiated retroism, emphasized the true color and nature, solved the contradiction between elegance and vulgarity, and realized the true self in his works in the way of "learning from the master, not the door", which had an important influence on the --- Gong'an faction, an important faction in the history of Chinese literature.

It has played an important supporting role in the establishment and development of the theory of the public security faction! Known as the pioneer of the "** public security faction"! <>

His freehand paintings are at their extreme, and they can be called the Chinese Van Gogh.

In my personal opinion, Mr. Wen Chang painted one book, two poems, and three poems. Poetry, calligraphy and painting are just people's side hustles. The main business of the people is military strategy. Qi Jiguang's anti-Japanese war can be described as a household name. But he was the one who carried out the anti-Japanese policy of the civil chief.

Only one person has come out in 500 years!

There is a person named Huang Zhou! I feel "Wei".

Shall you and I judge in vain!!

Title: Grape Diagram Xu Wei.

Half of his life has become a man, and the independent study is howling in the evening breeze.

The pearl at the bottom of the pen has nowhere to sell, and it is thrown into the wild vines.

It is a down-and-out but uninhibited poet. The word "down" in the first sentence writes that he is down, "independence" and "evening breeze" write his loneliness and loneliness in his later years, and the words "study" and "howling" write the poet's arrogant and uninhibited personality.

During the Jiajing period of the Ming Dynasty, Lei Mingyang, who was not the official residence, built three very exquisite mountain pavilions from the bottom to the top on the south mountain behind the Jingzhong Temple. It is known as the Three Pavilions of Mingyang in history. After the pavilion was built, no plaque was erected for the pavilion's name.

I wanted to invite a knowledgeable and talented man to inscribe the names of the three pavilions according to the transformation of the mountain scenery, and Lei Mingyang thought of Xu Wei, a talented man in Huiji Shanyin.

Xu Wei lived up to high expectations, went up the mountain to view the scenery to be named, tired for a day, inscribed "Dicui Pavilion", "Yixin Pavilion", "Tide Viewing Pavilion" three plaques for the three pavilions of Mingyang, saw the sunset and spit color, the sun was late, and he stayed in the Jingzhong Temple. With nothing to do, Xu Wei wanted to play against the abbot. As soon as he stepped into the abbot's room, he was attracted by a "Picture of Ink Grapes" hanging on the wall.

He watched carefully, carefully touched, and felt that this picture was full of gods, like the present, lifelike, and it was difficult for non-masters to draw, but it was such a beautiful picture, why was there no inscription! Xu Wei was very puzzled, so he asked the abbot for advice. The abbot explained:

This is the posthumous work of Master Zhiyuan, the patriarch of the first dynasty. Because he loved the wild vine grapes he planted all his life, and was good at painting, he left this picture, which has become a treasure handed down from generation to generation in this temple. As for the absence of inscription, the ancestor had a last word, anyone who can see this painting, must be a person of full learning, please write the inscription, mediocre, do not graffiti with it, so as not to stain this picture.

Therefore, for many years, no one dared to write an inscription for this picture. "Oh, I see! Xu Wei said with relief.

Fang Pao Duanzhang said again: The donor is a talented man, and the poor monk has already heard of it. Today, there is a fate to visit our temple, it is really a blessing for three lives, I implore Shi Cover the Lord to add color to the ancestral master's legacy, and the spring dull reputation inscription poem is not only for the temple to add glory, but also for the ancestor's legacy, please don't push back.

Xu Wei saw that the abbot was sincere, and it was difficult to shirk the blame, so he had to obey his fate.

Xu Wei is full of literary talent, but no one knows the pearl of the land, only to fall into the heart of the talent, frustrated career, life bumpy, now in his fifties, still displaced ......Thinking of this, I can't help but feel sad. In this sad and poignant poem, Xu Wei sighed from the bottom of his heart that the world is unfair and ambitions are difficult to pay! "Pearl" refers to grapes, and the author uses grape paintings to sell nowhere, expressing his infinite feelings of being unappreciated and unrewarded for his ambitions, and the desolation of old age and weakness, and loneliness.