Classical music historical significance, the ideas of classical music

The Classicism period was a significant contribution to the development of history after that, as it was during this period that three important forms were born – the symphony, the string quartet and the keyboard sonata. Although Classicism was replaced by a new Romanticism after Beethoven's death, these three important forms were not extinct, but were further developed during the Romantic period. In particular, the symphony is a new form of music that has been shaped, perfected and strengthened by the three giants of the Viennese classical school in just a few decades.

In addition, sonatas, chamber music, instrumental concertos, operas and other forms also developed greatly during the classical period. Of course, this is also due to the technological progress of the musical instrument manufacturing industry at that time, and it was during this period that the king of musical instruments, the "piano", finally took shape and was widely used.

In the classical style**, the idea of contrast is an essential characteristic, as in the description in the sonata form, where the "intense" first theme contrasts with the usually restrained second theme. There are many famous examples of this in the late Baroque, of which the concept of strong contrast is extremely important. For example, as in Handel's oratorio and dramatic ensembles in opera.

On the other hand, works can also be found in the category of classical styles, in which the concept of contrast is almost abandoned in a certain movement in order to pursue a coherent expression: Handel's symphonies and many movements in the string quartet, are considered to be monothematical, or based on a single theme. Sometimes they may exhibit dynamic contrasts, but in fact maintain the unity of the material, contradicting our simple understanding of the classical style.

Other examples can be found in some of Mozart's early piano concertos, where the fluidity and melodic movements are present.

If there is a criterion for distinguishing between classical and baroque structures, it must be the use of modulation or tonality, which is the dramatic element of the work. Classical composers have developed a new set of expressive techniques for the use of different key tones, the balance of the text. For example:

Much of the novelty in the Haydn Quartet's movement comes when the listener's attention is directed to hear a certain key, but to hear another. There is also rhythmic novelty and melodic novelty, but an important way to express this novelty is through the contrast between the tonalities. We don't have to be overly rationalized like the 19th-century critics, but as long as we grasp the essence of this tonal composition, the basic impetus for the classical style is clear.

We can see at once how wide its scope is, because the range of possibilities for tonal coordination is very large; But it was limited, because the rich chromatic harmony had not yet been developed, and the chromatic harmony quickly developed into a technique that dominated Romanticism.

Thus, we can see that the classical style, although it is an expressive style that can express both strong and passionate emotions as well as lyrical and rich emotions, it is always limited by convention. At the end of the 18th century, the great composers were under the auspices of these conventions, but always followed them, in the sense that the classical style was more important than any formal description.

Classical music refers to those styles that can be heard from the greatest and most famous composers of the 18th century, Haydn, Mozart, and Beethoven.

The term "classical" itself encompasses the concepts of balance, moderation, simplicity and refinement. These concepts can be used, for example, in "classical" architecture, but they are not appropriate enough to express the classical style, which can have a stormy momentum and complex content and form. In short, classical styles refer to those that can be heard from the ** of the greatest and most famous composers of the 18th century, Haydn, Mozart, and Beethoven.

So, what are the basic elements that distinguish them from the Baroque and the romanticism that followed?

The most famous of the Ancientist period was the Vienna Classical School, and the three most famous composers of the Vienna Classical School were Haydn, Mozart and Beethoven, who became the "Big Three". These three masters lived in the same era and were related to each other – Mozart, the eldest, 24 years younger than him, and Haydn were friends and confidants who respected each other; Beethoven was the youngest, and soon after he came to Vienna to learn from Haydn, he also attended a party with Mozart, who was 14 years his senior, and on that day Mozart was amazed by Beethoven's talent and predicted that the young man would make a difference in the future. Unlike the previous three collections of Coster's works, which are all large-scale fantasias and variations, the ones included in this ** are all relatively delicate and simple sketches, and the time of writing is the peak of Coste's compositional activities.

The most important work in this film, and a classic of Koster's career, is "25 Etudes" at No. 38. First published in 1873, this is a rare collection of etudes in the history of the guitar, in which most of the pieces are rich in harmony, partial, melodic and noble in style, except for a few pieces that are specifically aimed at technical practice. Some have compared Coster's etudes to Chopin's piano etudes, but although they are also composed during the Romantic period, Koster's works are probably even better in terms of technical difficulty.