The first poet of the Tang Dynasty to write a landscape travelogue was 10

Meng Haoran was the first poet to write landscape poems in the Tang Dynasty and the forerunner of Wang Wei. His travel poems are realistic, and "Looking at Dongting Lake as a Gift to Prime Minister Zhang" is written with majestic momentum and style.

Meng Haoran's life experience is relatively simple, and the subject matter of his poetry creation is relatively simple. Most of Meng's poems are five-character short stories, mostly writing about landscapes and pastorals, the pleasure of seclusion, and the mood of detention and service. Although there is no cynicism in it, it is more of a poet's self-expression.

Meng Shi is not carved, but thoughtful, full of super self-satisfied fun, not frugal and barren. He is good at discovering the beauty of nature and life, and writes about the real feelings of the moment. For example, "Autumn Climbing Wanshan Sends Zhang Wu", "Summer Nanting Huaixinda", "Passing the Old Man's Village", "Spring Dawn", "Sujian Dejiang", "Night Return to Lumen Song" and other articles, are naturally formed, and the artistic conception is clear and the rhyme is overflowing.

The representative figures of pastoral landscape poetry in the Tang Dynasty were Wang Wei and Meng Haoran.

Wang Wei 701-761. Clever at an early age, good at poetry, work in painting, and have a very high ** talent, 18-year-old champion and flute, because of the Lingren Yellow Lion Dance and degraded to Jeju.

Si Lun joined the army and later passed through Zhang Jiuling.

Wang Wei was promoted to the right to pick up the remains, and later moved to the middle of the scholar to end the book of the right Cheng, Su Dongpo.

Zeng Zan Wang Wei said: "The poems of the taste of Maha, there are paintings in the poems; It is not an exaggeration to say that Wang Wei's poetry is picturesque, whether a landscape painting is good or not, lies in whether the painter can grasp the nature, characteristics, and details of the scenery well, and express it, in the same way, whether a landscape poem is good or not, lies in whether the poet can describe the nature, characteristics, and details of the scenery in a limited number of verses. From the perspective of a painter, Wang Wei composed and laid out the layout, forming a unique artistic style.

Wang Wei's poems are multifaceted, whether it is the side stopper, the landscape, or the quatrain of the rhythmic poem, there are good passages that have been passed down for a long time.

Meng Haoran 689-740 years, the famous landscape pastoral poet, he did not enter the office, also called Mengshan people, he had a difficult career, Zhang Jiuling was hired as the shogunate, and soon, still returned to his former residence. Meng Haoran is a natural hermit.

When he was a teenager, he lived a reclusive life in Lumen Mountain, on the one hand, because of his personality, and on the other hand, it was also related to the current situation, first Wu Zetian.

Called the emperor, there was Empress Wei.

Gaining power, partisan disputes in the court, "Analects".

Yun: "There is no way to be rich, rich and noble, and shameful", Meng Haoran does not want to be an official for his own selfish interests, at this time he has a noble character.

During the Tang Dynasty, a poetry school represented by Wang Wei and Meng Haoran was formed, also known as the Pastoral Poetry School, and later generations also called the Wang Meng Poetry School in order to highlight the prominent role of the two in the Pastoral Poetry School. Meng Haoran's poems got rid of the realm of the Tang Dynasty, expressed more personal ambitions, brought new breath to the Kaiyuan poetry circle, and won the admiration of the people of the time, Meng Haoran was the first poet to create landscape poems in the Tang Dynasty, and was the forerunner of Wang Wei.

Wang Wei and Meng Haoran, these two people are pastoral poets, and their works are very good, with many famous poems.

Meng Haoran and Wang Wei, the poems of these two people are very good, and the descriptions of the scenery of these two people are very comprehensive.

Meng Haoran and Wang Wei are the representatives of pastoral landscape poetry in the Tang Dynasty. These two people wrote a lot of poems praising the Tang Dynasty, and their styles were very elegant.

Summary. The first poet of the Tang Dynasty to vigorously write landscape poetry was Wang Wei. Wang Wei's landscape poems have unique artistic characteristics, which are mainly reflected in the creation of lyrical artistic conception.

His poems depict the beautiful landscapes of the water towns in the south of the Yangtze River, Yueyang Tower, Qiandao Lake, etc., express the poet's lyrical feelings about nature, and show the free, chic, and arbitrary life realm and the transcendent life realm, which has a far-reaching influence.

Fellow, I really didn't understand, I can be more specific.

The first poet in the Tang Dynasty to vigorously write landscape poems was Wang Kuanwei. Wang Wei's landscape poems have a unique artistic special selling hole and bright color, which is mainly reflected in the creation of lyrical artistic conception. His poems depict the beautiful landscapes of the water towns in the south of the Yangtze River, Yueyang Tower, Qiandao Lake and other beautiful landscapes, express the poet's lyrical feelings about nature, and show the free, chic, and wanton life realm and the transcendent life realm, which has a far-reaching influence.

1. The collective name of Wang Wei of the Tang Dynasty, Meng Haoran, Wei Yingwu of the Middle Tang Dynasty, and Liu Zongyuan.

2. The Tang Dynasty inherited Tao Yuanming's pastoral poetry and developed into a unique representative of the Tang Dynasty landscape pastoral poetry genre. The experiences and poetic styles of these four people are not exactly the same, but they all have high unique achievements in the creation of landscape and pastoral poetry, and there are some similarities or similarities in artistic style.

3. Wang Wei is a noble court court, and in his later years, he lived in the mountains for leisure, and his poems have a wide range of themes, including Tsinghua, elegant, robust, plain and other styles; Meng Haoran was unsuccessful in helping the world, and finally retreated, writing landscape idylls more intensively; Wei Yingwu, as a local official, is more concerned about the people's livelihood, not only poems involving social aspects, but also poems about the leisure realm; Liu Zongyuan failed to participate in the political reform group and was degraded to death for a long time, and his poems mainly express indignation and grievances, and some landscape poems.

Wang Wei and Meng Haoran were the main representatives of landscape idylls during the Tang Dynasty. The landscape idyll originated in the Wei and Jin dynasties and was formed in the Tang Dynasty, among which Tao Yuanming and Xie Lingyun are considered to be the founders of landscape idyll.

Wang Wei, a poet of the Tang Dynasty, was known as the "Buddha of Poetry", and Su Shi of the Song Dynasty commented that Wang Wei's pastoral poems were "paintings in poems, and poems in paintings". His poems mainly describe the secluded life and natural scenery of the countryside, and his representative works include "Birdsong Stream", "Rainfall Rim River Village", "Autumn Evening in the Mountain House", "Deer Wood" and so on.

Meng Haoran was the first poet in the Tang Dynasty to write a large number of landscape idylls. Most of his poems are landscape poems, such as "Sujian Dejiang", "Lindongting Lake Presents Zhang Chengxiang", "Jiangshang Sigui" and so on. His idyllic poems are mainly about the elegance and leisure of a secluded life.

Such as "The Old Man's Village", "You Jing Siguan Hui Wang Baiyun is behind" and so on.