What is the main purpose of Wild Grass and what is the main content of Wild Grass .

By writing about the miraculous power of plant seeds, he highly praises the tenacious vitality of weeds, inspires people to have a tenacious will in the face of difficulties, and encourages people to overcome resistance, forge ahead, and have the courage to struggle.

Basic introduction: "Wild Grass" was written in the late "May Fourth" period, and is the only collection of prose poems by Mr. Lu Xun. Written on January 24, 1925.

In July 1927, it was published by Beijing Beixin Book Company. Included in 1924 1926 23 prose poems, with an inscription on the front of the book. The tortuous and obscure symbolism expresses the bitterness of the author's inner world and the struggle against the real society in the mid-20s.

Such a Warrior", "In the Faint Traces of Blood", "A Sleep" and other articles express disappointment and resentment towards reality; "The Farewell of the Shadow", "Dead Fire", "Tomb Text" and other chapters depict the confused state of mind after a profound dissection of the self; "Hope" and "After Death" write about the fear of the future, and profoundly show the author's philosophy of life. The language is beautiful and the imagery is subtle and beautiful.

The author of this article wrote this article in 1940, when China was at the most difficult time of the War of Resistance Against Japanese Aggression, and by describing the miraculous power of plant seeds, he highly praised the tenacious vitality of the grass, and inspired people to have a tenacious will in the face of difficulties, overcome all resistance, and strive to move forward and have the courage to struggle.

"Weeds".He is a modern writerLu XunHe wrote a collection of prose poems, each of which mainly describes the social state at that time, and its content contains a series of opposing and unified concepts such as life and death, love and hate, dream and awakening, friendship and hatred, past and future, light and darkness. The author calls for revolutionary forces, sympathizes with the working people, criticizes the haveInferior rootsof the national and other topics.

Expose the dark reality and stick to the fighting spirit of resilience. "Autumn Night".

What the writer saw and thought in the autumn night, the jujube tree symbolizes the revolutionary soldiers, encouraging people to make an unyielding struggle against the old world.

Passer. It shows a resolute, tenacious, and indomitable warrior who explores and advances, and his body embodies the fighting spirit of "Tianxingjian, a gentleman who strives for self-improvement". "Such a Warrior".

It praises the fearless warriors who stand firmly, distinguish between love and hate, and persist in tenacious combat.

The story of the weeds

A needle on the ills of society and a critique of various vulgar phenomena. "The Tremor of the Decadent Line".

It is written in the style of ** to depict the tragic life of a poor woman. criticizes the children of righteousness and exposes the tragedy of the world. The "Treatise on Neutrality" reveals the hypocritical relationship between people in a sick society, as well as the way of life of the "philosophy of the mean".

The Wise Man and the Fool and the Minions

It exposes the hypocrisy and insidiousness of the wise and the numbness and cowardice of the slaves, and affirms the resolute and resolute fighting spirit of the fools. Record the anguish and hesitation of the mind and the self-analysis of the depths of the soul. For example, "Kite" analyzes his own guilt and self-criticism for stifling children's innocent nature. "Farewell to the Shadow".

It expresses the eagerness to break with old ideas and look for new ideas.

The main content of "Weeds":Each article mainly describes the social state under the rule of the Beiyang warlords, as well as the enthusiastic call for revolutionary forces, the deep sympathy for the working people, the merciless criticism of the inferior nature of the people, and the strict dissection of the self; It also covers a series of opposites such as life and death, love and hate, dream and awakening, friendship and hatred, past and future, light and darkness, love and unlove, silence and opening, hope and despair, caress and revenge, attachment and determination.

1. The concept and image of fierce struggle and integration in struggle.

The cultural background of "Weeds".

Wild Grass is a collection of prose poems full of symbolism, symbolism as a conscious literary and artistic movement began to develop from the French writer Jean Maurias in the 80s of the 19th century when he published the "Manifesto of Symbolism" in the "Le Figaro", and formed a worldwide modernist literary movement with great influence in the 20s of the 20th century.

