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Peking Opera masters include:Mei Lanfang, Cheng Yanqiu, Xun Huisheng, Shang Xiaoyun, Jin Shaoshan, Yang Xiaolou,Tan Xinpei, Creek Shaw,Ma Lianliang, Yang Baosen, Qiu Shengrong, Yuan Shihai, Zhang Junqiu, Zhao Yanxia, Yang Chunxia, Yu Kuizhi, Li Shengsu, Sun Yumin, Meng Guanglu, Deng Muwei, Zhang Jianguo, Xiao Changhua, Zhu Shihui, etc.
The Peking Opera scene layout pays attention to freehand, and the tone is western.
Erhuang is the main one, and the huqin is used.
Accompaniment such as gongs and drums, and at the same time, it also accepted some repertoire, tunes and performance methods of Kunqu opera and Qin dialect, and absorbed local folk tunes, which is the crystallization of continuous exchange and integration.
The development of Peking Opera
Wang Peiyu, a representative of the Municipal People's Congress from the Shanghai Peking Opera Company.
In the second year, she participated in the Municipal People's Congress, and through the first work report, she "confirmed the eyes" of Shanghai's cultural map is becoming richer and expander. She hopes that all sectors of society will pay more attention to the development of literature and art in Shanghai, especially the development of opera troupes. At the same time, this year, she hopes to continue to deepen the campus and do a good job in the popularization of Peking Opera education.
Wang Peiyu submitted a proposal to the conference last year on the training of professional Peking Opera teachers in professional opera colleges, and at the same time, because she firmly believes that "today's Peking Opera and other opera arts have reached an era where inheritance and dissemination are equally important", expanding the audience and constantly making the audience younger is one of the things she has invested the most energy in recent years.
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Personally, I think Li Shaochun, Yan Jupeng, Li Weikang, Zhang Huoding, Shang Changrong, I think these people can be called Peking Opera masters.
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Yu Kuizhi, Yan Jupeng, Li Shaochun, Li Weikang, Zhang Huoding, these masters, I think they can all be called masters of Peking Opera, they have a very deep foundation, and they have done a good inheritance.
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Yu Kuizhi can be called a master of Peking Opera, because his strength is very strong, and he will show his best strength on the stage, and he has brought us a lot of surprises, so I admire him very much.
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Yu Kuizhi, he has won a lot of awards, he has created a precedent for Peking Opera art, and his stage performances are very rich.
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Yu Kuizhi can only call him a famous actor, and he is too far from the master!
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At present, there is no one in the Peking Opera and opera circles who can afford to be at the master level, because you have not formed your own style, so you cannot be called a master.
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So far, there are no actors who can be called masters of Peking Opera.
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None of them are masters! The era of producing masters does not exist, where are the masters???
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The one who is alive must be Zhao Yanxia, the five top names of the Beijing Peking Opera Company, Ma Lianliang, Tan Fuying, Zhang Junqiu, Qiu Shengrong, Zhao Yanxia, can be tied with Ma Tan and Zhang Qiu, is not a master? Which one can compare now?
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No one is qualified, to be a master, you not only have inheritance, but also development, innovation, to make new contributions to your industry! And what can be left for the descendants of those who come after them?
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Good actors are not cultivated, they are produced by society, who trained Yan Fengying and Wang Shaofang? Huangmei Opera has been cultivated for so many years, and how many Yan Fengying and Wang Shaofang have been produced?
Peking Opera masters include:Mei Lanfang, Cheng Yanqiu, Xun Huisheng, Shang Xiaoyun, Jin Shaoshan, Yang Xiaolou,Tan Xinpei, Creek Shaw,Ma Lianliang, Yang Baosen, Qiu Shengrong, Yuan Shihai, Zhang Junqiu, Zhao Yanxia, Yang Chunxia, Yu Kuizhi, Li Shengsu, Sun Yumin, Meng Guanglu, Deng Muwei, Zhang Jianguo, Xiao Changhua, Zhu Shihui, etc. >>>More
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