What type of prose is Weed, and whose prose poetry collection is Weed?

It's a prose poem. Prose poetry is poetry, not prose.

Wild Grass is a collection of prose poems written by modern writer Lu Xun.

The author Lu Xun lived in Beijing under the rule of the Beiyang warlords, and Lu Xun, who was in extreme depression, was in a very depressed state of mind at that time, but his pursuit of ideals was still not disillusioned. The content of the poetry collection is diverse, imaginative, peculiarly conceived, and the language image of Zen is full of lyricism and quality, and it successfully uses symbolic techniques and has a strong artistic appeal; The poetry collection deepens the art of Chinese prose poetry and the artistic conception of Jian Chongfeng's thought in the form of monolingual lyrical prose, poetic imagination and sublimation.

Background of the times

At the beginning of the 20th century, China's political situation was turbulent, warlords were fighting, and after Duan Qirui took control of the Beijing regime, Zhongshan fell into the darkest period after the May Fourth Movement. The warlord ** "destroyed the national movement of student workers for freedom and killed innocent people. He also instigated several wars in Sichuan, Hunan, Guangxi, Guangdong, southeast and northeast, and harassed Lu Yan.

There were reversals and setbacks in the May Fourth New Culture Movement, and after the "New Youth" group dispersed, Lu Xun felt like he was fighting alone in the desert. He portrays himself as a remnant of soldiers wandering the old battlefields, unable to find purpose and meaning.

And the loss of harmony with Zhou Zuoren and even the break, so that Lu Xun tried to maintain the concept of a complete home no longer exists, Lu Xun's spiritual home finally integrated the basis of the fragmentation, moreover, the female teacher incident also had a great impact on Lu Xun's mood, the author Lu Xun in order to describe the process of this sail only one time, created a series of prose poems reflecting the warlord melee and inner anguish.

The impact of the work. From the production of modern Chinese prose poetry in 1918 to the completion of "Wild Grass" in 1926, a total of eight years have passed. Through Lu Xun's efforts and development, the new modern prose poetry has gone through a journey from naivety to maturity.

Wild Grass is the first milestone in the maturity of modern Chinese prose poetry, and it is a work of pioneering significance in the development of modern Chinese prose poetry.

Wild Grass combines poetry and philosophy to bring a unique artistic brilliance to a new literary form; No longer relying on the rhyme of poetry, the prose poem is completely independent from the new poem, which has become a good beginning of modern Chinese philosophical prose poetry.

Wild Grass opens up the road of modern prose poetry and lyrical art with a grim self-anatomy that is not exaggerated or whitewashed. "Wild Grass" inspires people to closely connect their personal poetry with the struggle of the whole era. "Weeds" inaugurated the path of symbolism in modern literature.

A small grass that is disturbed and trampled on by others, a small grass that no one notices, but with its tenacious vitality, it overturned the huge stones that pressed on its body and stubbornly drilled out of the ground. It shows the valuable spirit of not being afraid of difficulties, having the courage to temper, and always being optimistic, and this spirit of weeds tells us that no matter how great the difficulties and misfortunes we deal with, as long as I move forward step by step and indomitable, success in the road of life will meet us.

The most prominent feature of this essay is that it is profound and philosophical. The author describes biological phenomena in nature, but alludes and metaphors to the phenomena of social life. The author, like many revolutionary literary and artistic figures at that time, did not write idle essays, but revolutionary literature.

He emphasized the power of weeds, and described the power of weeds that people trampled under their feet as the world's incomparable, and his intention was to arouse the people to realize their own strength, and then to act to achieve their own goals.

The philosophical nature of the text is demonstrated through the author's detailed observation of natural and social phenomena, and through the description of novel, specific and quite typical natural phenomena. For example, the fact that the growth power of a seed can separate the skull, which is difficult to separate mechanically, is a knowledge that is not easy for ordinary people to have, so it is novel and typical. At the same time, in order to avoid generalizations, the author then cites a series of well-known common examples to further illustrate it.

It is easy to lose mediocrity and lack of taste when using ordinary examples to illustrate problems, so the author has conducted in-depth excavation of these ordinary examples and extracted the philosophy of subtle words.

I like the prose and poetry collection "Wild Grass", perhaps just because I am fascinated by Mr. Lu Xun's writing, and moved by the complex and firm feelings he exudes in his articles. In my mind, Mr. Lu Xun was a warrior who used paper as a shield and pen as a spear, rushing to the front of the ranks, and behind him were not only young students, but also workers, old people, women and children. They are all weeds, small but not humble weeds, and with just a spark of fire, they will immediately spread into a prairie fire, burning a red sky and illuminating a darkness.

Wild grass can be seen everywhere around us, but this inconspicuous grass is fully reflected in Mr. Lu Xun's "Wild Grass". In an article in "Wild Teasing Curved Grass", the author wrote, "The weeds are not deep at all, and the flowers and leaves are not beautiful." When they live, they will be trampled on, cut down, and corrupted."

This statement is very profound, the weeds have neither the fragrance of flowers nor the height of trees, and once there is an open fire, the weeds will be quickly ignited and burned. But the ancients said: "The wild old man refers to the fire that cannot be burned, and the spring breeze blows and grows again."

The weed's repentant is always tenacious, and he never bows to danger.

No matter how poor the quality of the person encountered, no matter how terrible the wind and rain, we must maintain a very stable mentality, and we must guess and work hard to live and lie down.

Feel the strength and vitality of the grass, tenacious although small, but strive to shine their own light.