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In hard pen calligraphy, we should try to practice the font into a circle, which breaks the square words that the teacher taught us, in fact, the square characters are not good to write, what is the pursuit of roundness in Chinese, so the font is generally round. Follow the mantra of the word, close the left and the right, put the center of gravity steadily, tighten the upper and lower width, and tighten in the middle. It means that the left and right structure of the word should be tightened on the left side and stretched on the right side, and the word of the upper and lower structure should be tightened at the top and stretched at the bottom.
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There are no shortcuts to good calligraphy. Only persistence, persistence, and persistence! But persistence also requires knowing some methods, self-suggestion, and self-encouragement.
For example, the practice plan should be reasonable, don't be enthusiastic at the beginning, contact for three hours a day, and after a few days, you can't bear it, one hour, half an hour, a quarter of an hour, and after a week, you simply don't practice. Practicing calligraphy is a long-term process that is constant and long-term, and it is impossible to maintain complete heat and freshness in the process. So you have to make a good plan, stick to an hour a day, and you can reduce the practice time appropriately in the first period of time when the heat subsides, but you must practice, and after this period of boredom, you will form a habit and really like calligraphy.
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Personally, I think that if you want to write Chinese calligraphy well, just two words, practice more. If you want to write well, practicing with a calligraphy is the most common method. If you can see the structure of Chinese characters clearly and write the words well without using the copybook, you should practice writing step by step from simple to complex, and you must calm down, and you can't write well in a hurry, such as writing a Tian character, which is a neat symmetrical structure, ensure that the horizontal and vertical are straight when writing, and a word should be written several times, so that you can form inertia when writing, and practice writing in black font first.
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To write good calligraphy, you must find a teacher, and you have to be a good teacher. A good post is a good teacher. So what makes a good post?
Many people will recommend reading various "calligraphy courses" of some modern and contemporary calligraphers. Personal advice, or find ancient posts to get started. Why?
It's not that modern and contemporary calligraphers are not good at writing, nor are they just ancient. From a rational point of view, writing calligraphy well is certainly not a matter of one or two days, whether ancient or modern, who can become a real calligrapher is not diligent practice? The important thing is that today's calligraphers are too scarce, there are few people who write, and high-quality posts must be scarce, and in ancient times, writing was a necessary form of daily life, no keyboard, no computer, even if you don't want to practice, the environment forces you to practice, so if you write more, you will naturally have a good hand.
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The mantra is that no matter what, if you want to do a good job, you must first obtain a sharp weapon. Finding the right pen is king. Then I found a celebrity copybook such as Tian Yingzhang's teacher's copybook, and I personally liked it very much, and the specific wordbook was based on my own aesthetics.
In the end, the only thing left is to work hard to copy, and I personally believe that the reader's words will change greatly, as little as a few months. More than half a year!
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When practicing calligraphy, you should have your own observation and similarities and differences, the words can not be the same, but also differentiated, to form your own calligraphy style, such as the two mountain characters in the picture, although the same mountain, but the way of combination is different. But it's still good-looking. To pay attention to the overall structure of the font, we often practice the character is just practicing the strokes, but the combination into a word is still not good-looking, pay attention to the placement of the strokes, not the strokes themselves.
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As the saying goes, words are like people. Writing a good handwriting is very helpful in socializing, in the workplace, and in cultivating temperament. Especially nowadays, technology is becoming more and more advanced, and everyone completes text input by tapping the keyboard, which seems to be getting farther and farther away from handwriting.
If you want to write Chinese calligraphy well, you have to find some celebrity calligraphy to copy, copy more and remember the order of writing.
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Everything else is, except for talent, write well, write more!
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The mantra of Xingshu is as follows:
Stroke formula.
There is movement in the regular print, and the dot painting is elegant; The gestures are coherent and undulating; Take care of each other, and flow smoothly; Horizontal and vertical skimming, the activity is prepared.
2.Glyph formula.
There is movement in stillness, and there is stillness in movement; It seems to be a grass but not a grass, and it is not a grass; The structure is like Kai, and it is important to be smart; Glyph size, everything you need.
