Where do you start with woodblock printmaking? Woodcut Printmaking Tutorial

The one carved with the longitudinal section of the plate is called the wood surface woodcut, and the one carved with the cross-section plate surface is called the wood mouth woodcut.

From the perspective of traditional craftsmanship, woodcut belongs to a form of printmaking, which is a kind of drawing carved on a wooden board with a knife and then rubbed on paper. The woodblocks used are pearwood, boxwood, white mahogany, etc. The one carved with the longitudinal section of the plate is called the woodcut, and the one carved with the cross-sectional plate is called the woodcut, and the one that mainly forms the picture with more white than the black line is called the yang carving, and the one that mainly forms the picture with more black than the white with the concave line is called the yin carving; There are also a mixture of yin and yang engraving.

In the past, woodcuts were mostly used to reproduce paintings, and the division of labor between painting, engraving and printing was called copying woodcuts, and modern woodcuts were painted by the author, self-carved, and self-printed, giving full play to the special artistic effect of the knife and wood, called creating woodcuts.

Woodblock prints, among which Sakuramoto is preferred, because the plate-making method is easy, the wood grain is a straight liner, and the longitudinal section of the wood is used for the woodcut prints, which are prints using wood as the plate, due to the different woods used, linden trees, etc., boxwood. Commonly used wood is cherry wood, which is a representative type of letterpress and has been popular for a long time. As for the carved woodcut, a special solid steel bar is used to create a variety of different shapes of blades.

Engraving, in contrast to painting, is the carving of white lines (or blocks) on black ground, and the printmaker should master this characteristic to produce a woodcut characteristic that is different from the stroke. <>

In terms of the use of materials, boxwood is becoming more and more expensive and limited in size, so artists have also explored other substitutes in recent years, the most commonly used of which is resin version, which is not as dense as boxwood and lemonwood, but can still carve a rich and delicate woodcut effect.

That's what I know about these two. <>

Of course it's different. First of all, the sense of design is different, and then the materials used are different, the structure of the line outline is different, and the overall painting style is different.

Of course, it is different, because the techniques are different, and some of the tools and some wood used are also different, so there will be such a big difference.

It's different, if the wood surface is carved out, it is more vivid, and it can be preserved for a long time. Woodcut ** will be more expensive.

The woodcut printmaking tutorial is as follows:

1: Select the board, mainly the size of the board. In terms of type, Marley woodcut is generally used, of course, its essence is a good plywood, which can be bought in the building materials market. Buy a piece yourself, if you cut it all to A4 size, each piece will cost more than a piece.

2: Polishing, (the easiest step) The surface of the board you just bought is generally a bit coarse. It needs to be sanded with fine sandpaper. Pay attention to the uniform force when grinding. By the way, you can also polish the edges. (This step is prepared for printing).

3: Waxing: (a very important step) is an ordinary candle, of course, you can also buy industrial wax. Spread the board flat, break the wax into small particles, sprinkle it evenly, and iron it evenly with an electric iron. until the wax is half the thickness of the board.

4: Composition, (the most mind-consuming step) can be composed on the draft first, and then printed on the board with carbon paper. If you are drawing a draft directly on the board, switch it to step 3 and draw the draft first and then wax it.

5: Engraving. Because the wooden board itself has fibers in it, only the waxed board will not fluff when carved, and if the knife is good, it is like cutting an apple.

6: Dyeing ink. (The most troublesome step). Start by finding a glass pane, or a larger floor. Pour the printmaking ink a little onto the glass plate, then roll the ink on with a roller (of moderate size) and roll it back and forth on the glass plate repeatedly until the ink is evenly applied on the roller.

Then use a roller to roll back and forth on the board, be sure to paint evenly, if the board is not smooth, you can polish it, otherwise the ink will be uneven. Finally, after the ink is applied, there will be a little ink left in the places that need to be left blank, which can be modified with a carving knife.

7: Printed. (A cautious step) generally uses leather paper, in fact, any paper can be used.

The size is moderate, you can first roll the paper into a bucket, like a mobile phone film, spread the paper evenly on the board, and then use "mushrooms" to roll on it repeatedly. (The wooden handle of its practical carving knife will do, as long as it is smooth and hard). If it is leather paper, it is sufficient until the back of the paper is black and even.

8: Closing the work (the most rewarding step), you can print multiple sheets repeatedly and frame them.

Woodcut prints are one of the types of paintings. Woodcut is a kind of printmaking art that carves a reverse image on a wooden board and then prints it on paper to enjoy. Printmaking is also an important category of Chinese art.

Ancient prints mainly refer to woodcuts, but there are also a few copperplate engravings and color omissions. The unique knife flavor and wood flavor make it have an independent artistic value and status in the history of Chinese culture and art. Let's learn how to make woodblock prints!

First, the draft

1. Draw the animal pattern you want to represent as a brief line drawing or black and white draft.

2. You can directly use a pencil to draw a sketch on a blackened board with ink, or you can draw it on carbon paper and then copy it on the plate.

3. Note that the printed picture is in the opposite direction to the layout, and the layout direction should be considered because of the content of the picture.

Second, engraving

1. Because the plate is painted with ink, each carving knife can clearly show the engraving effect.

2. When carving, first use a triangular knife to carve out the contour edge line on the wooden board picture, and then alternately combine with a round knife to gradually carve out the bright surface.

3. Pay attention to safety, and do not place your left hand in front of the knife when using the knife.

3. Inking

Put the ink mixed with turpentine, put a little with a spoon on the flat-bottomed container***, such as a plywood***, and then roll the oil back and forth to make the ink evenly stick to the oil roller, so as to roll the ink evenly on the plate. Take care to coat all the protrusions on the plate with ink.

Fourth, grinding seals

1. Align the paper to the layout in order to fix the position of the paper and the plate, and you can use clips

2. Rub rubbing with wood mushrooms or bottle caps.

5. Done

1. After the grinding is completed, open it regionally to take a look, if there is no printing, you can add ink regionally and continue grinding until you are satisfied.

2. Pay attention to be very careful when rolling the ink in the area, and do not move the paper.

The steps of woodcut printmaking are divided into four steps: selecting the plate, composing, engraving, inking, and printing.

Selection of plates: general 5-layer boards are fine.

Composition: The main thing is that the line drawing is accurate, and the parts that are clearly removed and retained.

Engraving: Use a woodcut knife to get more done with less.

Inking: Roll the ink on the board with a roller dipped in ink, to be even.

Printing: Cover with coated paper, roll vigorously on it with a clean roller, and transfer the ink to coated paper.