He Renhe s academic views, He Renhe s introduction

He Renhe, the word is afraid of it, and the number is clumsy. Member of the Chinese Artists Qianchong Association, national first-class artist; Qin Qian, tutor of the National Art Theory Advanced Research Class of the Academy of Arts and Design, Tsinghua University; Tutor of the Advanced Research Class of the Academy of Fine Arts of Hebei University; Visiting professor of Central South University of Forestry and Technology; Painter of the ** Painting Academy of Jiusan Society; Executive Chairman of Dafengtang Zhang Daqian International Art Research Association; Executive Director of Beijing Huaxia Urban and Rural Culture Calligraphy and Painting Research Institute.

He Renhe, the word is afraid of it, and the number is clumsy. Member of the Chinese Artists Association, national first-class artist; Tutor of the National Advanced Research Class of Art Theory of the Academy of Fine Arts, Tsinghua University; Lu Kaishi, the senior research class instructor of the Academy of Fine Arts of Hebei University; Visiting Professor, Central South University of Forestry and Technology; Painter of the ** Painting Academy of Jiusan Society; Executive Chairman of Dafengtang Zhang Daqian International Art Research Association; Executive Director of Beijing Huaxia Urban and Rural Culture Calligraphy and Painting Research Institute. He studied in the graduate class of ** Academy of Fine Arts, and the advanced research class of art theory of Academy of Fine Arts of Tsinghua University; Beijing Phoenix Ridge Academy Phase II Calligraphy and Painting Elite Class; Painter of Long Rui and Fan Yang tutor studio of China National Academy of Painting.

Painter of Beijing Fenghuangling Chinese Painting Creation Institute.

In his early years, he was trained by Mr. Song Wenzhi, Guan Shanyue, Guo Shaogang, and Zeng Xiaohu. Over the years, he has been engaged in the theoretical research and practice of Chinese painting. He is committed to the comparison and reflection of history and modernity, East and West, folk and temple, and culture.

The style of the works is changeable, ink and wash freehand, green and colorful, all handy, the pursuit of righteousness and masculinity, the magnificent atmosphere, and the new form of Chinese landscape painting expression. In recent years, he has sought the essence and spiritual connotation of traditional Chinese brush and ink in the pile of old papers. In-depth study of the ancient sages of the Song, Yuan, and five dynasties, especially the kings of the four families of Chongyuan, Huang He and Huang Gongwang.

Tang Yin, Qiu Ying, Zhu Yunming, Gong Banqian, Zhu Xuan, Shi Tao, Wang Yuanqi of the Ming and Qing Dynasties. Drawing on the strengths of others, his works are sometimes unbridled and indulgent, and sometimes introverted. Pay attention to the personal cultivation of the extra-painting skills, and read 10,000 books:

Take the subset of scriptures and history as the guideline, read it in the calendar day, and keep the volume in your hands. Tend to the style of technology and simplicity; Traveling thousands of miles: full of fertile cruises, clear taste, whistling with the mountains and forests, and the state of smoke and clouds.

The picture presents the artistic conception of ancient simplicity and profundity, containing the heaviness of Confucianism, the purity of Taoism, and the ethereal beauty of Buddhism. He has published dozens of theoretical books and albums. His works have been collected by some museums, art galleries and other academic authorities and institutions across the country.

He is a Chinese painting artist recognized by the industry for his academic value and creative strength.