Ouyang Xun s life and calligraphy characteristics, as well as his calligraphy works?

Ouyang Xun is smart and diligent, reading several lines at the same time, when he was a teenager, he was well-versed in the ancient and modern, proficient in most famous books such as "Historical Records", "Hanshu" and "Dongguan Hanji", especially good calligraphy, almost to the level of obsession. It is said that once Ouyang Xun went out on horseback and happened to see a stone tablet written by Suo Jing, a famous calligrapher of the Jin Dynasty, on the side of the road. He rode on the horse carefully for a while before reluctantly leaving, but just a few steps and couldn't help but return to dismount to watch, admired many times, this time he said that he didn't want to leave, he simply laid out the felt and sat down to repeatedly figure out the structure of the word, and finally lay down next to the stele and studied it for three days before he was willing to leave.

Calligraphy characteristics: his regular calligraphy degree is rigorous, the pen power is precipitous, there is no work in the world that can match it, so it is called the first regular script of the Tang Dynasty. His writing was completed in one go, and it was completely clean, without any performance of dragging mud and water.

Ouyang Xun's calligraphy is characterized by both square and round, mainly square, dot painting is strong, and the pen force is condensed. It is not only steep on the side, but also rigorous and neat. The middle of the side remains stable, and the compactness does not lose sparseness.

European style is a regular script font created by the great calligrapher Ouyang Xun in the Tang Dynasty. It seems to be unrestrained, sparse and dense, equipped on all sides, exquisite on all sides, vivid and vivid, just right. The dot painting is matched and the structure is arranged, which is flat and steep.

Ouyang Xun's character profileOuyang Xun from 557 to 641, Han nationality, Tanzhou Linxiang present-day Changsha people, character letter, one of the four masters of regular script Ouyang Xun, Yan Zhenqing, Liu Gongquan, and Zhao Mengfu. Born in 557 A.D. in Hengzhou, now Hengyang, ancestral hometown of Tanzhou, Linxiang, now Changsha, Hunan, Ouyang Xun's grandfather Ouyang Hui was the general of the Southern Liang Zhige from 498 to 563, and his father Ouyang Su served as the general of the Southern Chen Guangzhou Assassin and the general of the Zuo Wei.

He was killed due to the failure of raising troops against Chen, and was connected to the family. Ouyang Xun survived at a young age and was adopted by his father's friend.

Ouyang XunThe representative works of calligraphy are:

1, Zhang Hansi perch post:

Zhang Han Ti" is also known as "Zhang Han Si Perch Post".

Ji Yingti" is a calligraphy work on paper created by Ouyang Xun, a calligrapher in the Tang Dynasty. The content of "Zhang Han Post" tells the story of Zhang Han, a Jin person, who misses his hometown because of the autumn wind.

The post is the Tang Dynasty hook fill book, the pen and ink are heavy, the edge is slightly poor, the chapter pays attention to the penetration of the line, the font is slender and rigorous, the pen is strong and straight, the word spacing is small, the line spacing is larger, the style is flat and the trend is dangerous, giving people a sense of freshness and rectification.

2. Huangfu's Birthday Monument:

The Huangfu Birthday Monument was written by the Tang Dynasty calligrapher Ouyang Xun, "Huangfu's Birthday Monument".

The pen is tight and restrained, and it is indomitable. The dot painting focuses on the pen carving, which is the beginning of the Tang Dynasty.

The unique penmanship characteristics of the thin calligraphy style of the Wei stele and the Sui stele have not been removed.

3. Yu Gonggong Monument:

Yu Gong Gong Monument" is also known as "Wen Gong Monument", "Wen Yanbo Monument", is the abbreviation of "Tang Dynasty Late Te Jin Shangshu Right Servant Shot on the Pillar State Yu Gong Gong Wen Gong Monument", Tang Zhenguan 11 years engraved, Cen text written, Ouyang inquiry. In the Song Dynasty, the lower half of the stele stone was broken, and there were shepherd boys playing, and the lower section was more diffuse, Zhaoling.

There are many monuments like this.

4, Jiucheng Palace Liquan Ming:

Jiucheng Palace Liquan Ming".

It was Tang Zhenguan six years by Wei Zheng.

Written by calligrapher Ouyang Shudan, the regular script calligraphy works made by the calligrapher Ouyang Shudan. "Jiucheng Palace Liquan Ming" is slender, the middle palace is tightened, the four sides are opened, the left is constricted, and the right is longitudinal, turning danger into relief.

The glyph is shaped with the potential, the left and right structures are contrary to each other, the upper and lower structures are narrow and wide, the frame is open and stable, and the weather is solemn. Its cloth is white and even, the word spacing, the line spacing is sparse, it is the most accurate of the nine palaces, the blood of the whole monument is unimpeded, and the rhyme is gloomy.

5. Dream Laying Post:

"Zhongni Dream Laying Post" is a calligraphy work on paper created by Ouyang Xun, a calligrapher in the Tang Dynasty, "Zhongni Dream Laying Post" calligraphy pen strength is vigorous and simple, with light ink but not thick, with a bald pen calligraphy, turning freely, no stroke is inappropriate, no stroke is stagnant.

The upper and lower veins are clear, the structure is steady and solid, the pen is calm, the rhyme is smooth, the body is square and the pen is round, charming and strong, written by Ouyang Xun in his later years, clear and dusty, it is a rare treasure.

Ouyang Xun calligraphy characteristics: rigorous neat, flat and steep, although the glyph is slightly longer, but the partition is white, neat and rigorous, the main pen in the palace is tightly elongated, it seems to be unrestrained, there are sparse and dense, all sides are prepared, the eight sides are exquisite, the rhyme is vivid, just right.

Ouyang Xun is not only a generation of calligraphers, but also a calligraphy theorist, he summed up the eight methods of practicing calligraphy in the long-term practice of calligraphy, Ouyang Xun's "Teaching Tips", "Pen Theory", "Eight Tips", "Thirty-six Laws" and so on are his own experience in learning books.

Anecdotal allusions

Ouyang Xun is smart and diligent, reading several lines at the same time, when he was a teenager, he was well-versed in the ancient and modern, proficient in the three histories of "Historical Records", "Hanshu" and "Dongguan Hanji", especially good calligraphy, almost to the level of obsession.

It is said that once Ouyang Xun went out on horseback and happened to see a stone tablet written by Suo Jing, a famous calligrapher of the Jin Dynasty, on the side of the road. He rode on the horse carefully for a while before leaving, but just a few steps and couldn't help but return to dismount to watch, admired many times, and did not want to leave, so he simply spread the felt and sat down to think about it repeatedly, and finally sat and lay down next to the monument for 3 days before leaving.