How to hang the framed painting, how to hang the soft mounted painting on the wall

This question involves the skills and precautions for hanging paintings, and the relevant matters are explained as follows:

In fact, it is not difficult to hang pictures on the wall of your home or work. If it is a vertical painting and calligraphy work, then after it is framed into a shaft, it can be hung directly, and a small nail can be nailed in the dark place at the top of the front of the painting, or a hook or object for hanging the painting, and it can be hung directly, which is very convenient. If it is a banner of calligraphy and painting, if it is framed into a mounting rod, then it can be fixed at both ends, directly hanging, but the banner of calligraphy and painting, taking into account the beauty, and long-term preservation and other factors, it is recommended that customers go directly to the local place with a frame, then it can be more effective and beautiful to hang paintings, and generally the place with the frame will be installed at the door, you can use some hidden hooks, the effect is better.

If it is framed, you can go directly to the frame, if it is a mounting rod, then the rod will be cut off when the frame, it can also be convenient in the frame, we recommend choosing a solid wood frame, the solid wood frame is firmer, and the ** is not high. Some low-cost gypsum mines, it is recommended not to choose, the quality is really average, and it is easy to crack.

Kiss! Hello, happy to answer your <>

Pro-1, scroll painting hanging. There are scrolls under the paintings, and when the paintings are framed, the rope wheels for hanging the paintings will be prepared on them, as long as the nails are nailed to the wall, and the void is hung directly. 2. Frame painting installation.

When the frame painting is framed, it will be equipped with some hanging grooves, and you can choose a dark hook, and when hanging the painting, it will be hung directly on the wall without affecting the appearance. 3. Glue it with super glue. If you don't want to use nails, you can directly use super glue to glue calligraphy and paintings to the wall.

Pay attention to the paste effect when using this method, otherwise it will easily fall off. Hope mine can help you <>

Do you have any other questions?

Framed calligraphy and painting works have lanyards, and it is better to hang them upright. When hanging on the wall, two people must cooperate with each other to flatten the work and fix it securely on the wall nails on the left and right sides, (if it is a crescent pole, you need to add a wooden strip of the same size to the back of the crescent pole and fix it on the wall, which can isolate the work from the wall to avoid moisture). 1. The banner calligraphy and painting are too long after being framed, which is easy to sink, and what should I do if the banner is uneven?

Previously one end of the spindle a nail. Now you can nail two nails at one end, and the distance is custom up and down. Increase the left and right pulling force to solve the hanging flat.

It can also be changed to a screen. 2. Hanging for a long time, due to the dry indoor air, calligraphy and painting works generally appear corrugated (rolled) phenomenon, need to be rolled up and stored for a period of time, and then hung in due season, which will solve some corrugated problems.

The painting is framed as follows:

1. Spread the back of the work upwards on the table.

2. Soak the brush in water and brush the back of the work, don't use too much force, don't dry too much, just brush the work flat.

3. Spread the newspaper on the work and absorb the water.

4. Dilute the paste with water, not too thick and not too thin.

5. Another wool brush evenly coats the diluted paste on the back burn surface of the work, and must be evenly coated. Then clean the extra paste on the table around the work.

6. Take a piece of rice paper that is about 2 cm wider than the work, put the rice paper from the side with the left hand, and brush back and forth with the brush (the brush to be dry) in the right hand and slowly put the rice paper to continue to brush until the rice paper is completely attached to the work.

7. At this time, brush the paste on the extra 2 cm, and then prepare two pieces of rice paper about 5 cm wide and 10 cm long, and cover them in 1 3 places on the side of the work, which is called "chimney" to keep the back of the work breathable. Finally, use a knife or something like to pick up the corner of the rice paper and slowly lift it up. Pay attention to the work to be pasted on rice paper.

8. After picking up the framed work, the front of the work is facing itself, walk to the side of the smooth wall, the closer the better, blow the breath, and stick it on the wall, use a dry brush to brush vertically on the work, brush the pen horizontally, draw the rice character type, and finally brush the 2 cm around the work outside. In this way, the painting is basically flat.

9. After a few days, when the painting is dry, use a knife to cut off the painting on the wall, and the cutting is completed, and the mounting is finished.

Importance

Chinese calligraphy and painting are mainly made of silk or rice paper. Its material texture is slender, the characteristics are soft, it lasts for a long time, it is easy to break, in ancient times, in order to facilitate the preservation and holding, easy to see, starting from the practical needs of reinforcement, more materials such as hemp paper, cloth and silk are used to mount several layers on the back of the painting and calligraphy, which is called "mounting".

Then gradually beautify, surrounded by inlaid thin silk, silk and other silk fabrics as the frame, mounted on the back of one or several layers of paper, and add the necessary decoration, so that the original is more firm, and easy to stretch, hanging, to meet the requirements of people to watch. Therefore, framing is a calligraphy and painting framing process that accompanies the development of traditional art of calligraphy and painting.

Mounting can be said to be the deep processing of calligraphy and painting. Zhou Jiaxuan of the Ming Dynasty said in the "Decoration Chronicle": "The quality of decoration is the survival of real names."

Those who steal the decoration are also the masters of the book". (The quality of the framing is directly related to the survival of the famous person's handwriting.) The author believes that framing is a major event that determines the fate of calligraphy and painting).

Just as Mr. Fu Baoshi, a famous modern painter, said in the article "The Difficulty of Mounting Painting" published in the "People**" on January 3, 1957: "As a work of art, in addition to the artistic level of the picture determines the painter, framing is the most important level", which shows the importance of calligraphy and painting mounting in the entire art of painting and calligraphy.

Traditional handmade calligraphy and painting mounting is a unique technology in China to protect and beautify calligraphy and painting and inscriptions. It has a long history, complex procedures, and relatively many tools and materials required, which is a relatively professional technical work, and is not suitable for amateurs to learn by themselves, and is not recommended for personal operation. If you want to learn, it is recommended to find a professional training institution or find a professional technician for relevant training or learning.

1. The main equipment for painting and calligraphy mounting: studio, wall, desk, drying rack, copy table, herringbone ladder, etc.

2. The main tools for painting and calligraphy mounting: pen arrangement, brown brush, ruler, cutter, stone, scissors, awl needle, etc.

3. The main materials for painting and calligraphy mounting: There are many materials used in painting and calligraphy mounting, including paste, rice paper, silk and silk, as well as painting rods, shaft heads, copper buttons, rope belts, wax plates, etc.

4. The main process of painting and calligraphy mounting: according to the different shapes of calligraphy and painting mounting, different calligraphy and painting, the process of mounting is not exactly the same. It can be roughly divided into six processes: material preparation, painting heart, thorn setting, preparation, support, and upper rod.

Raw rice paper, silk, silk, brocade, brocade, linen, etc. Sky rod, ground pole, crescent pole, shaft head, hand roll piece, skewer, ribbon, ribbon, copper button, etc., flour, gelatin, alum, etc.

paste, adhesive required for mounting. It is made with starch or good flour that has been removed from the gluten bran, and an appropriate amount of alum needs to be put in when beating to prevent insect damage in the future. Pigments, i.e., Chinese painting pigments, are used to dye paper, silk, silk and to add color to damaged painting hearts.

Ropes, belts, pins, used to tie up tight frames. In addition, some chemicals must be prepared, such as potassium permanganate, oxalic acid, hydrogen peroxide, acetone, ether, etc., to remove mildew, stains, etc.

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