Lu Xun said: "I love my weeds, but I hate the ground that decorates the hall with weeds." Earthfire runs underground, rushing; Once the lava erupts, it will burn up all the weeds and even the trees, so that it will not be corrupted.

In this poem, "I am willing to be a weed, waiting for the fire to attack from the ground", it shows a completely and thorough spirit of sacrifice.

The articles of "Wild Grass" mainly describe the social state under the rule of the Beiyang warlords, as well as the enthusiastic call for revolutionary forces, the deep sympathy for the working people, the merciless criticism of the inferior nature of the people, and the strict dissection of the self, etc., almost every article is worthy of people's deep thought and torture of their own hearts and personalities.

By writing about the miraculous power of plant seeds, this article praises the tenacious vitality of weeds, inspires people to have a tenacious will in the face of difficulties, and encourages people to overcome resistance, forge ahead, and have the courage to struggle. Xia Yan: There is such a story. Someone asked:

What has the most power in the world? Some say "elephant", some say "lion", and some jokingly say: "King Kong".

How much strength King Kong has, of course, everyone doesn't know. As a result, all these answers are completely wrong, and the most powerful in the world is the seeds of plants. The power that a single seed can manifest is simply beyond all else.

Here's another story. The human skull, so densely and solidly combined, that physiologists and anatomists, who have exhausted all means to separate it completely, have no such strength. Then someone suddenly invented a method, which is to put the seeds of some plants in the skull to be dissected, give it temperature and humidity, and make it germinate.

As soon as they sprouted, these seeds parted with terrible force the bones that could not be separated by any mechanical force. Plant seeds are so powerful, so and so on. This, perhaps, is a special point, and ordinary people cannot be separated from hunger and easy to understand.

So, do you see the growth of bamboo shoots? Do you see a small grass crushed under the rubble and rocks? In order to yearn for the sunshine and to fulfill its will to live, no matter how heavy the stones on it are, no matter how narrow the stones are between them, it must twist and turn, but it will stubbornly penetrate the ground.

Its roots dig into the soil, and its buds go up into the ground. It was a force majeure that prevented the stones from it, and it overturned them. The power of a seed is great, and so on.

No one calls Xiaocao "Hercules", but its power is indeed incomparable in the world. This kind of force is the vitality that ordinary people can't see, as long as life exists, this force will appear, and the stones on it are not enough to stop it. Because it is a kind of "long-term resistance" force, elastic, the force that can be bent and stretched in the upper stage, and the force that is resilient and does not achieve the goal.

This kind of vitality seed that does not fall on the fertile soil but falls in the rubble, and will never be pessimistic and sighing, because there is resistance to temper. The grass that brings the struggle at the beginning of life is the tough grass, and only this grass can proudly laugh at the potted flowers raised in the glass shed. Xia Yan (formerly known as Shen Naixi, the word Duanxian, Han nationality, ancestral home in Kaifeng, Henan, was born on October 30, 1900 in Yanjialong, Pengbu Town, Yuhang County, Zhejiang Province.

He is one of the pioneers of China's New Culture Movement, a famous Chinese writer, literary critic, literary artist, translator and social activist. He died in Beijing on February 6, 1995 at the age of 95. Representative works such as "Sai Jinhua", "Qiu Jin", "Wrap Worker", "Under the Eaves of Shanghai" and so on. Xia Yan.

An ode to the fighting spirit.

Autumn Night", "Passerby", "Such a Warrior".

The Farewell of the Shadow of the Orange", "Hope", "Snow", "Good Story", "Dead Fire".

The spear that acupuncture the ills of society.

The Beggar", Ji Feng's "Argument", "The Smart Man and the Fool and the Minion", "Revenge", "My Broken Love", "After Death", "The Good Hell Lost", "The Trembling of the Decadent Line".