What do you think of the statement that cross talk can t do sketches?

There is a certain reason why cross talk can't do sketches, there are a group of literate actors who can stand alone in the first sketch, there are a group of people who can perform unique skills in the second sketch actors, and the structure of the third sketch is more multifaceted and cross talk is different, if a cross talk actor always performs a form, there will be visual fatigue over time, so cross talk can't do sketches is certain. The current cross talk industry is okay, and ten years later, it will be the beginning of a trough period to watch cross talk, after all, the current cross talk carrying capacity is not enough, and the requirements are different with the improvement of the quality of the people.

I don't think so, after cross talk became popular, the big guys didn't work together to engage in cross talk! Some of the masters are gone, such as Hou Yaowen, etc., some have taken the administrative route, such as Jiang Kun, etc., and some have gone to perform sketches, such as Feng Gong, etc.

Cross talk can't do sketches, that was when Jiang Kun was in charge, since Guo Degang came to cross talk and sketches have gone hand in hand, and even slightly better.

Cross talk won't be able to do sketches in a few hundred years, look at the current Deyun Club, such a popular income is only one-tenth of the sketch, and he will never reach the glory of Zhao Benshan.

Is there anything else to do now? Are there still sketch masters who are active on stage? In fact, in the final analysis, it is more than people, who are more popular, and his profession is popular, not who has done it in sketches and cross talk, but which actor is more attractive.

I think this may be closely related to the form of two folds, where the sketch is mainly performance, and the cross talk is mainly dictated.

There are too many sketches in the past few years, Chen Peisi, Zhu Shimao, Zhao Benshan, Song Dandan, etc., have pushed the sketches to a height, and the cross talk is with Guo Degang and Yu Qiancai, and they can fight with the sketch again, but the new people in cross talk will be able to offset each other.

borrowed Huang Hong's previous line: cross talk obviously can't do sketches! But later, after Zhao Benshan left, Guo Degang rose! The sketch obviously can't do cross talk.

Because the form of cross talk is different from that of sketches, most of the cross talk is also said to be mainly funny, and the sketches are even more deduced.

I don't think I can say that, cross talk and sketches belong to two different categories entirely.

Crosstalk can't do sketches, I think. Cross talk and sketches are the quintessence of China, and there is nothing that can be done.

Cross talk is not a sketch, they say that two different cultures and arts cannot be compared.

Personally, I feel that the status of sketches used to be higher than cross talk, but now I am defeated by cross talk, and it is not the industry that loses, but the actors!

I don't support this idea, because every profession has its own value, and we should all respect it.

The key is who makes this live.

It used to be, but not anymore.

There is nothing to compare with each other.

Sketches are suitable for TV, and cross talk is suitable for theater.

Different fields, not comparable. Each has its own strengths and weaknesses.

I also want to ask what the so-called masters of the cross talk industry are doing in those years!!

Cross talk actors can act in sketches, but sketch actors can't say cross talk.

Those who say cross talk can act in sketches, and those who play sketches don't necessarily say cross talk!

The style of cross talk and sketches has its own merits. In contrast, it should be more difficult to cross talk. After all, it is a traditional show played by 2 people.

The cross talk can't do it, but the sketch is just in the Spring Festival Gala, let the sketch go to the small theater to try? Can you do cross talk?

You let all the sketch actors add up to do a commercial performance to see if there is any effect of Deyun Club.

I think cross talk and sketches have their own characteristics and advantages, and they can't be compared.

Sketches and cross talk are originally two parallel industries, there is no comparison, and they cannot be compared.

I think this is wrong for the statement that cross talk can't do sketches, because I feel the essence of laughter.

I think it's like Shen Gan, but the statement of the sketch itself is wrong. Cross talk also has his unique characteristics.

Cross talk almost died out at a certain time, which is an exaggeration.

