Why are Chinese paintings so freehand? Can you use Chinese painting paints to depict realism? Thank

Chinese painting is divided into freehand and gongbi, I think what you yearn for should be gongbi painting, gongbi painting is more test of patience, painting materials are also different, freehand is to absorb a lot of water on the raw rice paper painting, emphasizing the "meaning" that is, the artistic conception, gongbi is to paint on the familiar Xuan, is to have both form and spirit.

If you want to draw well, you should first practice white drawing, which is a very painful stage. Because unlike Western painting, Chinese painting will make the lines ugly, so it is necessary to practice the lines. It may take several years to draw a white sketch.

For the coloring of the brush, it depends on your grasp of the color. The realism of the things drawn by the master of fine brushwork will not be inferior to any kind of Western painting.

If LZ is willing to study hard, then I wish you all the best and learn it as soon as possible.

Freehand painting can make the calligrapher feel a sense of pleasure. The colors of Chinese paintings can be realistic, and many gongbi paintings are realistic.

The material of Chinese painting determines the characteristics of the work, and it is not very good to do it in the performance of hyper-realistic techniques, and it is okay to express hyper-realistic themes.

It's okay to be realistic, it's a bit hard to be hyperrealistic. Liu Liangjing's landscape paintings are more realistic, which can be referred to.

Chinese painting is roughly speaking, divided into two kinds: freehand and gongbi, freehand expressive, gongbi hook. If you are very interested in the beauty of meticulous realism, learn to write gongbi. But the same will be very bitter, the basic skills are very troublesome, and unlike freehand, some places are broken and there is the vitality of the drawing, if the brush is a masterpiece, a detail has to be in trouble all over.

Realism should be fine, but it may not be good.

Of course, Chinese gongbi painting is hyperrealistic.

Ink painting is more concerned with the artistic conception of the beauty, and most of the freehand paintings are more realistic beauty, ink painting is a kind of traditional Chinese painting that is harmonized by water and ink, and freehand painting is a painting made of some simple strokes, and it is not the traditional painting technique of our country, and the painting techniques used between the two are different.

The form of expression is different, all the materials are different, the artistic conception is different, the technique is different, and the feeling is different, but they are all very good-looking.

There is a difference in appearance, a difference in color, a difference in production, a difference in presentation, and a difference in artistic conception, because the nature of these two is different, and ink painting is very popular with people.

Chinese painting is about "writing", expressing spirit, and being abstract. Western painting is "imitating", depicting, and imitating things, and it is more concrete. Chinese painting has its own unique artistic appeal and artistic charm, which is the biggest difference between Chinese painting and Western painting.

1. Chinese painting attaches great importance to the use of blank space, which has the effect of "the coexistence of virtual and real".

2. Chinese painting attaches great importance to the relationship between art and nature, emphasizing "writing the gods with form", and paying attention to artistic conception and charm; Scattered perspective. Western painting, on the other hand, overrides nature, using focal perspective and rewriting forms.

3. Chinese painting and calligraphy have a deep origin, that is, "calligraphy and painting have the same origin" and "calligraphy and painting have the same method".

4. Chinese painting and poetry have something in common, so "poetry in painting" is admired; "There is a painting in the poem" is "poetic and picturesque", but Western painting is not. Heavy resemblance, reproduction, rationality, time and space, light and color effects.

5. Chinese paintings also often use seals, which are embellishments and increase charm and beauty.

6. Chinese painting depicts the hometown of the soul, while Western painting depicts the homeland of life.

7. Painting method, Chinese painting pays attention to silent writing, that is, after obtaining materials, he returns to the room to paint, and the West pays attention to sketching.

8. Observation method: Chinese painting pays attention to inadvertently obtaining materials during play, while Western painting pays attention to deliberate framing.

9. Composition: Chinese painting pays attention to blank space, while white space in Western painting is regarded as incomplete.

10. Perspective, Chinese painting is scattered perspective, Western painting is focus perspective.

11. The use of poetry, calligraphy, painting and printing is an important part of the picture in Chinese painting, while Western painting does not have this theory. 7. Western art is mainly based on practicality, strict requirements for light and shadow effects, and the shape is not like creative abstraction, leaving room for thinking. Assist.

The characteristics of Chinese painting pigments: they contain pure, ancient, elegant, and beautiful hues and tones, as well as a magnificent sense of color, and there are many categories.

The difference between freehand and realism is:

Realism: Realistic depiction of things. It is like looking at things in a mirror, emphasizing "likeness". Even the things in the mind must be similar to the things in life. Realism pays attention to the spatial relationship of objective objects and the reproduction of the shape and color of the object itself.

Freehand: Outline the demeanor of the object with concise brushwork to express the artistic conception. It is a kind of painting method of Chinese painting, which does not seek meticulous workmanship, but deliberately pays attention to the expression of demeanor and the expression of the artist's interest. Freehand painting is the opposite of "gongbi painting".

Why is freehand the biggest feature of Chinese painting? It is related to the ancient poets and literati who liked to paint. Poets and literati all emphasized the "artistic conception", and in addition to writing, they used residual ink and paper, dotted a few grasses, an autumn insect, and a thin stone, and inscribed a few sentences to make the most of their fun.

This habit influenced the tradition of Chinese painting.

I understand that the biggest difference is whether or not to pursue the realism of the scene. Freehand does not pursue realism, pursues the overall artistic conception, and realistically pursues realism.

Freehand focuses on artistic conception, not requiring the appearance to be like the main feeling. The splash of ink is on that splash of words.

Realism demands appearance and reality, just like sketching people.

First, the nature is different.

1. Ink painting:

Paintings made by mixing the concentration of water and ink are a form of painting, and more often, ink painting is regarded as a representative of traditional Chinese painting, that is, Chinese painting. It is also known as Chinese painting and Chinese painting. Ink painting is one of the traditional Chinese paintings.

