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——— Wu wine and a cup of spring bamboo leaves, Wu Wa remembers Hangzhou the most.
Excerpted from "Remembering Jiangnan".
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1. Looking for Guizi in the Moon in the Mountain Temple, looking at the tide on the pillow of the Junting Translation: Visit the Lingyin Temple to find the Guizi in the bright moon, lie on the pillow, and enjoy the rising and falling tide of the Qiantang River.
3. Full text: Jiangnan is good, and the scenery is old; The sunrise river flowers are red, and the spring river is as green as blue. Can you not remember Jiangnan?
Jiangnan recalls, the most remembered is Hangzhou; "Looking for Guizi in the middle of the month in the mountain temple, looking at the tide on the pillow of the county pavilion. When will I visit again! Jiangnan recalls, followed by Wu Palace; Wu wine a glass of spring bamboo leaves, Wu Wa double dance drunk hibiscus.
Meet again sooner or later!
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It means the memories of Jiangnan, and the most evoked remembrance is Hangzhou. When the moon is full, in the mountain temple, look for Guizi, climb the county pavilion and lie in it, and enjoy the tide of the Qiantang River. When will I be able to play again?
From the second poem in the Tang Dynasty poet Bai Juyi's "Three Songs of Remembering the South of the Yangtze River".
This poem depicts the beauty of Hangzhou, and verifies that "Jiangnan is good" through the pictures of the mountain temple looking for gui and the tide watching the tide in Qiantang, expressing the author's memory of Hangzhou.
Remembering the Three Songs of Jiangnan: Part II" original text:
Jiangnan recalls, the most remembered is Hangzhou; "Looking for Guizi in the middle of the month in the mountain temple, looking at the tide on the pillow of the county pavilion. When will I visit again!
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The next sentence of "looking for laurel in the moon of the mountain temple" is "the county pavilion pillow looks at the tide".
"Looking for Guizi in the middle of the month in the mountain temple, looking at the tide on the pillow of the county pavilion. "From Bai Juyi's "Remembering Jiangnan" in the Tang Dynasty. The original text is as follows:
The south of the Yangtze River is good, and the scenery is old. The sunrise river flowers are red, and the spring river is as green as blue. Can you not remember Jiangnan?
Jiangnan recalls, the most remembered is Hangzhou; "Looking for Guizi in the middle of the month in the mountain temple, looking at the tide on the pillow of the county pavilion. When will I visit again!
Jiangnan recalls, followed by Wu Palace; Wu wine a glass of spring bamboo leaves, Wu Wa double dance drunk hibiscus. Meet again sooner or later!
The translation is as follows: How beautiful the scenery of Jiangnan is, the scenery has been familiar for a long time. When spring comes, the sun rises over the river, illuminating the flowers on the riverside redder than fiery red, and the turquoise water is greener than the blue grass. How can people not miss Jiangnan?
The memories of Jiangnan can evoke the most remembrance in Hangzhou. Visit Tianzhu Temple to find the Guizi of the Mid-Autumn Festival, climb the county pavilion, lie on it, and enjoy the rising and falling tide of the Qiantang River. When will I be able to play again?
The memories of Jiangnan, the next thing is to recall the Wu Palace in Suzhou. Drink the fine wine of Wu Palace, spring bamboo leaves, and see the singers of Wu Palace dancing like charming hibiscus. When will we meet again?
Memories of the three Jiangnan poems
The three poems of the memory of Jiangnan are the lyrics of the Tang Dynasty poet Bai Juyi.
The first poem always writes about the memories of the south of the Yangtze River, and the author chooses the river flowers and spring water, lined with the background of sunrise and spring, and uses metaphors and contrasting techniques to vividly depict the beautiful scene of spring in the south of the Yangtze River.
The second poem depicts the beauty of Hangzhou, verifying the goodness of the south of the Yangtze River through the pictures of the mountain temple looking for laurel and the tide watching the tide in Qiantang, expressing the author's memory of Hangzhou.
The third poem sings about Suzhou, selecting bamboo leaf spring wine and Wu Wa's drunken dance, outlining the charming customs of Suzhou and expressing the author's memory and yearning for Suzhou.
These three poems have the same theme but have their own beginning and end, respectively depicting the beauty of the scenery, scenery and women in the south of the Yangtze River, which are relatively independent and complementary to each other, with strong artistic generalization and wonderful artistic conception.
The above content refers to the Encyclopedia - Three Songs of Remembering Jiangnan.