Crosstalk was replaced by sketches for the Spring Festival Gala,The cross talk that the audience was looking forward to was replaced by a sketch, and it can only be said that the former glory has lost its luster, after all, there are still a few cross talks on the stage of the Spring Festival Gala. Beijing opera. Yue opera is still the quintessence of the country.

Huangmei Opera. Henan opera, or cultural heritage, there are only a few words of singing in the Spring Festival Gala, is it possible that these dramas will disappear? Apparently impossible.

Stand-up comedy Fang Qingping is a household name. Zhou Wei. Chen Hanbai and a large number of well-known cross talk people, they also tirelessly inherit the art form of cross talk. The level of their performances, if they can be performed commercially, will also be a great success.

Guo Degang and Deyun Club really made cross talk popular, I have to say that Guo Degang saved Chinese cross talk and dragged the endangered cross talk back from the line of death. This is not to carry a sedan chair, but to push Guo Degang to the ondol. Jiang Kun.

Feng Gong, what do the old-timers think? How do you evaluate the cross talk actors who are still active on the stage? This is a contradictory statement.

In the recession of cross talk, there is still an elegance and popularity. Dr. Fudan's formula cross talk, people are of a high level, but if it is too elegant and abandons the vulgar, the audience will not be welcome. Guo Degang said that cross talk is more down-to-earth, and many jokes are unbearable, which is also an important reason why he can't go to the Spring Festival Gala.

However, Guo Degang was accepted by some audiences, the audience was full, and tickets were hard to find.

There are ups and downs in any industry in the world, and cross talk is no exception Guo Degang's model cannot be eternal, it must change with the changes of the times, and the fittest can survive, although Deyun Club is very popular, Guo's apprentices also have a few up-and-coming, such as Yue Yunpeng, Zhang Helun, Zhang Yunlei, Meng Hetang, etc. are all good, but being alone is not a spring, and it is not a good thing for the cross talk industry. Recently, young cross talk actors Lu Xinyuhao, Jia Xuming and Zhang Kang are all quite powerful, and if cross talk can bloom, it will be truly prosperous.

Cross talk belongs to the art of speaking, founded by a generation of grandmaster Hou Baolin, it evolved from telling "jokes", and has greater attraction and charm than telling jokes. Its biggest feature and the most attractive part is that it "makes people laugh", and it is forbidden to reuse "baggage", unlike opera, where anyone can sing the same scene repeatedly. In other words, the baggage used by others can never be reused, and even oneself can no longer be reused.

It's somewhat similar to writing "**".

It's not just a story but also baggageThe success of this burden is the key to making fun of others, and he reflects the artistic accomplishment and level of the creator. This will bring great difficulty to the creation of cross talk. Everyone's energy and potential are limited, and after the glory there must be a trough.

In fact, this is also normal.

Guo Degang has made money over the years, he should "thank the cross talk", there is no cross talk, he is just a folk artist living in the flyover, pulling Jinghu and singing a small tune to eat!

should not be extinguished, it will be passed down in the end, if it died out at that time, there is no such good cross talk actor now, which shows that this profession is considerable, indicating that everyone still has a very promising concept, and finally retains the profession of cross talk.

This statement is too extreme, I don't think cross talk will disappear, no matter what period it is, he will definitely continue.

In fact, the cross talk industry itself is a relatively folk performance program, if the environment at that time was very bad, everyone could not take care of entertainment and enjoyment, and naturally it might disappear.

Yes, at that time, sketches were relatively very popular, but cross talk was not cared for. It's really just almost dying.

As a traditional art that has been circulating in our country for a long time, cross talk has almost died out in the change of history, so we should cherish the traditional art of cross talk more now.

Sketch and cross talk rehearsal belong to the same art language, which is an art form that expresses emotions through verbal communication for entertainment and education, but the two are still very different.

First, the form is different

Cross talk, a traditional form of artistic expression, is mainly characterized by humor and irony, with strong entertainment, and is a form of artistic performance that many people like to see. It mainly takes speaking, learning, teasing and singing as important means of expression.