3.Penmanship formulas.
The pen is back to the front, and the front can also be exposed; Lift the pen with a fresh stroke; Frustration brushwork, giving life; Twisted ** such as, square out of the line quality.
4.Use the wrist mantra.
The most important thing to do is to use your wrist; The wrist should be alive, and the words will be smart; stiff wrists, dot painting is stunned; The strength of the wrist is all in the rotation.
5.Chapter formulas.
The beauty of the book is all in the layout; There is space between words, and there is space between lines; The size is sparse, and the surprise can be; Carefully arranged, counting white as black.
Structural features of the book:
1.Big and small. That is, the size of each word is different, there is a word of the pen and the pen are connected, and the words are connected with each other, both real and intentional, broken and connected, and the hope echoes.
2.Combination of retraction and release. Generally, the short lines are closed, and the long lines are released; The return front is to receive, and the flank is to release; Most of them are left and right, up and down, but they can also be converted to each other, and it is not excluded that they can be left and right, and they are put down and closed.
3.Dense and decent. Generally, it is dense at the top and sparse at the bottom, dense on the left and sparse on the right, and dense inside and sparse outside. The middle palace is tightly knotted, and the smaller the white space in the frame, the better, and the smaller the white space for the circled strokes, the better. The layout is tightly spaced, the line spacing is widened, and the stumbling is vigorous and colorful.
4.Shades blend. Writing should be relaxed, lively, and fast, and master the combination of good and slow, movement and stillness. The first word should be thick and the last word should be dry. The lines are long, thin, short and thick, light and heavy, and the shades are alternate. It's about the same as cursive, but not as cursive.
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The eight mantras for writing good words are as follows:1. Sitting: The head should be straight, and the body should be straight.
2. Vertical painting: Write vertical painting and divide it carefully.
3. Horizontal bending hook: horizontal and vertical, slightly oblique and flat bottom.
4. Apostrophe: The apostrophe is slightly longer and slightly shorter.
5. "Three ones": the head is one foot away from the table, the body is one foot away from the table, and the hand is one inch away from the tip of the pen.
6. Writing method: The writing method is not difficult, and the key is to grasp the real and the virtual. The thumb index finger is stuck in the pen barrel, and the vertical rod of the pen ant is leaning between the tiger's mouth.
7. Fold painting: Writing folding painting is very simple, and the edges and corners are shown at the big turning point. Every stroke, go in a straight line, and a straight line turn is the key.
8. Horizontal drawing: learn to write horizontally, be slightly flat, low on the left and high on the right. The length and width are different, the length is slightly flat, the short is slightly upright, and the force is basically the same.
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"Xingshu Writing Mantra Song".It is not difficult to write a line of calligraphy, and the structure of regular script is memorized; The intention is to look at the structure of the pen first, who is steel and who is soft in front of the ink; The upper and lower structures should not be heavy, and the strokes should be arranged for fear of length;
There is a rhythm in the pen, and there is a posture to change the angle on the front side; The changes are reasonable and realistic, and the left and right structures are divided into main and secondary; Lift the orderly front off the paper, and follow the rules to see the soft rhyme;
The pen does not pause, and the upper and lower strokes should be connected; Radicals.
Practice separately, slow and urgent, heavy and harmonious; In the middle of the seeking, see the connection, with the hook lingering with the mood;
The dot painting pen is elastic, and the curved square circle is vivid; The rhythm is smooth and flexible, and the cranes dance in the flowing water; Write horizontally and deduct the middle line, and write vertically with affection; Calligraphy competitions are often participated, and the search for not sure will be successful.
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1. Strokes: there is movement in the regular print, and the dot painting is elegant;
The gestures are coherent and undulating;
Take care of each other, and flow smoothly;
Horizontal and vertical skimming, the activity is prepared.
2. Glyphs: there is movement in stillness, and there is stillness in movement;
It seems to be a grass but not a grass, and it is not a grass;
The structure is like Kai, and it is important to be smart;
Glyph size, everything you need.
