Who wrote the Rantei set? Who wrote the preface to the Lanting Collection

Basic Information. On the third day of the third month of the ninth year of Emperor Mu Yonghe of the Eastern Jin Dynasty (353 AD), Wang Xizhi and Xie An, Sun Sui and other 41 people repaired in the Lanting Pavilion in Shanyin (now Shaoxing, Zhejiang), each with a poem, which was compiled as the "Lanting Collection", and Wang Xizhi wrote the preface manuscript for it, called the "Lanting Collection Preface". In the preface, the beauty of the mountains and rivers around the Lanting Pavilion and the joy of the party are described, expressing the author's feelings of the impermanence of life and death.

The book of the Dharma, a total of 28 lines, 324 characters, chapters, structure, and penmanship are all perfect, is his proud work when he was 50 years old. Later generations commented, "The font of the right army, the ancient law has changed." Its majestic spirit is natural, so it is thought to be a teacher in ancient and modern times."

Therefore, calligraphers of all dynasties have recommended "Orchid Pavilion Preface" as "the first book in the world". The surviving Tang Dynasty ink blot is the most famous in the "Shenlong book", when Taizong of the Tang Dynasty.

Feng Chengsu number gold seal, so called "Lanting Shenlong Ben", this copy is fine, penmanship, ink, line, charm, are reflected, recognized as the best copy; The stone carving is the first to recommend "Dingwu Ben". After Guo Moruo's research, he thought that the second half of the "Orchid Pavilion Preface" was unprovoked, and there was no similarity with Wang Xizhi's thoughts, and the book style was not similar to the epitaph of the Eastern Jin Dynasty Wang unearthed in recent years, and it was suspected that it was forged by the Sui and Tang dynasties. But there are also those who disagree.

The Orchid Pavilion Preface shows the highest level of Wang Xizhi's calligraphy art. The author's bearing, phoenix spirit, bosom, and affection are fully expressed in this work. The ancients called Wang Xizhi's walking grass like "the breeze out of the sleeves, the bright moon into the arms", which can be called a wonderful metaphor.

The world also commonly uses Cao Zhi's "Luo Shen Fu": "Soaring like a frightening Hong, graceful like a dragon, Rong Yao Qiu Ju, Huamao Chun Song." It seems to be like a light cloud covering the moon, and fluttering like the snow of the wind.

A sentence to praise the beauty of Wang Xizhi's calligraphy. Legend has it that Wang Xizhi practiced calligraphy hard when he was a child, and over time, the pond water used to clean the brush turned ink.

Wang Xizhi's Lanting set preface is a representative work of calligraphy in our country, more than 1,600 years ago, the version we see now are copied by later generations, and the true handwriting of Lanting set preface has long been lost.

On March 3, the ninth year of Emperor Mu Yonghe of the Eastern Jin Dynasty (353 AD), Wang Xizhi and Xie An, Sun Sui and other 41 people "repaired" in the Lanting Pavilion of Shanyin (now Shaoxing, Zhejiang), and everyone did it at the meeting.

It's "Lanting Collection Preface", also called "Lanting Preface", which was written by Wang Xizhi.

Wang Xizhi, Xie An, Sun Sui and other forty-one people.

"Lanting Collection Preface", also known as "Lanting Banquet Collection Preface", "Lanting Preface", "Linhe Preface", "Yu Preface" and "Yu Sticker", was written by Wang Xizhi.

On March 3 of the ninth year of Yonghe in the Eastern Jin Dynasty (353 AD), Wang Xizhi and Xie An, Sun Sui and other forty-one people repaired in the Lanting Pavilion in Shanyin (now Shaoxing, Zhejiang), and everyone made poems at the meeting, Wang Xizhi wrote the preface manuscript for their poems, and the beauty of the mountains and rivers around the Lanting Pavilion and the joy of the gathering were recorded in the "Lanting Preface", expressing the author's feelings about the impermanence of life and death.

The article depicts the scenery of the Lanting Pavilion and the fun of the gathering of Wang Xizhi and others, and expresses the author's lament that the event is not frequent, and that "the shortness is shortened, and the end is over". The author is happy and sad, happy and sad, and the article also changes with his feelings from calm and agitation, and then from agitation and calm, extremely ups and downs, the beauty of depression and frustration, so "Lanting Collection Preface" has become a masterpiece, the full text has a total of three paragraphs.

Evaluation

This preface is sparse, concise and profound, which prominently represents Wang Xizhi's prose style, and its language is exquisitely clear and catchy, which is a masterpiece of ancient prose. "Lanting Collection Preface" has strengths in several aspects of the prose, in syntax, the battle is neat, the meaning of the sentence is compared, such as the group of sages, the little long Xianji, looking up at the temple of the large, looking down on the prosperity of the category, or taking all the embrace, meeting in a room; Or because of the entrustment, outside the wandering wreckage, two by two, the rhyme is harmonious, there is no trace of the axe and chisel, and the language is fresh, simple and natural.

The text that belongs to the argumentative part is also very concise, expressive, and only uses such simple and easy-to-store allusions as Qi Peng's death and repair wedge in the dictionary, such a simple line is in stark contrast with the Eastern Jin Dynasty's carved chapters and sentences, flashy and unrealistic literary style, this article embodies Wang Xizhi's positive outlook on life in the WTO, and the inaction advocated by Lao Zhuang is in sharp contrast.

The author of the preface to the Lanting Collection is Wang Xizhi, who believes that life is life and death is death, and it cannot be seen equally. Wang Xizhi's profundity lies in the fact that on the one hand, he frankly admits that life is fragile and short, and on the other hand, he sees the difference between the essence of life and death.

Wang Xizhi's positive attitude towards life with dedication and love for life surpasses many cultural masters in the early and late periods to a certain extent; Wang Xizhi's pen is surging with the torrent of love for life, inspiring future generations to continue to write magnificent chapters of life.

Appreciation of the Lanting Collection:

This preface is sparse, concise and profound, and prominently represents Wang Xizhi's prose style. And its language is exquisitely clear and catchy. It is a masterpiece of ancient pun. The Preface to the Orchid Pavilion Collection has strengths in several aspects of the prose.

In terms of syntax, the battle is neat, and the meaning of the sentence is compared, such as "the group of sages is complete, and the young are long and salty", "look up at the size of the temple." Looking down on the splendor of the category", "or take it from your arms, and talk in a room; Or because of the bend of the spring, outside the wandering wreckage", two by two, the rhyme is harmonious, there is no trace of the axe and chisel, the language is fresh, simple and natural.

The text belonging to the argumentative part is also very simple and expressive, and only uses the allusions of "Qi Peng's death" and "repairing the wedge" in the dictionary, which are simple and easy to store, such a simple line of writing is in stark contrast to the Eastern Jin Dynasty's carved chapters and sentences, and the flashy style of orange and noisy ode.