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Jiangnan recalls, the most remembered is Hangzhou; "Looking for Guizi in the middle of the month in the mountain temple, looking at the tide on the pillow of the county pavilion. When will I visit again!
Translation] The memories of the south of the Yangtze River can evoke the most reminiscent of Hangzhou, which is like a paradise: visit the mountain temple to find the laurel in the bright moon, and climb the county pavilion to lie on it to enjoy the ups and downs of the tide. When will I be able to replay the game again?
This song is also known as Xie Qiuniang, with five sentences each. According to the "Yuefu Poetry Collection": "Remembering Jiangnan" is a "Wangjiangnan".
Because of Bai's words, it was later renamed "Jiangnan Good"."In the late Tang Dynasty, the Five Dynasties became one of the word cards.
Mountain temple sentence: The author's poem "Dongcheng Gui" self-note says: "It is said that Hangzhou Tianzhu Temple has laurel seeds falling in the Mid-Autumn Festival every year. ”
Junting: Suspected to refer to the East Building of Hangzhou City. Look at the tide head: at the place where the Qiantang River enters the sea, there are two mountains facing each other in the north and south like a door, the water is clamped, the momentum is extremely fierce, and it is a famous spot in the world.
Appreciation of works The poet came to Jiangnan in his early years to avoid chaos and lived in Suzhou and Hangzhou. In his later years, he served as a thorn in Hangzhou and Suzhou for many years. The mountains and rivers in the south of the Yangtze River, every grass and tree left a deep impression on him.
He also formed a deep friendship with the people there, and he continued to be in love with it until he returned to the north in his later years. The three poems "Remembering Jiangnan" are the products of this mood. The work expresses the poet's love for the great rivers and mountains of the motherland, and also has a positive effect on the development of literati in the future.
This poem is to highlight the description of Hangzhou, a place that is known as comparable to heaven, to verify that "Jiangnan is good".There is a legend of the laurel tree in the moon in ancient mythology. "The New Book of the South" contains:
Hangzhou Lingyin Temple is more gui, and the monk said: "This month is also planted." So far, the Mid-Autumn Festival looks at the night, often falls, and the monks also taste it.
It can be seen that the statement of laurel in this temple is just the monk's own words. However, the truth of life is not the same as the truth of art, and the use of this legend in the work is intended to express the extraordinary nature of Hangzhou. At the same time, "looking for cinnamon in the moon in the mountain temple" also expresses the poet's romantic imagination, and the reader seems to see the blooming osmanthus in front of his eyes, and smells the rich fragrance of the cinnamon.
The second sentence "the county pavilion pillow looks at the tide" depicts the wonder of Hangzhou and Zhejiang entering the sea. Through the poet's description of the two representative life pictures of the mountain temple and the Qiantang tide, only two sentences are enough to make people want to see the colorful and colorful Hangzhou.
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From "Remembering Jiangnan".
On a moonlit night, I went to Hanshan Temple to look for longan, and then very late, I lay on a pillow in a pavilion called Gutei and watched the tide lapping against the waves.
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A county is an ancient administrative unit, and a county is equivalent to a prefecture-level city today, such as Changsha County, which is roughly equivalent to today's Changsha City. The pavilion is a grass-roots administrative unit in ancient times, in charge of public security, postal and other services, roughly equivalent to today's police station, such as Liu Bang was the chief of the Surabaya pavilion. In ancient times, there was a pavilion in ten miles.
For the accommodation of passers-by or official postmen, temporary rest, etc., each pavilion has a common house on the side of the road, which can shelter from the wind and rain Accommodation, people called"Pavilion", which later became the name of the administrative unit.
Looking for Guizi in the middle of the month in the mountain temple, looking at the tide on the pillow of the county pavilion, it refers to a person who goes out on the road is very hard and lonely, and sighs from the heart. It expresses his long-term travel, sleeping in the ancient temples in the mountains, and when passing through the counties, he sleeps at the post booth at night, and has no one to accompany him.
To put it simply,"County Pavilion"It is a temporary resting place on various roads in the ancient county.
Staying overnight at a mountain temple means staying in a temple on a mountain at night. >>>More
The full poem "The Peach Blossoms in the Mountain Temple" written by the Tang Dynasty poet Bai Juyi are as follows: >>>More
Of course not, the language is on page 103, and it is said that it is Du Fu's "One Hundred and Five Days and Nights to the Moon".
The traffic police don't care about this. It's just that you can't pass the car inspection.
Chang Jian is the author of "The Title of Poshan Temple Hou Zen Temple".