3. Penmanship: the pen is back to the front, and the front can also be exposed;
Lift the pen with a fresh stroke;
Frustration brushwork, giving life;
Twisted ** such as, square out of the line quality.
4. Use the wrist: the most important thing is to use the wrist;
The wrist should be alive, and the words will be smart;
stiff wrists, dot painting is stunned;
The strength of the wrist is all in the rotation.
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The calligraphy mantra is as follows:The square characters are not square, and the left and right are insiders. (Tian Bai dedication).
The yin strokes are thin, and the right yang is thick and clear.
Italics are not oblique, and the whole should be upright. (Five Ancient Straights).
Although the oblique is obvious, standing stable is the main work.
The middle line is long, and the horizontal burden should be clear. (Higo Lou'an).
A lump sum is used without losing the pillar.
The herringbone is crossed, and the fork is in the air. (Will alloy life).
The lower part should be aligned, not west-east.
The eight characters are crossed under the word, and it is also in the middle of the word. (Heavenly Father).
If it is biased, this word will not be formed.
The calligraphers of the past dynasties have come out of the present and the ancient.
Although the selection of posts is small, you can set the direction of the book.
Choose my favorite post, as love for life.
The primary selection is not written in a hurry, and it is read from beginning to end.
There is a way to read the post, and the strokes are clearly remembered.
The same kind of people look for details, and there is experience in understanding.
At this time, the pen is practiced, and the result is doubled with half the effort.
First of all, practice the strokes, and make no difference between the stickers.
Seek the same form at the beginning, and slowly realize the divine skills.
The point is like a falling stone in the air, and the power is a thousand jun.
Horizontal as clouds in the sky, more ferocious.
It is like a broken ivory, and it is also a pine cliff.
Like a katana, Hoho slashes a jackal.
It is folded into a curved arm, which contains rigidity.
The above essentials are understood, and the next pen will be understood.
At this time, you can practice calligraphy, and learning books has just begun.
Don't ask to write the whole post.,You can choose a representative word.。
When you enter the room, you must be calm, and you must be serious day and night.
See different thoughts and change jealousy, concentrate and persevere.
When I write it, I feel like I'm in my heart.
It is not right with the post, and the work will be natural.
This period depends on Bingfu, and the length cannot be discussed.
This is a stage, and the effort must be deepened.
The pursuit of the divine realm must wait for the later stage.
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To achieve the "three ones": eyes one foot away from books; A fist in the chest off the table; The hand is one inch away from the tip of the pen.
Sit according to the rule of one foot, one inch, and one fist. One foot is one foot from the book, one inch is one inch from the tip of the pen, and one fist is the chest is one fist from the edge of the table. Be sure to meet the above requirements when writing.
Writing posture is very important for practicing handwriting. Correct writing posture can not only ensure the freedom of writing, reduce fatigue and improve writing level, but also promote the normal development of children and adolescents and prevent the occurrence of myopia, strabismus, spinal curvature and other diseases. Therefore, attention must be paid to it.
1.Choose a good fateh. 2.Scientific method exercises. 3.Be persistent and treat writing as if it were a lifelong thing.
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With my decades of practice and experience, I think that the most important thing in writing big characters is the knot of the word, that is, the structure of the word, because the big character needs to be seen from a distance, if the knot is not good, the effect will be poor from a distance, and some will even stagger, only at a glance it is very beautiful, it will attract attention and make people never get tired of looking at it. The second is the layout, such as the size of the word, thickness, blank, etc., only properly handled, it will be a good work, otherwise, it can not be regarded as a good work, such as the paper is large and small, the word is large and thin, and the white space will be more, on the contrary, the white space will be less, one is a piece of white, one is a black, are not advisable. Again, it is to use the pen with ink, the most taboo thing to write a big character is to write a stroke dipped in ink, if you write a word many pauses, no matter how good the calligrapher can not write a good word, this requires that the pen and ink should be selected before writing the big word, try to do it in one go, if you encounter a word with many strokes, try to minimize the number of dips in ink, the less the better. >>>More
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