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Chinese cabbage and wine bottles are objects with different textures and shapes, in terms of details, Chinese cabbage is more difficult to draw than wine bottles, and the details of Chinese cabbage are more trivial and need to have good control. In terms of volume light and shade, the volume of the wine bottle is even more difficult to produce the effect, because the wine bottle is glassy, and the light and shade are not very clear, which requires us to understand subjectively.
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In terms of difficulty, I believe that those who have understood the draft, composition, black, white and gray, five major tones, and the relationship between space will feel that there is not much difference, the difference between Chinese cabbage and wine bottle in performance lies in the processing of texture and time-consuming performance, relatively speaking, Chinese cabbage due to natural growth, the irregular shape of the surface of Chinese cabbage is more, and it takes a long time to perform, and the wine bottle as an industrial product is relatively regular, and the texture can be quickly expressed by rubbing the layer after drawing the big relationship, in summary, the difficulty of Chinese cabbage is greater.
Wine bottle artwork.
Hope it helps.
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I think it's more difficult to sketch the bottle, because the glossy surface of the bottle is relatively flat, and it is still more difficult to draw its light and shade and highlights than Chinese cabbage.
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Sketching is definitely a little more difficult to draw with Chinese cabbage, because the stripes of Chinese cabbage are more difficult to draw.
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It's definitely Chinese cabbage. Its detailed description will draw people to collapse, and it is not easy to draw a good cabbage.
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Of course, it's the cabbage that is difficult to draw.
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In this respect, it is more difficult to draw the wine bottle, because in this case, the wine bottle has a shadow, so it is more difficult to draw in this regard.
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In fact, they are all the same, for painting, it is mainly the overall concept, not the difficulty of painting, in fact, it is the same.
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To make his cabbage, his difficult painting, I think it's still nine bottles of milk, I think this should still be. Chinese cabbage is more difficult to draw.
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Song Miao Chinese cabbage is difficult to paint, or the wine bottle is southern, because the bottleneck of the wine bottle is very difficult.
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Enrich the texture of Chinese cabbage with delicate lines. The portrayal of the shiny side should maintain brightness. The combination of various lines should be combined with the characteristics of the form.
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Sketch, Chinese cabbage southernization or wine bottle blue dialect, I think it is still more difficult to draw this wine bottle.
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Chinese cabbage is difficult to draw, for sure.
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Southern dialect or Kowloon, that must be Jiuping southern dialect, are you sketches?
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If I don't have Chinese cabbage, the pumpkin is still 900, and then I think it should be more difficult to draw Chinese cabbage, and there are more Chinese cabbage on it.
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If the sketch cabbage is southernized or a wine bottle, you should look for some news about sketching.
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Sketching cabbage boys should be more difficult based on what they think, and for everyone, this should still not be too glamorous.
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This kind of big buy this kind of cabbage is very difficult to draw, so you can pay more attention to him and look at him more.
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Before painting, it is necessary to observe and study the basic shape of the object, see its light direction, structural modeling, and three-dimensional effect, and then outline its general outline with straight lines, and then determine the three major parts of the object according to the light source. A uniform line is laid on the deep surface and the gray surface first, so that the light-receiving surface is temporarily vacated, so that the object is represented by a large surface, and then the details of each block surface are also divided into small pieces and small surfaces according to the light, side light, and shading. The reflective part should be left in the deep side, and the highlight part should be vacated in the light side to make it have five tones.
It is also necessary to pay attention to the light and shade of small pieces and small facets, so that they obey the uniform tone of the large surface, which in turn must be subordinated to the whole. Finally, layers of cohesion are added between these faces, so that it is natural and rounded, until it expresses its texture. After the sketch is completed, the depicted object should be coordinated and perfected.
If you want to enter the realm of selflessness when painting, you can't rush it. Even if you only paint one painting a day, if you devote yourself to the painting, you will receive unexpected results. It is necessary to copy the sketches of famous artists frequently, read more books such as "Knowledge of Painting Perspective" and "How to Draw Sketches", and only by studying painting skills diligently and continuously can we succeed.
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First of all, it is good to depict it as a cylinder. Then it is good to deepen the leaves of the cabbage.
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According to your own situation, the level is not easy to draw, and the light and shadow are well grasped.
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It's even more difficult to use the real thing, and you call it copying in front of the book.
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Optimistic about the relationship between light and shadow··· Don't always think that it's just a cylinder, dare to go deep where it should be.
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Well, cabbage is the same as plaster, and for your case, drawing cabbage is easy to grasp the three elements of sketching. The relationship between black, white, and gray has been mastered. Sketching is easy to learn.
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Of course, sketching is a bit harder to draw, but if it's good, it's very easy to learn color later.
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It's not like Sockskaya Mountain understands it this way.
Sketching is meant to solidify your foundation for the example of the orange chart.
And color is to strengthen your perception of color matching.
It's nothing rare, it's up to you to understand.
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Sketching is the foundation, some people say that color is difficult, some people say that sketching is difficult, but it is relative. People with a good sense of color are relatively quick to draw colors!Let's just say that color is better than sketching, and if the color of the sketch is strong, if the color can't keep up, it will be said that the color is difficult to draw, in fact, it is difficult to draw both well.
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It's okay overall.,The picture is too gray.,The relationship is not very clear.,The last sketch shape ratio is not right.,Well,It's better to practice more.。
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The overall is good, but the lines are messy, and the outer contour line does not need to be cut very deep.
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If the picture is too gray, you can accentuate it at the junction of light and dark, and put the dark tones on one side.
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Reluctantly, beginner, right?
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It's not particularly easy to have a concrete skeleton like this.
The hair on the animal's body should be painted sideways with a softer pen to draw light and shade, and then draw some lines as appropriate, rather than drawing such a long tone.
Actually, the shape of this picture is very good, and the structure is also good, so you have to work hard!
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You can directly draw one-sided white hair, and generally one by one the white hair is passed by.
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Materials, tools: gouache, brushes, paper.
2. Start to draw leaves around the white cylinder, try to find the relationship between the blocks as much as possible at the beginning, and never draw the leaves one by one, so the integrity is not good.
3. After the volume is summarized, the key place to shape is the head of the cabbage, and this place must take time to shape. The contrast between the cabbage and the leaves makes the overall depiction of the cabbage more susceptible to the influence of environmental colors, so it is recommended to use gouache with higher purity.
4. Pay attention to the warm and cold tendency of the ambient color to the dark part, the cabbage itself is a light color, and the dark area is very small, so the projection must be drawn in. In this way, the cabbage can be brought out.
5. Adjust to the main body obviously.
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Materials, tools: gouache, brushes, paper.
1. First draw the basic outline of the cabbage with a relatively dry color, and then add some water to explain the basic sketch relationship.
2. White is relatively less, so draw the leaves first, and don't start painting from the dark side here, because the cabbage leaves are relatively pure and bright, and painting from the relatively bright colors first helps to master the color.
3. After the general depiction, the focus is on the head of the cabbage. This place is sure to take the time to get in shape. Draw the shadow part of the background with heavy colors, pay attention to the edges of the object, and don't draw distortions.
4. The cabbage body is light-colored, and there are few dark parts, so the projection must be expressed. In this way, the main body of the cabbage can be highlighted.
5. The adjustment is completed, the details of the cabbage are depicted with a drier color, and the front tablecloth is brightened and purified with hard brushstrokes.
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Draw the vegetable stalk first, add a little lemon yellow to the white, add a little blue to the mixed color of the vegetable leaves, and add olive green to draw it.
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According to the light source, the front is real and the back is virtual, the front is bright and the back is dark.
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