Talking about water in Chinese painting, please 3Q

Using water as a blending agent, the gelatinous transparent pigment is used to paint on a specific paper, so that the visual effect presents a fresh, elegant, lyrical, timeless and unique artistic characteristics. Due to the convenience of watercolor pigments and the wide range of watercolor expressions, they are loved by artists from many countries and have gradually become an independent type of painting that can compete with oil painting. People often compare watercolor painting to light ** and lyric poetry, which aptly reflects the aesthetic quality of watercolor painting itself.

From the perspective of material and technical characteristics, watercolor painting emphasizes the embodiment of the two major elements of water and color in the work, especially the water flavor element in the picture, which is an aesthetic feature that oil painting and other types of painting cannot have. Through the interaction of "water" and "color", the painter makes the picture transparent, light, and 、...

Chinese painting is flat, pursuing a kind of artistic conception, not something that pursues essence like realistic oil painting in the West. Water and ink are inseparable. On one side is water, and on the other side is ink

The water is transparent and the bottom is visible, and the ink is black and unsearchable. A painting has dark and light colors. Isn't it hard to want a mid-color?

The result is an infinite variety of shades of hue. The ratio of water to ink determines how dark and light you want to be. Of course, it will also involve the technique of what kind of effect to have, how to deal with it, etc. Anyway, ink is varied, and ink is not separated.

Use water as if it were ink.

The Chinese painting method of water is as follows:

The techniques of Chinese landscape painting include: water painting, blank painting, hooking and usage, wet dyeing, etc.

1. Hook water painting.

Use light ink Shunfeng to outline the water lines according to the different forms of water, and use the line to be smooth, stretched, and have momentum, not board, stagnation, and stiffness, and pay attention to the overall and void of the water. In order to make the water waves or springs and waterfalls vivid, the light ink flanks can be used to strengthen the level after the line is drawn.

2. Blank painting method.

Draw the mountains and slopes first, leaving blank spaces on the water surface without outlining them. The blank water surface or ribbon of flowing water is set off by the real painting of the waterfront, and it is necessary to pay attention to the calculation of white as black, and grasp the position, shape and relationship between the blank water and the surrounding objects. Calm blank water, sometimes the reflection in the water can be drawn.

3. Hook and use.

Use the method of hooking and rubbing, draw the waves of water, use the pen to cross the middle and side of the transformation, the gesture should be natural, neat, and there are virtual and real changes.

4. Wet dyeing method.

Some paintings can be painted with color or ink to increase the color effect and integrity of the picture.

The meaning of landscape painting.

1. Landscape painting is a painting that depicts the natural scenery of mountains and rivers. During the Sui and Tang dynasties, China's landscape painting has become an independent creation; By the Five Dynasties and the Northern Song Dynasty, landscape painting was becoming more and more mature. Chinese landscape painting is not and does not require the reproduction of objective natural landscapes, it is the spark generated by the collision of the painter's emotions and intellect with the natural landscape, which is more gorgeous, more attractive and more shocking than the natural landscape.

The creators of Chinese landscape painting attach great importance to the meaning of the image, and require the works to be both emotional and allegorical, giving people associations outside the painting.

2. Chinese landscape painting pursues the realm of the unity of nature and man, that is, in the process of understanding, spiritualizing the natural attributes of the material world, dissolving the natural world into its own spiritual world, familiarizing the natural landscape with the heart, and putting the universe in the chest and turning it into the composition of its own spiritual world. Therefore, the natural landscape becomes an image with the brilliance of life and endowed with an inner spiritual power.

Water is the medium for creating Chinese paintings, and Chinese ink paintings have no soul without water!

I admire the water used by the painters of Nanzongguo, the ink is dripping, the water is dripping, and the water is dripping, and the water work is brought into full play.

There is a saying that "water can carry a boat, but also can overturn a boat", painting Chinese paintings, it is also this truth, the water is played, the picture is good, and the vivid Chinese painting is inseparable from the moisture of water.

Chinese ink landscape painting.

However, if the moisture can't be controlled, the picture is shapeless, and it is also anxious and uncomfortable, so how can we talk about the charm?

As a creator of Chinese painting, especially ink painting, I have a deep feeling for water.

Is my solvable problem?

Although the ink and brushwork are wonderful, it is mainly due to the use of "water", and if you do not have a good grasp of the technique of using water, it will not produce good works of art. Huang Binhong (painting quotations) cloud: "The ink method of the ancients is better than using water, and the ink is deified, and it is still in the pen power, and the pen power is lost, and the ink has no brilliance."

The pen is dipped in ink and painted on the rice paper to reflect the change of ink color, and the water tone is not good, and the ink color is not bright. The thickness, lightness, dryness, and wetness of the ink are all formed by the regulation of water. Such as Qi Baishi painted shrimp, shrimp body, shrimp head.

Shrimp brains are painted with different amounts of ink. When a certain part of the painting is too thick and overboard, you can immediately use a clean pen dipped in some water to carry out dot painting on it, so as to break through those undesirable parts and produce a new effect, which is called water breaking ink. Then the ink breaks the water, first wet the paper with water, or paint in a certain part according to the needs of the composition, while it is not dry, and then paint with thick and light ink, so that the ink is muddy, natural seepage, proper use, the effect is wonderful.

For example, when painting distant mountains, first use clear water as the foundation, and then use light ink to slightly outline it, showing its ethereal and elegant.

Water breaks the ink: The ink falls on the paper and then breaks it with water. Ink Breaking Water:

Draw the image with clear water, and then break it with ink. Splash water: Splash water on the paper with a large pen, and use pen and ink to hook, rub, rub, and point.

Spread water: On the work that is about to be completed, use a large pen dipped in water to wipe the picture again, or use water to wipe it all over the picture.

Water painting: It can also be called water rubbing, ink painting, Yunkai mu, and no strokes. It is a painting method that fills a container with water, treats the water, and then drips ink and color on the water [oil paint, Chinese painting paint, ink, ink, paint, etc.] to make the pigment form a picture on the water surface, and spreads the absorbent painting paper on the water surface, and the ink and color of the water surface of Sun Zao are absorbed.