What are the intervals from 3 to 4? How to understand?

It's a second interval.

Determining the degree of an interval is as simple as looking at two note names.

Several levels are included.

Can. For example, 3 to 4 includes the 3 and 4 levels, so the degree is 2. For example, 1 to 7 encompasses a total of seven levels, so the degree is 7.

That's just the number of pitches you're asking. If we also take into account the number of notes, we can determine the specific nature of the intervals. That is, 3 to 4 sharps to be exact are minus 2nd intervals.

As we all know, 3 to 4 is a minor second, and the reduction of the minor interval by a semitone becomes a reduced interval, so we raise the 3 semitone to reduce the minor second interval by a semitone, and the resulting rise of 3-4 is a subtraction of two degrees.

In the law of twelve.

, the minus second interval of 3-4 and 4-4 are equal to each other. The scale of 4 to 4 encompasses the scale of 4, so it is an interval of one degree, or more precisely, a pure degree. Although the second degree is equal to the pure degree, the meaning is different and should not be confused, and the former is a dissonant interval.

The latter is a very consonant interval, not to mention the fact that the concept of equal intervals is only true in the twelve equal temperaments.

It's a minus second interval.

mi fa is a natural semitone, i.e., a minor second.

The root note mi is raised, and the interval is reduced by a semitone, minus two degrees.

3 to 4 are minor second intervals. After 3 is raised, the second degree remains the same, and the minor interval becomes a reduced interval, so it is a second subtraction. It is also a pure one-degree equal range.

Third-degreeIntervalsIt's threeScaleintervals. Interval refers to the relationship between two tones in pitch, that is, the distance between two tones in pitch, and its unit name is called degree. The number of whole tones and semitones contained in an interval is called the number of tones of an interval.

Intervals are marked with fractions and integers (1 2 is semitone, 1 is whole tone). For example, 3-4 is semitone and 4-5 is whole tone.

In order to distinguish between intervals with the same degree but different tones, add text descriptions such as pure, large, small, increase, decrease, multiplication, and subtraction before the degree.

The nature of the intervalFour scales of five semitones, is a pure fourth, contains five levels of seven semitones, is a pure fifth, contains four tones, has six semitones, is called an increase of fourth, contains five tones, six semitones, called a minus fifth, increase four and decrease five intervals are the same width, there are six semitones, but the name is different, this is determined by the number of steps, although the same width, but one is subordinate to the fourth, the other is subordinate to the fifth, the name is different, the determination of an interval is determined by the nature of the interval.

31 is the downward major thirdIntervals, ascending minor sixths. You can transpose the bass to treble, or think that the treble becomes 13 after the bass transpose, 13 is a major third, subtract three degrees from nine, which is equal to six, and then turn the big into a small one, which is a minor sixth.

The number of pitch degrees is a question of the limbs.

There are two elements, one is the degree of two tones, for example, 12 is the second degree, 13 is the third degree, but the number of tones in the interval, to put it bluntly, it is the magnitude of the two tones, for example, 13 is composed of two whole tones, which is a major third, and 24 is composed of a full mountain sound and a semitone, which is a minor third.

Each of the following groups of notes is arranged from low to high, e.g. 1 in 31 is 1 pure degree above 3, 11, 22, 33. minor second, 34, 71. major second, 12, 23, 45, 56, 67.

Except for the natural sounds of minor seconds, the intervals composed of natural sounds are all major seconds. minor third, 24, 35, 61, 72. major third, 13, 46, 57.

Pure fourth, 14, 25, 36, 51, 62, 73, four in addition to 47. minus fifth, 74. Pure fifths, 15, 26, 37, 41, 52, 63, fifths except 74.

The bass is lowered, or the treble is raised, and the interval is increased. The bass is raised, or the treble is lowered, and the intervals are reduced. The arrangement of the intervals and the beards is from small to large, with increasing chromatic tones.

The major third plus the minor third in the interval equals a pure fifth.

The major third plus the minor third contains five scales, and the seven semitones are pure fifths.

Triad: Major third: major third + minor third; Minor third chord:

minor third degree + major third degree; Increasing third chord: major third + major third; Diminished third chord: minor third + minor third.

The third chord has two inversions. The first inversion is called the sixth chord, which is denoted as 6. The second inversion is called the fourth-sixth chord.

Write 46Seventh chord; Add a third to the third chord.

Minor and minor seventh chords: major third chords (based on this chord, the same below) bridge resistance + minor seventh (refers to the crown to the root note as a minor seventh, the same below). Little Seventh Chord:

minor third chord + minor seventh; Reduced seventh chord: reduced third chord + minor seventh; Reduced seventh chord: minus third chord + minus seventh; Great Seventh Chord:

Major third chord + major seventh.

The seventh chord has three inversions. The first inversion is called the fifth or sixth chord, which is denoted as 56; The second inversion is called the third and fourth chord, which is denoted as 34; The third inversion is called the second chord, which is denoted as 2.

If there is no semitone relationship between the three tones, it is a major third, and if there is a semitone relationship between the three tones, it is a minor third. For example, DM chord 246, 2 3 4, 2 3 whole tone, 3 4 (semitone), 2 3 4 These thirds have semitones, so they are called minor thirds, 4 5 6, 4 5 whole tones, 5 6 whole tones, 4 5 6 tribal tones, 4 5 6 tribal tones, so they are called major thirds.

2 to 4 minor thirds + 4 to 6 major thirds = dm minor third chords. Now it will be 4 liters of semitone, hail will only be 2 3 full tone, 3 4 because of 4 liters of semitone source pei, so it is also full tone.

4 is the third degree. 4 5 6, because 4 rises semitone (that is, 4 is a semitone higher than the original tone), 4 5 is a minor semitone, 5 6 whole tone, 4 6 third is a minor third. So 2 4 (major third) + 4 6 (minor third) = d major third chord.

It's an increase of 4, not a decrease of 5, because it is 1 to 4, and if you say 1 to 5, then you will subtract 5.

1 to 4 is a pure fourth with a semitone added to the increased fourth, so 1 to 4 is an increased fourth.

Five semitones apart are pure fourths, and six semitones are increasing fourths or subtracting fifths, which can be counted on twelve equal temperament instruments.

For example, the piano keyboard spans several keys (including the black key) from 1 to 4, and the three whole tones are called tritoneic intervals, and depending on the scale, they include an increase of a fourth and a decrease of fifth, which is a bit special, and the increase of a fourth and a decrease of fifth are natural intervals.

Only those outside of the natural interval are variations.

Pure one degree, minor second degree, major second degree, minor third degree, major third degree, pure fourth degree, increase four degrees, minus five degrees, pure fifth degree, minor sixth degree, major sixth degree, minor seventh degree, large seventh degree, pure octave.

These are all natural intervals.

A fourth interval is a 4-unit difference in pitch between two musical notes. A third interval is a 3-unit difference in pitch between two musical notes.

The pitch relationship between two musical notes. It is denoted by "degrees". It is used to measure the auditory distance between sounds. It is a measure whose size is artificially prescribed.

For example, from 1 to 1, or from 2 to 2, from 1 to 1 is one degree, from 1 to 3 or 2 to 4 is a third, and from 1 to 5 is a fifth.

For example, from 1 to 1, from 2 to 2; Because the middle is the same note, it is counted as one degree, from 1 to 3 or 2 to 4; There are three notes in the course of 1 to 3 or 2 to 4, so it is a third.