Who is the ancestor of Peking Opera? What are the masters of Peking Opera?

Peking Opera masters include:Mei Lanfang, Cheng Yanqiu, Xun Huisheng, Shang Xiaoyun, Jin Shaoshan, Yang Xiaolou,Tan Xinpei, Creek Shaw,Ma Lianliang, Yang Baosen, Qiu Shengrong, Yuan Shihai, Zhang Junqiu, Zhao Yanxia, Yang Chunxia, Yu Kuizhi, Li Shengsu, Sun Yumin, Meng Guanglu, Deng Muwei, Zhang Jianguo, Xiao Changhua, Zhu Shihui, etc.

The Peking Opera scene layout pays attention to freehand, and the tone is western.

Erhuang is the main one, and the huqin is used.

Accompaniment such as gongs and drums, and at the same time, it also accepted some repertoire, tunes and performance methods of Kunqu opera and Qin dialect, and absorbed local folk tunes, which is the crystallization of continuous exchange and integration.

The development of Peking Opera

Wang Peiyu, a representative of the Municipal People's Congress from the Shanghai Peking Opera Company.

In the second year, she participated in the Municipal People's Congress, and through the first work report, she "confirmed the eyes" of Shanghai's cultural map is becoming richer and expander. She hopes that all sectors of society will pay more attention to the development of literature and art in Shanghai, especially the development of opera troupes. At the same time, this year, she hopes to continue to deepen the campus and do a good job in the popularization of Peking Opera education.

Wang Peiyu submitted a proposal to the conference last year on the training of professional Peking Opera teachers in professional opera colleges, and at the same time, because she firmly believes that "today's Peking Opera and other opera arts have reached an era where inheritance and dissemination are equally important", expanding the audience and constantly making the audience younger is one of the things she has invested the most energy in recent years.

Mei Lanfang (October 22, 1894, August 8, 1961), known as Lan, also known as Heming, breast name skirt sister, the word Wanhua [1], alias the owner of Yuxuan, stage name Lanfang, was born in Beijing in the twentieth year of Guangxu in the Qing Dynasty (1894), and his ancestral home is Taizhou, Jiangsu. Master of Chinese Peking Opera Performing Arts.

Mei Lanfang learned drama at the age of 8, worshiped Wu Lingxian as a teacher at the age of 9, and appeared on stage at the age of 10. Later, he sought advice from Qin Zhifen and Hu Ergeng to learn Hua Dan. From April 1915 to September 1916, 11 new plays were rehearsed, including "Huan Hai Jian File Wu Chao", "Mandarin Duck in Prison" and "Sifan".

Before 1949, he performed in Japan, the United States, and the Soviet Union, and received honorary doctorates of letters from Pomona College and the University of Southern California.

In 1950, he was appointed president of the Peking Opera Company of China, in 1951, he was appointed president of the Chinese Academy of Drama, and in 1953, he was appointed vice chairman of the Chinese Dramatists Association.

In 1959, he joined the Communist Party of China, and on August 8, 1961, Mei Lanfang died of illness in Beijing. He was 67 years old.

1, the originator of Peking Opera is Cheng Changgeng.

2. Cheng Changgeng (November 22, 1811 - January 24, 1880), known as Chun, the word Yushan, was born in Qianshan City, Chahui Province, Ancong. Qing Dynasty Hui opera, Peking opera performance art master.

3, Cheng Changgeng was a child in the Hui class, in the second year of Daoguang (1822), he went north to Beijing with his father, and began to emerge with the performances of "Wenzhao Pass" and "Battle of Changsha", and later became the chief actor of the Sanqing class. During the Tongzhi and Guangxu years, he served as the head of the Sanqing class, and his colleagues respected him as the big boss. He has successively served as the head of the "Jingzhong Temple", and the head of the three classes of Sanqing, Chuntai and Sixi.

4. In the first generation of Peking Opera, Zhang Erkui of the Sixi class and Yu Sansheng of the Chuntai class are called "Laosheng Sanjie" and "Laosheng Sandingjia", and Cheng is the first of the "Sandingjia". Cheng Changgeng has made important contributions to the formation of Peking Opera art, and is known as the "Leader of the Hui Class", "The Originator of Peking Opera", and "The Father of Peking Opera".

The name of the originator of Peking Opera is Cheng Changgeng. Among the first generation of Peking Opera figures, Cheng Changgeng and Zhang Erkui of the Sixi class and Yu Sansheng of the Chuntai class are called "Laosheng Sanjie" and "Laosheng Sanding Jia", and Cheng is the head of the "Sanding Jia". Cheng Changgeng has made important contributions to the formation of Peking Opera art, and is known as the "Leader of the Hui Class", "The Originator of Peking Opera", and "The Father of Peking Opera".

Artistic features. Cheng Changgeng's singing voice was born from the "Hui tune", taken from the Chu tune, and incorporated the strengths of Kunqu Opera and Shanxi Bangzi, and dissolved into the "skin yellow tune", but it was mainly based on Hui sound. His voice is called "the back of the head" in the jargon, and he pays attention to the correct and round words, not fancy, straightforward and straightforward, and deep and hearty.

His singing and chanting methods are soft and rigid, and his voice is pronounced and spoken, and the local flavor of Anhui is stronger.