2. Freehand painting:

It is to depict the scenery with concise brushwork.

Second, the characteristics are different:

1. Ink painting:

Ink is the origin of Chinese painting, and it is based on the techniques used by brush and ink to form ink painting. Line center pen, side pen, forward and reverse front, dot dyeing, rubbing, breaking ink, plucking ink branch method. The variation of ink on water is divided into five colors.

Painted into a work, inscribed, stamped. It is a complete ink painting.

2. Freehand painting:

Freehand painting is mostly painted on the life of Xuan, the vertical brush is swaying, the ink color is flying, and it can better reflect the charm of the scene depicted than the gongbi painting, and it can also express the author's feelings more directly. It is expressed in the form of a center, a flank, and a reverse striker.

First, the color of the color.

There are many types of pigments in Chinese painting, and different pigments have unique textures and colors. When choosing a pigment, you need to use different colors according to the needs of the picture. For example, some strong pigments can be used to depict plants and plants in landscape paintings, while some light colors are more suitable for expressing the temperament of figure painting.

Second, the texture of the pigment.

The texture of the Chinese painting pigment is a very important point. Paints with delicate interfaces can better preserve the effect of brushstrokes, while paints with slightly coarser textures are more suitable for expressing the texture of the picture. For example, using coarse-grained sandpaper to make ink paintings can increase the naturalness of the picture and the charm of the ink.

3. Stability of pigments.

The stability of the pigment is also very important. Some pigments may fade due to sunlight or temperature, so care needs to be taken when using them to avoid excessive sun exposure or exposure to high temperatures. In addition, the quality of the paint can also affect its stability, and some cheap paints may contain chemical components that cause color instability.

Fourth, the quality of the pigment.

Don't ignore the quality of the pigments, which is a necessary condition for making high-quality Chinese paintings. can make the picture fuller, fresher and more visually impactful. When making a Chinese painting, beginners can choose some high-quality pigments, which can improve the quality of the painting to a certain extent.

Fifth, the amount of pigments.

The amount of pigment is also a point that needs to be paid special attention to in the production of Chinese paintings. Excessive use of paint may cause the picture to become too thick, and the dispersion and flow of Sun Xiang's ink may affect the aura of the whole picture. Therefore, when making Chinese paintings, we must master the amount of pigments according to the needs and pursue the artistic effect of "less but fine".

6. Harmony of pigments.

The harmony of pigments is also a point that needs to be paid attention to when making Chinese paintings. Reasonable harmony can make the picture more vivid, vivid and three-dimensional. When blending pigments, beginners can refer to some teachers' demonstrations** or tutorials, and improve their skills through continuous practice and accumulation.

7. Maintenance of pigments.

Pigments need to be properly cared for after use, so that their quality and stability can be guaranteed. Some harder pigments may become dry after use, and the texture of the pigment can be improved with some appropriate wetting agents. In addition, special attention should be paid to the storage of pigments, which need to be placed in a dry, dark, and ventilated environment to avoid long-term exposure to sunlight or high temperatures.

Chinese painting is said to be freehand, freehand is the use of bold and eclectic brush and ink techniques, through subjective feelings to express the essence of things, to reflect the painter's understanding and pursuit of nature and society, emphasizing the painter's spirit of the object.

1. The origin of the word "freehand":

The word "freehand" first appeared in "Warring States Policy: Zhao Ce II", "loyalty can be freehand", which is interpreted as "openly expressing one's heart". It is a creation that transcends time and space, so that Chinese painting preserves and constantly strengthens and shows her oriental temperament of "beyond the image".

2. Chinese painting is said to be a freehand expression

1. There are almost no restrictions on the size and proportion of Chinese paintings.

For the example of the comparison of pictures, there is a very typical aesthetic standard in Western art that is "** segmentation rate". The degree of freedom of size and proportion of Chinese painting is much greater, and there is almost no limit to the proportion when it is used. For the initial size of the drawing paper, the author can cut it as needed.

2. The size of things in Chinese painting is not constrained by reality.

In Western art, the relative size of things should be fixed, and at the same time, they should change according to the rules of perspective, which is what nature presents to us. In Chinese painting, however, this rule does not limit the artist's thoughts.

The five major techniques of Chinese painting to express freehand:

1. Hook method: line modeling in Chinese painting is one of the main techniques of freehand painting. At the same time, "hook" is often combined with "dyeing" to express some specific content, such as the face, hands, and flowers of the character, and sometimes the hook is also used in combination with the hook, such as the painting method of landscape painting stones, which is mostly a combination of hook and color.

2. Method: In Chinese painting techniques, the method of expressing the texture of rocks and trees is called "Method". The commonly used methods are rice dots, hemp flowers, cirrus clouds, lotus leaves, and firewood.

The method has an abstract expression, more individuality, improvisation, and seems to be scribbled, but in fact it cannot be lawful.

3. Erase method: The brushstrokes are not clear and are called rubbing. Rubbing is a continuation of the process and a supplement to the process, the purpose of which is to make the picture effect more vigorous.

4. Point method: the expression technique of surface modeling, the use of freehand painting is more common, the point in the freehand painting is called a point poke or point poke, and the point method should emphasize the method of using the brush and seeing the brushstrokes. The freehand point method should be based on reality, which can hide the front and reveal the front in disgust; It can be sideways or loose, and no matter which method you use, you must see the brushstrokes and not be ambiguous.

5. Dyeing method: Dyeing method is another way to enhance the picture effect. The dyeing of freehand painting is generally combined with the brush and the dot, such as the dyeing and dot dyeing, which is a dyeing method that sees the brushstrokes. Its function is the same as that of gongbi, and there are two methods: wet dyeing and dry dyeing.