Celebrity Biography The Personality of 3 People 100 Words Rating 200 Words 30

Mi's character: Michelangelo's love of learning in his youth led him to absolute loneliness. In the eyes of others, he is lonely, perverse, and crazy.

Just having a bystander present can completely disturb his emotions. He had to feel a sense of isolation in order to be able to work well. Whenever he was social, he was tired of social events and never wanted to go to a dinner party.

He had no friends, but he was generous, and he gave away a lot of his work. He said, "No matter how rich I am, I have always lived like a poor man."

He never thought of anything that constituted the meaning of a philistine life, and he cherished only his energy.

Beethoven: haughty, aggressive character. Beethoven was an unfortunate man, poor, crippled, lonely, the world did not give him joy, but he created joy to give the world! Contempt for the powerful was Beethoven's character.

Tolstoy inherited from his grandfather a "true aristocratic temperament" (in the eyes of progressive writers such as Turgenev, titles such as aristocracy were often used on the lips, backward and pedantic), which was expressed in contempt for the powerful in the world and contempt for worldly prejudices. Like his grandfather, he was hot-tempered, upright, and rebukeful, but at the same time warm and magnanimous; He is arrogant and conceited, with strong self-esteem, but at the same time he is so humble that he even feels sorry for himself and gives up on himself; He was strong and decisive at one moment, and supple as silk at another. Although he is an ordinary and simple person, his personality is very complex.

What are the three parts of Jin Yong's hero trilogy? Who is the protagonist of each **? What are some personality traits?

Beethoven: unruly, ordinary, self-reliant, persevering.

Michelangelo: kind, fraternal, kind, lonely, suspicious, cowardly, persevering, passionate about his work.

Tolstoy: Perceptive, honest, self-improving, stubborn, with a religious point of view.

Michelangelo, sculptor, painter.

Leo Tolstoy, writer, author of War and Peace, Anna Karenina, Resurrection, etc.

Beethoven, ** composer, has Symphony of Destiny, etc.

Tolstoy's art is broad and profound. First of all, he created the epic genre with a characteristic breadth of generalizations. A magnum opus like War and Peace, which recreates an entire era, is magnificent, has vast scenes, and has many characters (more than 500).

Historical facts are blended with artistic fiction, unrestrained brushstrokes and delicate descriptions; The appearance of the individual is revealed in the huge group portrait, and the solemnity of the epic is interspersed with lyrical monologues, which are varied and spectacular. He is good at navigating the structure of multiple clues, and the connection is seamless; It can also break through the "closed" form of **, which is magnificent, like life without beginning and end. However, Tolstoy's artistic charm lies not only in the representation of the macrocosm, but also in the portrayal of the microcosm.

He has insight into the mysteries of the human heart, grasped the dialectical development of the mind as never before in world literature, and meticulously described the process of psychological transformation under the influence of the outside world. And it penetrates into the subconscious of man, and expresses it in a harmonious connection with consciousness. Tolstoy's artistic power is truth, and it is prominently manifested in character building. He always faithfully depicts the multifacetedness, richness and complexity of his characters' hearts, not just about their prominent side or a dominant state of mind.

He does not hide the shortcomings of his beloved characters, nor does he stifle the glimmer of light that flashes in the hearts of the characters he reveals. He does not whitewash, exaggerate, idealize or caricature, but always shows his true face with the help of real and objective descriptions, so as to see greatness in the ordinary, or on the contrary, show its terrible in the ordinary. He is also good at depicting the development and changes of character, which is natural and does not show traces of the axe.

The main characteristic of Tolstoy's style is simplicity. He strives to reflect the truth of life or express his thoughts to the fullest and most accurately, so although he is strict in his art, as in "War and Peace", he does not win by skill, does not pursue formal refinement, nor avoids lengthy compound sentences, but only seeks the greatest expressiveness. In his later years, his art changed significantly.

In psychological analysis, he strives to be concise, not to write about the whole process of feelings, but only about the main links of each stage of the psychological process; Sometimes a theatrical approach is taken, expressed through action and dialogue. Instead of writing about the sequential development of the character, write about the decisive transformation caused by a sudden accident. Structurally, in order to show the awakening of the characters, the method of flashbacks is often used; In order to concentrate, the long-form ** no longer uses multiple clues, but uses a single clue gradually.

In terms of language, it strives to be simple and concise and easy to understand, close to folk tales.

"Biography of Famous People" very well confirms an ancient Chinese motto: Those who have achieved great careers in ancient and modern times must not only have supernatural talents, but also have perseverance. Romain Rolland grasps the commonalities of these three artists, who have their respective fields, to revive the noble humanist tradition of 20th-century literature and to restore its rich and colorful characters.

Beethoven's tortuous life from the glory of fame to the poverty at the bottom of his life, from the misery of childhood to the pursuit of joy in old age, as Romain Rolland described "his whole life was like a thunderstorm". From this, I realized that Beethoven was always fighting against fate and ideas, and although he gave people a sense of arrogance, there was a fragility and a strength in his heart that those who did not know him could not explore. His passion for composing the perfect song, his dedication to finding joy, and his encounter with perfection have made his life "a force of nature; That kind of battle between a primitive force and the rest of nature produces Homer's epic spectacle", and he forged joy in his own suffering, and "the exchange of pain for joy" was enough to condense his life.

What about Michelangelo? "He has strength, he has the privilege of being born to fight, to conquer, and he conquered - he doesn't want to win. That's not what he was hoping for.

He is a spiritual nobleman, a genius, but he is haunted by genius, and even his spirit and heart cannot do anything. This mad excitation exists in a terrible being that is too weak in body and mind to control it. From this, I can see that his life is sacred and painful, but he believes that as long as his soul can be stoic and resolute, and does not blindly sink because of sorrow, then he will definitely break through the spiritual shackles, and in the struggle and renunciation, he dedicated his whole life to creating immortal masterpieces that express truth, goodness and beauty.

And Tolstoy, the great soul of the glittering Russia on the earth, soothing the stars in the gloomy twilight of the late nineteenth century, wrote with his powerful pen a series of works that allow us to follow the contradictions of Tolstoy's adventurous life step by step. In addition to the darkness of the society at that time, the depiction of these works is his belief in God as his perseverance in sowing the seeds of love in the world with the tip of his pen. I deeply appreciate that he upheld his beliefs for truth and justice, and wrote his life for truth and justice.

Beethoven wanted to give up composing, leave his homeland, and live in seclusion. But after many sleepless nights of thinking and countless fierce ideological struggles, he finally began to face fate and work tenaciously, writing the symphonies "Hero", "Pastoral" and "Destiny", the piano concerto "The Emperor", the violin sonata "Kreuzze", the piano sonata "Wallenstein" and "Passion", the opera "Fidelio" and ......

Michelangelo may not have been brave in life, but he was never timid when it came to exploring art! He stayed in the quarry for months; In order to transport carefully selected stones, he personally led the workers to open mountains and build roads; In order to keep the mural bright and not fall off, he fumbled for the paint formula, and if he made a mistake, he had to start all over again, so he tried and failed, and failed again; In order to build a cemetery and cast bronze statues, he had to learn from scratch in fields completely unfamiliar to him - alchemy and architecture; In order to grasp the structure of the human body, he used corpses to dissect, which not only aroused people's disgust, but also caused a serious illness ......

His books were praised, his good deeds were widely celebrated, and his name was silently revered. Years after his death, he is still deeply missed. He has a privileged position, a healthy body, and a happy family.

If he had been content with the status quo and had lived a peaceful and happy life, then in a few years, no one would have remembered his existence.

He is Tolstoy.