Comedy sketches mainly refer to relatively small works of art, and sketches in a narrow sense mainly refer to personal arts related to language and performance.

Second, the drama is different

Compared with the two, the drama of cross talk is weaker, and comedy sketches pay more attention to stage effects. With the development, the gap between comedy sketches and cross talk is getting smaller and smaller, and many skills in cross talk performances are also fully used in comedy sketches.

Third, the focus is different

Cross talk generally has the characteristics of short sketches, humorous features, and some other common characteristics, but the difference is: cross talk is "talking and singing", focusing on "speaking", generally without props and makeup; The sketch not only uses props and makeup, but also focuses on "acting" and achieving results through performance. If you talk too much and act less, it is easy for people to regard it as cross talk; Not to mention, it has become a pantomime.

Fourth, the positioning of the actors is different

The sketch has a strong sense of substitution, and when the characters appear on stage, the relationship between the characters in the sketch is very clear. And cross talk: To clearly explain one thing to the pants Sakura, you must explain it to the audience in advance before speaking. The role of the actor in the sketch is fixed, Zhang San is Zhang San, and it will never become another.

The cross talk actors admit that many stories are pure and pure in the cross talk dialogues, and the actors need to constantly change their identities according to different stories.

Whether or not a good cross talk actor is not the only criterion for whether there is a box office or not. Of course, if you can have a popular work and become a well-known cross talk star, you must be an excellent cross talk actor.

There are many cross talk actors who don't have that ability, and their fame and ability are not equal at all.

Thinking about how to say good in cross talk,just wants to rub Deyun Club and Guo Degang's wifi to hype up, which can't be called a good cross talk actor. Take the few apprentices who Guo Degang quit as an exampleAlthough they wanted to go out and break out of their own world, they felt that their wings were stiff, but in fact, they got undeserved fame and benefits, so they swelled!

They feel that Deyun Club is really a façade supported by a few of themEverybody came to see them. However, in fact, most viewers have watched Deyun Club, and they have only watched Guo Degang and Yu Qian for 20 years, and other people's cross talk is still worthless. Therefore, those who can do art in a down-to-earth manner and eat with their ability should be good cross talk.

If the commercial performance is successful, it is the recognition of the audience, and it must take a lot of effort to be recognized!

If your cross talk is not even worth the audience to spend money on for you, then how good can you <>

Cross talk actors, to put it bluntly, sell tickets to support their families! Those who have a box office are not necessarily good cross talk actors, but they must be capable cross talk actors! And those who can't sell tickets must not be good cross talk actors, or even incompetent actors!

Whether it is a cross talk actor or an opera actor, or a practitioner in various industries. If no one is willing to pay for your craft, do you think this might be a good practitioner?

Take the current cross talk industry as an exampleGuo Degang is undoubtedly a good cross talk actor, play his name, and he can sell tickets! Eat by ability!

Those who have a box office must be good cross talk actors, and those who do not have a box office must not be good cross talk actors<>

I can't look at the box office once or twice,It's about whether the audience is always willing to buy tickets for you. This is the same meaning as Guo Degang's assertion that "commercial performance is the standard for measuring cross talk actors". The sentences should be looked at separately, those who have a box office must be good cross talk actors.

Of course, it depends on whether there is always a box office. Yes's actors, when they first debuted, they became popular all of a sudden with "Full Belly Jinglun", which attracted a lot of audiences, and the commercial performances were also good. But after a long time, there are no new worksIt's just by lashing out at others to rub off on the heat.

Such a must not be a successful cross talk actor.

Cross talk that can't be sold for money is definitely not good cross talk, this is Guo Degang's view on cross talk. I couldn't agree more. Because only good-looking cross talk can be sold for money, and if it can be sold, it proves to be valuable.

I think so too, because only good cross talk will be listened to, and someone can sell it for money if someone listens to it.

I think there is some truth to this statement, because the acceptance of this kind of real cross talk is actually very low, so I think Guo Degang is really very transparent in this regard.